France says AZERTY keyboards fail French typists

“Almost impossible” to write correctly in French with a French keyboard, officials say.

If you’ve done some world traveling, you may know the frustration of sitting down in an Internet cafe, expecting to type out a message, only to realize that the keys on the computer’s keyboard are nothing like the ones from your home country. That quick e-mail to mom just became a hunt-and-peck chore that will send you back to the cafe’s counter a couple of times to re-up the reservation at your terminal.

This week, France’s culture and communication ministry acknowledged that residents of the country faced similar frustrations when using different keyboards within their own country, a problem the ministry said it would begin trying to solve. In a statement released this week, the ministry lamented the fact that French keyboards, which use the AZERTY layout rather than the QWERTY layout familiar to English speakers, make it unnecessarily difficult to type common symbols and letters. While the 26 letters of the alphabet as well as common accented letters like é, à, è, and ù are generally represented similarly on an AZERTY keyboard, the ministry said that the @ symbol and the € symbol are inconveniently or inconsistently placed, as are commands to capitalize accented letters like "ç".

The trouble of finding how to properly capitalize accented letters is a big issue in written French, especially for legal texts and government documents where every letter of the names of people and businesses are capitalized. Often, an accent is the only distinguishing factor between two similarly spelled words. A report from the ministry asserted that the "hardware limitations" of the French AZERTY keyboard "have even led some of our fellow citizens to think that we should not accentuate capital letters.”

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What changed when The Expanse went from book series to television

Or, how I dealt with canon shock.

There will be spoilers ahead—you have been warned!


The current king of the space opera genre is James SA Corey. Corey—a pseudonym for Daniel Abraham and Ty Franck—first appeared in 2011 with the critically acclaimed novel Leviathan Wakes, the first installment in an increasingly epic series called The Expanse, about war and solar system colonization. The books have recently been translated into a TV show on Syfy, and my colleague Annalee Newitz is spot on when says it's the best thing in years. But having just reread the books, seeing the story come to life on the screen has given me a little "canon shock." Even so, working through this reaction has helped me think more about how the writers on the TV series have tweaked the story to work better in a visual medium.

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The new X-Files is stuck in the ‘90s, for better and for worse

Series returns with mix of unenthusiastic Duchovny and delightful “monsters of the week.”

Gillian Anderson and David Duchovny in "Mulder & Scully Meet the Were-Monster", episode three of the new X-Files miniseries. (credit: Ed Araquel/FOX)

Warning: The following review contains minor spoilers to the first three episodes of the X-Files miniseries. 

The first episode of the new X-Files miniseries includes some striking images of aliens and alien spacecraft. We see the 1947 Roswell, New Mexico “UFO crash” (I want to believe), an alien desperately trying to crawl away from some evil humans, and a modern-day alien reproduction vehicle (ARV) that can disappear in a flash. This isn’t unusual for the X-Files, a show about alien government conspiracies and paranormal sightings, but something is different this time. This new series' nature is all stark and obvious—no mystery, no buildup, no real suspense. In the original 1990s series, the audience desperately wanted to see aliens, to have the show confirm their existence, but we were fed teasers and snippets. The plotlines burned slowly (usually). And we hung out (some of us for nine seasons), desperate to find out the truth.

It seems that the truth at the end of this new, six-episode miniseries on Fox is that the X-Files closed a long time ago. It’s apparently painful to try to bring them back. I hope I am proven wrong; I have only seen the first three episodes of the new series, which premieres on Sunday. The next three episodes could very well be mind-blowing television. Again, I want to believe. But if that’s the case, the miniseries has a lot of work to do.

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Reboots, remakes, and sequels need not apply—Ars’ most anticipated games of 2016

Only original ideas allowed in this selection of upcoming titles.

The game industry is a quick-moving beast. Before you even have a chance to really dive into all the good games that come out in a year, another January is upon us with the promise of 12 more months of great titles. So almost immediately after we made our decisions on the best games of 2015, we started looking ahead to what games are worth paying attention to in 2016.

