Month: September 2024

Ein selbstgebauter Netzwerkspeicher mit 24 Festplatten ist seit zehn Jahren mit denselben HDDs in Betrieb. (NAS, Speichermedien)

Amazon setzt die Deals auf hauseigene Produkte mit Alexa fort. Nach den Fire TVs ist jetzt der Fire TV Stick 4K zum halben Preis verfügbar. (Fire TV Stick, Fire TV)

Kawasaki selbst behauptet, der Cyberangriff sei "nicht erfolgreich" gewesen. Dennoch sind im Darknet fast 500 GBytes an Unternehmensdaten aufgetaucht. (Ransomware, Server)

Chinesische Wissenschaftler nutzen Starlink-Satelliten zur Erkennung von Tarnkappenzielen und haben sogar eine kleine Drohne über dem Meer aufgespürt. (Starlink, Politik)

Bei Problemen mit dem Akku können auch iPhone-16-Besitzer diesen von Apple tauschen lassen. Bei Pro-Modellen wird das teurer als bisher. (iPhone 16, Smartphone)

Der deutsche Linux-Entwickler René Rebe war gerade live auf Twitch, als jemand an die Tür schlug. Kurz darauf stürmten bewaffnete Polizisten sein Büro. (Polizei, Linux)

Viele große Gaming-Marken wollen auf dem Custom-Keyboard-Markt ankommen. Razer probiert es mit der Blackwidow V4 Pro im 75-Prozent-Format. (Peripheriegeräte, Eingabegerät)

Das neue Werbeformat ist direkt darauf zugeschnitten, nur in Wiedergabepausen zu erscheinen. Youtube-Nutzer sind verärgert. (Youtube, Google)

As Donald Trump used every available resource to ensure his tenancy at the most recognizable house in the United States was extended, some social media platforms had adopted an unorthodox approach to his accounts.

Despite receiving a number of takedown notices alleging copyright infringement in Trump’s tweets, and in some cases removing content in response to apparently valid claims, the president’s account wasn’t suspended or terminated as is often the case.

That allowed one of Trump’s team to post a tweet containing a short animation; a train sporting Trump’s campaign logo being pursued at some distance by rival Joe Biden on a railroad handcar failing to keep up. For reasons that remain unknown, the animator chose the 1982 hit ‘Electric Avenue’ by British singer-songwriter Eddy Grant as the animation’s soundtrack.

The animator didn’t ask Grant for permission and when the Trump team spotted the animation on Twitter, a decision was made to post it on Trump’s Twitter account, also without asking Grant for permission. Grant responded with a cease and desist notice and when that was ignored, Grant sued Trump and his team for copyright infringement.

Judge’s Opinion Was Just His Opinion?

In an ideal world, the failure of Trump’s motion to dismiss in September 2021 should’ve been seen as an opportunity to settle the case privately.

A very small slice of humble pie and some tea, perhaps, so that everyone could move on. Or even negotiating the terms of the settlement Grant offered in August 2020 before filing the lawsuit.

Instead, U.S. District Judge John Koeltl’s opinion and order, which painted a clear picture of how successful a fair use defense was likely to be in this matter, appears to have carried little weight with the defense. That was surprising.

Judge Koeltl had described the use of Electric Avenue as “wholesale copying” to support a political ad campaign, and noted that the defense had misunderstood “the focus of the transformative use inquiry.” The defense had also admitted that the animation was not fair use-friendly parody, but its less useful cousin, satire.

Judge Koeltl went to state that the defense had offered no justification at all for their “extensive borrowing” nor had they provided any evidence that use of the work had caused no market harm. In fact, such was the total disconnect between the use of Electric Avenue and the animation, the campaign could’ve chosen any other track, or indeed no track at all, to send the same message.

Four Year Legal Grind

What the defense were hoping to find isn’t clear but after failing to convince the court in October 2021 that Trump had “Presidential absolute immunity” in respect of Grant’s claims, the case dragged on for another three years, four years in total.

Exactly a year ago, September 15, 2023, the plaintiffs and defendants filed motions for summary judgment at a Manhattan federal court. The defendants informed the court that they would rely on a fair use defense, despite Grant’s legal team asserting that discovery had “revealed unequivocally” that the use of Electric Avenue was not transformative.

Fair Use Defense Fails, Defense Liable for Infringement

Judge Koeltl had formed the same opinion two years earlier and in an opinion and order dated September 13, 2024, he offers a reminder of his order handed down several years earlier.

“In an Opinion and Order dated September 28, 2021, this Court denied the defendants’ motion to dismiss. The parties have now filed cross-motions for partial summary judgment,” Judge Koeltl notes.

The Trump defendants asked the Court to dismiss part of the complaint based on their assertion that Grant lacked a valid copyright registration for the sound recording of “Electric Avenue.” The details are convoluted, but the bottom line straightforward; defendants’ motion to dismiss was denied.

The plaintiffs moved for summary judgment on the issue of liability. Oral argument was heard on September 6 and in his order, Judge Koeltl reveals that the plaintiffs’ motion is granted. The defendants are liable for damages because their fair use defense comprehensively fails.

Fair Use Analysis

“In this case, the Video has a very low degree of ‘transformativeness,’ if any at all. As this Court found in denying the defendants’ motion to dismiss, the Video ‘is best described as a wholesale copying of music to accompany a political campaign ad’,” Judge Koeltl notes, citing his opinion from 2021.

“The defendants also argue that the Video ‘transformed Grant’s original conception of Electric Avenue as a protest against social conditions into a colorful attack on the character and personality traits of a rival political figure’. Again, ‘the defendants’ argument misapprehends the focus of the transformative use inquiry.'”

The inquiry does not focus exclusively on the character of the animation, the Judge notes. Rather, “it focuses on the character of the animation’s use of Grant’s song.”

The defendants claimed that their use of the work gave them “no commercial advantage” but the Judge disagreed.

In this case, the defendants benefited commercially from using Electric Avenue without paying a licensing fee. While there was no direct profit motive, that was insufficient to overcome the lack of transformative use and the first fair use factor favoring Grant.

A Fair Use Full House For Grant

Once again citing his opinion and order from 2021, the Judge notes that the defendants conceded that Electric Avenue is a creative, published work, leading to the second factor favoring Grant.

The third fair use factor considers the amount and substantiality of the portion used in relation to the copyrighted work as a whole. This inquiry was also present in the opinion from 2021; in 2024, nothing has changed and still favors Grant.

The fourth factor asks “whether, if the challenged use becomes widespread, it will adversely affect the potential market for the copyrighted work.” In this matter the Judge writes that there is no public benefit as a result of the defendants’ use of Electric Avenue; they could’ve used any song, even created their own, or used no song at all.

“The plaintiffs’ ability to license “Electric Avenue” in the market for licensed music for videos—political or otherwise—would be affected by widespread, uncompensated use. Accordingly, the last fair use factor favors the plaintiffs,” Judge Koeltl concludes.

That leaves the question of damages; Grant previously requested $300,000, but it’s likely the defense will have done their own calculations and arrived at a vastly lower sum.

Judge Koeltl’s opinion and order can be found here (pdf)

From: TF, for the latest news on copyright battles, piracy and more.

Obwohl es bei Netflix auch heute nicht alles gibt und viele Kundenwünsche ignoriert werden, ist der Streamingdienst weiter Marktführer. Wie nur? Eine Analyse von Ingo Pakalski (Netflix, Apple)