Record Labels Deny That Piracy Notices Were ‘Deceptive and Fraudulent’ Threats

ISP Charter Communications is accusing several major record labels of having violated the Colorado Consumer Privacy Act. The music companies allegedly sent copyright infringement notices for tracks they didn’t own the rights to, resulting in false accusations against subscribers. While the record labels don’t deny that mistakes were made, they argue that Charter’s claims don’t hold up in court.

From: TF, for the latest news on copyright battles, piracy and more.

Last year, a group of major music companies sued Charter Communications, one of the largest Internet providers in the US with 22 million subscribers.

Helped by the RIAA, Capitol Records, Warner Bros, Sony Music, and others accused the ISP of deliberately turning a blind eye to its pirating subscribers.

Such claims are not new. The same music companies have sued several ISPs in the past and booked a major victory when a jury ordered Cox to pay a billion dollars in damages for turning a blind eye to piracy on its network.

Charter is determined to avoid ending up in a similar position. In March, it denied the copyright infringement allegations in court while striking back with some accusations against the record labels. According to Charter, the companies abused the DMCA by sending notices for tracks they didn’t own the rights to.

Fraudulent Piracy Notices Violated the Colorado Consumer Privacy Act?

At the end of April, the ISP expanded its claims by arguing that by sending false takedown notices, the record labels also violated the Colorado Consumer Privacy Act. This claim comes on top of the accusation that the music companies violated the DMCA.

“In the course of their business, the Record Company Plaintiffs caused their agent, the RIAA, to engage in unfair, unconscionable, deceptive, deliberately misleading, false, or fraudulent trade practices,” Charter argued, while highlighting the unauthorized copyright infringement notices.

The false notices harmed Charter, which spent significant resources processing the notices. In addition, they also impacted the broader public, who were falsely accused of breaking the law and received “baseless threats” based on the inaccurate notices.

These are strongly worded claims. However, according to the record companies they don’t hold up in court.

Record Labels Ask Court to Dismiss Charter’s Claims

This week, they submitted their answers to the Colorado federal court. As indicated before, the music companies ask the court to dismiss the claim that they violated the DMCA, arguing that the notices were not intentionally sent in error. In addition, the companies argue that the DMCA claim is barred because Charter didn’t remove or block any infringing content.

In a similar vein Warner Bros, Sony Music and the other labels also dispute the deceptive and fraudulent trade practice accusations under the Colorado Consumer Protection Act. These don’t hold us and should be dismissed as well, they say, for two separate reasons.

Firstly, the music companies argue that the DMCA preempts Charter’s CCPA counterclaim. The issue at hand is a DMCA matter and Congress intended for federal law to exclusively govern the DMCA notice process, which would mean that a state law claim can’t apply to the same conduct.

This argument doesn’t mean that there were no inaccurate notices sent. That’s also the case with the second defense from the record labels, which holds that Charter failed to state a proper claim under the Colorado Consumer Protection Act.

A proper claim would require proof that the music companies knowingly sent false notices and intended to mislead and deceive the receivers. This isn’t something Charter can prove, the labels say. The labels may have sent notices for music they didn’t own, without being aware of it.

In addition, Charter hasn’t provided any evidence that its customers were harmed, according to the labels. While subscribers may have received inaccurate threats, they were not disconnected from the Internet.

“Charter has not alleged that its subscribers suffered any harm resulting from any allegedly inaccurate notices. Indeed, Charter does not allege that it ever suspended or terminated a single subscriber based on infringing use of its network identified in an inaccurate notice sent by Plaintiffs,” the labels write.

The ISP will likely disagree with how the labels present the issue and ultimately it is up to the court whether Charter can continue to pursue its claims in court, or not.

A copy of the record labels’ motion to dismiss Charter’s counterclaims is available here (pdf).

From: TF, for the latest news on copyright battles, piracy and more.

Apple to close some stores in states where virus cases are rising

Move to shutter almost a dozen reopened outlets delivers “gut punch to reopening bulls.”

NEW YORK, June 17, 2020  -- Staff workers serve customers outside an Apple store on Fifth Avenue of New York City, the United States, June 17, 2020.

Enlarge / NEW YORK, June 17, 2020 -- Staff workers serve customers outside an Apple store on Fifth Avenue of New York City, the United States, June 17, 2020. (credit: Xinhua News Agency | Getty Images)

Apple says it will again close almost a dozen stores in the US because of a recent rise in coronavirus infections in the south and west, reversing its recent move to begin reopening stores as states start to ease lockdowns.

The move sent US stocks lower, as investors feared that Apple’s caution could signal wider apprehension among businesses about whether it is safe to begin reopening the US economy.

Apple shares turned negative on the news, dropping 1.4 percent, while the entire S&P 500 index shed its gains from the morning. Apple stock remains near a record high, however, with investors valuing the group above $1.5 trillion—about $220 billion more than at the start of the year.