It's too easy to simply fill these kinds of lists with sequels, reboots, and remakes of the big-name game franchises you already know and love. That's not very illuminating, though. For the most part, if you liked the previous games, you'll look forward to the sequels. For our list, we'll instead focus on original games with the potential to start franchises of their own (with one exception that we felt justified itself as a comprehensive reboot).

As such, these are the completely new titles we'll be looking forward to most until 2017 comes along.

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Some Pirate Sites Have Little Respect For Their Users

Basic rules of economics dictate that websites need a way to monetize their operations but with pressure in the advertising world increasing, options for pirate sites are more narrow than they were. However, while many still do their best to deliver a decent experience to users, others are letting everyone down.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

face-palmDuring the past couple of years there has been a steady wave of reports claiming that so-called ‘pirate’ sites are some of the worst offenders when it comes to hoisting junk, malware and viruses upon their users.

Usually commissioned or funded by entertainment industry groups, these reports often lead to a sense of déjà vu, with phrases such as “content theft” and “organized crime” painting an apocalyptic vision for anyone daring to use a torrent or streaming portal.

The stark warnings are somewhat ironic. As the movie, music and software industries continue their crusade to have mainstream advertisers boycott any site they have not authorized, file-sharing sites are increasingly forced into the advertising backwaters. This means that the chances of bad ads appearing in front of users is increasing.

Although it will never be said in public, anti-piracy groups are well aware of the importance of diminishing the user experience on pirate sites. If they’re difficult to access (web-blocking) and risky to use (dodgy ads), the free content on offer might not be so attractive. It’s cynical and also makes somewhat of a mockery of their efforts to ‘warn’ about the dangers of using pirate sites.

But as with all things in life the proof of the pudding is in the eating and there are millions of file-sharers gobbling up content, enjoying the experience, not falling ill, and returning to sites day after day. That in itself suggests that the catastrophic impact suggested in various reports isn’t playing out in the real world.

However, it would be irresponsible to suggest that these industry reports are all absolute nonsense. While admittedly completely self-serving, several have raised very good points about the dubious quality of advertising appearing on various ‘pirate’ portals.

It’s a bitter pill but it needs to be said. While there are thousands that don’t, there are large numbers of pirate sites that fall way below the standards those who pay their bills deserve. Why some site operators sink to these levels isn’t always clear, but aggressive redirects, misleading advertising, fake virus warnings and malware are always unacceptable.

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For some reason streaming sites seem to be among the main offenders and in the worst case scenarios they bombard the user with an endless stream of dubious advertising techniques that can only be of major annoyance to their visitors.While acknowledging the return they get from these ads is minimal (hence their volume), from a business perspective it seems baffling to use customers as things to be beaten into submission.

Unless sites really don’t care whether a user comes back again tomorrow or not, it makes absolutely no sense to treat them and their machines with disrespect. Of course, some popups, ‘direct download’ buttons and affiliate sponsors are to be expected, but wouldn’t it be better to at least maintain some level of sanity?

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Of course, one response to aggressive advertising is for users to become more aware of their ad blocking options. As a result they then join the growing ranks of users who not only use all the facilities of pirate sites without contributing a dime to their upkeep, but feel entirely justified in doing so. This raises another irony.

Some might question whether we should be surprised that people who obtain movies and music for free don’t want to contribute financially to pirate sites. But human nature is not that straightforward. There are droves of people who are not only happy to contribute to the health of a pirate site, but do so while supporting the likes of Netflix, Spotify and Steam.

In the end and when the entertainment industries finally sort themselves out, it will be a battle between those who treat their customers properly and those who have no idea. Release windowing expensive content over geo-blocked services is annoying, no doubt, but pirate sites laden with junk aren’t the solution.

