‘No, Pirate Bay Uploaders Should Not Get Paid!’

A Pirate Bay user recently suggested that the iconic torrent site should pay uploaders for their work. A controversial idea that wasn’t well-received among the TPB staff, to say the least. This ignited an amusing discussion that touched on copyrighted torrents, paid downloaders, self-entitled children, and much more.

From: TF, for the latest news on copyright battles, piracy and more.

sharing is caringWhen the first torrent sites appeared online in the early years of the century, they needed content to distribute.

This task was naturally taken up by people who liked to share. Because they could and because they liked it.

These uploaders were not financially motivated. They spent time and effort that was rewarded with recognition from downloaders. An occasional ‘thx uploader’ was enough to keep them going.

Pay to Share

In common with the early years, most torrent site uploaders today are still intrinsically motivated. Over the years, however, money has played a bigger role in the larger pirate ecosystem and slowly but steadily, money and greed have become a factor.

Torrent sites haven’t been spared from this. There are quite a few examples of private torrent sites that have made a business out of ‘VIP’ accounts. At the same time, there are plenty of public torrent sites that are run for profit as well, often with little regard for their users.

Money as a motivator is even more visible on cyberlockers. These turned sharing into a business model by paying people for uploading popular files. These files are good for advertising eyeballs and premium accounts and site owners were happy to share a piece of this with users.

It’s a clever model, where downloaders are turned into the product. Sharing is no longer “caring” in this case – sharing is big business.

‘Pay Pirate Bay Uloaders’

The large public torrent sites have not ventured into this revenue-sharing model. They never needed to. However, according to a Pirate Bay user, they may want to reconsider this ‘super great suggestion‘.

In recent weeks we have followed an intriguing thread, started by ‘QiikSand’ with a short and concise suggestion: “Pay the uploaders.”

At cyberlockers, this may be an accepted practice. However, on The Pirate Bay, this suggestion is offensive. It goes against the “Kopimi” and “sharing is caring” ethos the site was founded on.

“People upload stuff for the love of sharing, not to earn money from what is simply a hobby,” TPB staffer Spud17 replied.

Copyrighted Torrents?

Moe, another TPB staffer, soon joined in, noting that QiikSand fails to see the irony of the proposal. That is, demanding money for uploading content for which the original creator would like to be paid as well.

“You think you should get paid for your ‘work’. So do the people who made the content you used in your ‘work’. Next you will be wanting to copyright your torrents so no one else can upload them to other sites,” Moe replied.

pirate bay discussion

Undeterred by the criticism, QiikSand insisted that it was a solid idea. He wants to see at least something in return for spending time and incurring expenses.

“I actually think I should at least get a share in the money for my cost,” he says, mentioning the cost of his time, electricity, equipment, bandwidth, as well as his talent.

Part of this logic refers back to the cyberlocker model. The uploaders make sure that people want to visit The Pirate Bay, which generates income for the site through advertising. QiikSand believes that he should have a cut of this.

While this may sound logical to some, it all depends on the ‘sharing’ worldview someone has. This was indirectly brought up by Pirate Bay user LZA, who chimed in as well.

Downloaders Should Get Paid Too?

“Under that thinking, they should pay downloaders too,” LZA replied. “If OP gets $$$ per download, I should get a cut of that if I D/L it, because, without me, the U/Ler would make nothing!”

At this point, TPB staffer Moe requested compensation from the topic starter for the time and effort he spent on his replies while suggesting that he could start his own site.

“If you feel you aren’t being properly compensated, start your own site to share on where you can get $$$$ of money, or perhaps quit making torrents and find a better paying job,” Moe said.

The responses make it clear that QiikSand’s idea wasn’t well-received in this crowd, but he didn’t give up.

He came back with a hard-to-comprehend plan to let copyright holders pay him for running a torrent site. However, he quickly passed on that because he is “too old and already rich.”

QiikSand later describes himself as a pirate who steals and sells his booty. At this point, we’re not really sure how serious we should take the comments, but it triggered another character to enter the scene.