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System Tönnies und die NRW-Schlafwandler

Fleischbetriebe wurden längst zur “erheblichen epidemiologischen Gefahrenquelle” erklärt, der neue Corona-Hotspot in Deutschland ist eine Schande in mehrfacher Hinsicht – Ein Kommentar

Fleischbetriebe wurden längst zur "erheblichen epidemiologischen Gefahrenquelle" erklärt, der neue Corona-Hotspot in Deutschland ist eine Schande in mehrfacher Hinsicht - Ein Kommentar

Chuwi LarkBox mini PC review

The Chuwi LarkBox is a tiny computer that measures just 2.4″ x 2.4″ x 1.7″ but which is a full-fledged PC capable of running Windows 10 or other desktop operating systems. Powered by a 10-watt Intel Celeron J4115 quad-core processor, …

The Chuwi LarkBox is a tiny computer that measures just 2.4″ x 2.4″ x 1.7″ but which is a full-fledged PC capable of running Windows 10 or other desktop operating systems. Powered by a 10-watt Intel Celeron J4115 quad-core processor, the LarkBox has 6GB of RAM, 128GB of eMMC storage. The LarkBox will be available […]

Black Angel review: Run your own tabletop “generation ship”

The designers of Troyes are back with a deep-space saga.

Promotional image for board game Black Angel.

Enlarge (credit: Pearl Games)

Welcome to Ars Cardboard, our weekend look at tabletop games! Check out our complete board gaming coverage at cardboard.arstechnica.com.

Black Angel reminds me of a pocket watch I once had. (This isn’t the setup to a bad joke.) You see, the watch was broken. A memento from my time in Germany, the watch broke during shipping and never kept good time, made a weird grinding noise when I wound it, and had an unsightly crack across its face. I still keep it around, though. With its open face and back, you can see the inner workings—gears, flywheels, jeweled pivots. The craftsmanship is breathtaking, even if it loses a minute every half hour.

Let’s back up. The board game Black Angel, designed by Sébastien Dujardin, Xavier Georges, and Alain Orban, is something of a spiritual successor to their previous collaboration, a well-known game by the name of Troyes. Like Troyes, Black Angel is a dice game in the loosest sense, tasking players with utilizing pools of dice in ways that are almost entirely novel. It also resembles a busted clockwork—lots of ideas working in sync—just not quite in sync enough to keep regular time.

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COVID-19 Pandemic: U.S. Blu-ray Sales Falls to Almost 10 Year Low

Weekly Blu-ray sales fell to its lowest level since September 2010, as the effect of the Coronavirus outbreak in the U.S. is hurting the movie industry in and out of theaters.According to data provided by Media Play News and compiled by …



Weekly Blu-ray sales fell to its lowest level since September 2010, as the effect of the Coronavirus outbreak in the U.S. is hurting the movie industry in and out of theaters.

According to data provided by Media Play News and compiled by Digital Digest, weekly Blu-ray revenue for the week ending June 6, 2020, was only $16.35 million, the lowest mark since September 11, 2010 (when Blu-ray revenue was $14.65 million).


A combination of poor retail sales and a lack of high profile releases are thought to be responsible.

The writing was already on the wall when the usually busy Easter period saw sales stagnating. Blu-ray and DVD sales were down 33% compared to Easter 2019, despite many sales occurring online where activities for the purchase of other goods have surged since the lockdown.

Just two weeks prior to the week ending June 6, the release of 'Sonic the Hedgehog' on Blu-ray marked the last major film coming to home video for a while. 'Sonic' was the last movie to be released theatrically before lockdown measures, designed to slow down the outbreak, forced theater doors to close in the U.S. and many other places elsewhere. Since then, scores of movies have had their theatrical release delayed, or in some cases, cancelled completely in favor of premium on-demand streaming.

For 2020 so far, the effects of the lockdown and economic downturn on Blu-ray sales have been small, but present. Blu-ray sales were down 18.52% compared to the same period in 2019, which in itself was down 17.40% compared to 2018. Physical media sales have been declining steadily due to the increasing popularity of streaming and digital rental/purchases. Blu-ray revenue peaked in 2013, and has been declining ever since, despite the release of the 4K Ultra HD Blu-ray format. So it is difficult to separate what is attributable to the format's gradual decline, and what is down to the pandemic.

Initially, there was some optimism that with people confined to homes, online sales of Blu-ray and DVDs would benefit as people seek to find ways to entertain themselves.

However, movie sales are very much seasonal and dependent on good quality new releases. With no major films coming to theaters until July, and therefore no major films ready to come onto Blu-ray for months, it suggests a dry spell of dry spells for home video releases. The ongoing economic pains could also dampen people's enthusiasm for buying and renting movies.

In other words, the worst may be yet to come.