Both sides need to treat their users with respect to maintain or increase market share. Let battle commence.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Microsoft USA & CA: Hololens Developer Edition kann angefragt werden

Microsoft ist so weit, dass sich Entwickler für die Hololens-VR-Brille nun zumindest in zwei Staaten bewerben können. Die Auslieferung soll noch im ersten Quartal 2016 erfolgen – zu einem hohen Preis und bei limitierter Verfügbarkeit. (Hololens, Display)

Microsoft ist so weit, dass sich Entwickler für die Hololens-VR-Brille nun zumindest in zwei Staaten bewerben können. Die Auslieferung soll noch im ersten Quartal 2016 erfolgen - zu einem hohen Preis und bei limitierter Verfügbarkeit. (Hololens, Display)

CarPlay vs Android Auto: Different approaches, same goal

Gallery: We pit the main interfaces of Android Auto and CarPlay against each other.

Under the hood, CarPlay and Android Auto seem pretty similar. They're both "casted" interfaces that process and render a computing environment on a smartphone and then send that interface to the car display, basically using it as an external touchscreen monitor. The interfaces are wildly different though, with CarPlay sticking with the tried-and-true grid of apps, while Android Auto displays a notification dashboard and uses a tabbed interface. After having just looked at CarPlay and reviewing Android Auto last year, we figured a quick comparison was in order.

The first picture in the gallery covers the biggest differences between these two systems. CarPlay and Android Auto take completely different approaches to the system UI and home screen design, and this affects the entire way you use the device.

CarPlay's original name of "iOS in the car" pretty much nails Apple's goal here. CarPlay is basically the iOS smartphone/tablet interface enlarged 400 percent and simplified for car usage. The biggest change is the status bar, which morphed into a side-mounted bar showing the time, connectivity, and the on-screen home button. The icons are the star of the show here—they're big, bright, obvious, and easy to hit.

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Appeals court says first patent troll hit with fees under Octane must pay up

Judges approved award, but vacated the $300k amount for further consideration.

FindTheBest CEO Kevin O'Connor and Director of Operations Danny Seigle. (credit: FindTheBest.com)

The top US patent court has upheld an award of attorneys' fees (PDF) against a patent troll that sued a startup called FindTheBest (now Graphiq) in 2013. The fee award against Lumen View Technology was the first one granted under new rules that came into effect as a result of the Supreme Court's 2014 Octane Fitness decision.

The ruling by the US Court of Appeals for the Federal Circuit, published Friday, serves as a signpost as to what kind of fees will be upheld under the new standard. But, it's not a complete win for Graphiq. While the three-judge appeals panel upheld the basis of the fee award, they vacated the award itself, which was a little more than $300,000. The panel's opinion said that the lower court's decision to double the requested fees wasn't justified.

"It's been a lengthy battle, but seeing the Federal Circuit explicitly inviting the District Court to award sanctions under Rule 11 is a great signal," said Graphiq CEO Kevin O'Connor in an e-mailed comment to Ars. "We're confident that a fair assessment of fees will occur back in the District Court. This is just one more step in our fight against Lumen View, and believe me, it's nowhere near over."

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This year’s first batch of anti-science education bills surface in Oklahoma

“Teach the controversy” is once again dressed up as “academic freedom.”

The Oklahoma State Capitol building. (credit: Getty Images)

The first state bills of the year that would interfere with science education have appeared in Oklahoma. There, both the House and Senate have seen bills that would prevent school officials and administrators from disciplining any teachers who introduce spurious information to science classes.

These bills have a long history, dating back to around the time when teaching intelligent design was determined to be an unconstitutional imposition of religion. A recent study showed that you could take the text of the bills and build an evolutionary tree that traces their modifications over the last decade. The latest two fit the patterns nicely.

The Senate version of the bill is by State Senator Josh Brecheen, a Republican. It is the fifth year in a row he's introduced a science education bill after announcing he wanted "every publically funded Oklahoma school to teach the debate of creation vs. evolution." This year's version omits any mention of specific areas of science that could be controversial. Instead, it simply prohibits any educational official from blocking a teacher who wanted to discuss the "strengths and weaknesses" of scientific theories.

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