Noone Should Get Paid..

This new character is “Tak Tak,” who goes against both parties by stating that no one should get paid for piracy. The Pirate Bay operators included. Instead, TPB should transform into a free and legal Netflix.

“I think neither of you should get paid. That’s why I use an Adblocker. Stealing is a crime and I will not support it financially,” Tak Tak writes.

“TPB should start paying the creators and pay the uploaders too. So they could legally make money and advertise. It would be like a free Netflix with ads instead. This would bring TPB to a new scale,” he adds.

By now we’re already in July. We took the liberty to skip over a few parts of the discussion and will end with comments fom TPB staffer Spud, who eventually decided to close the thread.

“People who think TPB should pay uploaders are nothing more than spoilt self-entitled children who have no clue how real life works, let alone how to run a large public torrent site, not to mention the costs and risks involved.

“Those who think they should get paid for sharing copies of content they haven’t created in the first place should go find another hobby and start demanding payment for that, see how that works out,” Spud17 adds.

The entire thread is still up here, so anyone can read it in full. If anything, it nicely illustrates the differences between “sharing is caring” pirates and those who see it as a business model.

From: TF, for the latest news on copyright battles, piracy and more.

An Ars roundup of the many trailers unveiled this weekend during Comic-Con@Home

Lovecraft Country, dystopian thriller Utopia, Marvel horror series Helstrom, and more

Several studios unveiled new teasers and trailers for their 2020 fall series during Comic-Con@Home

Enlarge / Several studios unveiled new teasers and trailers for their 2020 fall series during Comic-Con@Home (credit: Sean Carroll (AMC/Hulu/HBO/Fox/Amazon))

People might not be able to flock to San Diego Comic Con this year in person, but the virtual convention, Comic-Con@Home, has been running all weekend, with countless panels, sneak peeks, and teasers and trailers for upcoming TV shows—but not many films, because let's be honest: it's not looking so good for major theatrical film releases in the fall. On Thursday alone, we got the full trailer for Bill and Ted Face the Music, a teaser for the Simon Pegg/Nick Frost horror comedy Truth Seekers, and the first trailer for S2 of HBO's His Dark Materials. Rather than continue to cover each individually, we decided to compile the remaining trailers of interest into a single roundup post.

HBO dropped the final trailer for Lovecraft Country, debuting August 16.

Lovecraft Country (HBO)

HBO unveiled the final trailer for its upcoming horror series, Lovecraft Country, along with an official release date: August 16. It's based on the 2016 dark fantasy/horror novel of the same name by Matt Ruff, which deals explicitly with the horrors of racism in the 1950s, along with other, more supernatural Lovecraftian-inspired issues. Per the official synopsis:

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Nord Stream 2 und die US-Sanktionen

Die Bundesregierung sollte nach UN-Charta ein Gutachten des Internationalen Gerichtshofs einfordern

Die Bundesregierung sollte nach UN-Charta ein Gutachten des Internationalen Gerichtshofs einfordern

20 years ago, Steve Jobs built the “coolest computer ever”—and it bombed

“Nobody ever made anything like that,” said Steve Jobs.

This G4 Cube ran for several years as a headless server until succumbing to the thermal issues that plagued the device from launch. It's now a decoration in Managing Editor Eric Bangeman's office.

Enlarge / This G4 Cube ran for several years as a headless server until succumbing to the thermal issues that plagued the device from launch. It's now a decoration in Managing Editor Eric Bangeman's office. (credit: Eric Bangeman)

This month marks the 20th anniversary of the Power Mac G4 Cube, which debuted July 19, 2000. It also marks the 19th anniversary of Apple’s announcement that it was putting the Cube on ice. That’s not my joke—it’s Apple’s, straight from the headline of its July 3, 2001, press release that officially pulled the plug.

The idea of such a quick turnaround was nowhere in the mind of Apple CEO Steve Jobs on the eve of the product’s announcement at that summer 2000 Macworld Expo. I was reminded of this last week, as I listened to a cassette tape recorded 20 years prior, almost to the day. It documented a two-hour session with Jobs in Cupertino, California, shortly before the launch. The main reason he had summoned me to Apple’s headquarters was sitting under the cover of a dark sheet of fabric on the long table in the boardroom of One Infinite Loop.

“We have made the coolest computer ever,” he told me. “I guess I’ll just show it to you.”

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Segmentierung als Weg aus der Corona-Krise

Eine Segmentierung schafft die Möglichkeit, dass alle gesellschaftlichen Gruppen am sozialen Leben teilhaben können, ohne einzelne Schichten übermäßig zu belasten

Eine Segmentierung schafft die Möglichkeit, dass alle gesellschaftlichen Gruppen am sozialen Leben teilhaben können, ohne einzelne Schichten übermäßig zu belasten

‘Pirate’ Anime Domains Seized By Alliance for Creativity and Entertainment

The Alliance for Creativity and Entertainment, the global anti-piracy alliance featuring the studios of the MPA, Netflix and Amazon, has taken control of at least 10 domains previously connected to anime piracy. The seizures are the latest in a long line of actions that ACE and the MPA have chosen not to publicize.

From: TF, for the latest news on copyright battles, piracy and more.

ACE logoThe Alliance For Creativity and Entertainment is a massive global anti-piracy coalition featuring dozens of global content companies including the MPA, Netflix and Amazon.

The aim of ACE is to tackle infringement of its members’ rights in a centralized fashion by pooling resources and sharing the costs of enforcement actions. While the group publicizes some of its lawsuits and settlements, a significant number fly under the radar for reasons that are never made clear.

It’s believed that at least in some cases, lawyers acting for ACE discover the identities of pirate site operators and app developers in order to pressure them to quietly shut down and settle. In some cases this involves signing over domain names to ACE or, more accurately, placing them into the hands of the MPA.

Today we reveal that at least 10 additional domains have recently been commandeered by the Hollywood group. Information is scarce on some of the platforms but given their names, they were most likely involved in anime piracy.

Seizure of ‘Animemovil’ domains

In recent weeks, animemovil.com and animemovil.net and animemovil.tv were all taken over the MPA and redirected to the ACE anti-piracy portal. A check of WHOIS records shows that the domains are now registered to the Hollywood group and secured, as always, by brand protection and anti-piracy partner MarkMonitor.

Animemovil

According to an article published last October, Animemovil and AnimeYT (more on that in a moment) were among the most popular sites for obtaining Spanish-subtitled versions of Japanese anime.

They were reportedly forced to close down early 2019 but even a cursory Google search reveals a large range of sites trading on the same branding so whether they actually closed or simply switched domains isn’t immediately obvious.

Seizure of ‘Animeyt’ domains

As mentioned above, when it came to subbed versions of Japanese anime, AnimeYT was reportedly popular in Spanish-speaking regions but now several domains linked to the platform are in the hands of the MPA.

During the past few weeks, animeyt.tv, animeyt.video, animeyt.link, and animeyt.online all fell into the hands of the Hollywood group and currently redirect users to the ACE anti-piracy portal.

Seizure of ‘AnimesoneHD’ domains

In common with many domains seized by ACE/MPA, it can be difficult to find out what the underlying sites were up to. By the time seizures go through, sites are often disappeared from search engines and in many cases, even the Wayback Machine struggles to come up with evidence of the activities.

However, Google’s transparency report is more comprehensive so we can see that animesonehd.com and animesonehd.net, another pair of seized domains, have attracted the attention of anime rightsholders over the years including Toei Animation, FUNimation Entertainment, and VIZ Media.

However, none of these companies are listed as members of ACE so in the absence of any comment by the anti-piracy group, we can only wonder whether the takedown notices previously sent by Warner Bros. were part of the problem.

Finally, Skanime.net completes the list of seizures. In addition to various blogs making references to the site in respect of offering free anime, we can confirm that in common with animesonehd, the site attracted the negative attention of many anime companies and ACE member Netflix.

From: TF, for the latest news on copyright battles, piracy and more.