Zombies, frostbite, and betrayal: Dead of Winter review

Ars Cardboard looks at the popular kinda-cooperative zombie game.

Welcome to Ars Cardboard, our weekend look at tabletop games! Check out our complete board gaming coverage right here—and let us know what you think.


When the zombie apocalypse inevitably comes, I sure hope I’m not stuck in the small town that’s the setting for Dead of Winter. Because boy, are those people just plain screwed. Traversing the hostile wasteland in the vain hope of scavenging supplies, fending off the never-ending onslaught of the undead—the end of the world is rough enough without a bunch of backstabbing friends making things harder.

Read 20 remaining paragraphs | Comments

Celebrating 50 years of Star Trek with an “Ultimate Voyage” concert

With a month left on tour, Ars talks to producer Brady Beaubien about Star Trek‘s legacy.

Back in January, a production group called CineConcerts launched a commemoration to science fiction’s greatest 50-year-old franchise, Star Trek. CineConcerts has been around for a while, pairing visual media from film and TV with a live symphony orchestra to allow concert goers to experience well-known scenes from their favorite shows with a more music-forward approach. With the Star Trek franchise, CineConcerts will play some of the series’ best-known musical themes. And the group will project montages from well-known parts of Star Trek movies and TV shows or individual scenes from the TV shows on a big-screen timed precisely to specific musical cues.

The tour has a little over a month left in its run and a couple dozen more cities to hit, including Los Angeles, Rapid City, South Dakota, and Paris, France. Before the commemoration draws to a close, Ars caught up with Brady Beaubien, a producer and writer for the Star Trek concert tour (called "The Ultimate Voyage"). Beaubien is also a co-founder of the CineConcerts group, which has produced similar live symphony orchestra concerts focusing on films like Breakfast at Tiffany’s, Gladiator, The Godfather, It’s A Wonderful Life, and A Christmas Dream.

Beaubien said he was attracted to the Star Trek project because he grew up watching The Next Generation. "I’ve always been a huge Star Trek fan. It’s had a profound affect on my intellectual development and enhanced my traditional education,” he told Ars. “When we started talking to Paramount about creating a special experience [to celebrate Star Trek’s 50th anniversary], this seemed like a wonderful way to give people a new way to experience it. It seemed like the model that we had developed with CineConcerts was uniquely suited [to the franchise].”

Read 12 remaining paragraphs | Comments

Streetscooter: Deutsche Post baut Elektroautos in Serie

Die Deutsche Post will die Autos für ihre Zusteller künftig selbst bauen: Noch im Jahr 2016 sollen die ersten Elektrofahrzeuge hergestellt werden. Tests dazu laufen bereits seit 2013. (Post, GreenIT)

Die Deutsche Post will die Autos für ihre Zusteller künftig selbst bauen: Noch im Jahr 2016 sollen die ersten Elektrofahrzeuge hergestellt werden. Tests dazu laufen bereits seit 2013. (Post, GreenIT)

Anniversary Update: Android-Benachrichtigungen werden Teil von Windows 10

Microsoft hat auf seiner Entwicklermesse noch eine weitere neue Funktion von Windows 10 vorgestellt: Android-Benachrichtigungen sollen in Zukunft unter Windows angezeigt und wie auf dem Smartphone verwendet werden können. (Windows 10, Smartphone)

Microsoft hat auf seiner Entwicklermesse noch eine weitere neue Funktion von Windows 10 vorgestellt: Android-Benachrichtigungen sollen in Zukunft unter Windows angezeigt und wie auf dem Smartphone verwendet werden können. (Windows 10, Smartphone)

MPAA opposes proposed Minnesota revenge porn law, says it limits speech

Defining revenge porn boils down to whether there is an “intent to harass.”

(credit: Leon Homan)

Hollywood's lobbying arm, the Motion Picture Association of America, is opposing a proposed Minnesota revenge porn law on grounds that it could overly restrict speech. This is the same MPAA that fiercely supported the Stop Online Piracy Act of 2012. Known as SOPA, many claimed that legislation would also curtail free speech because SOPA could lead to the removal of domains that host infringing material.

In a letter to Minnesota lawmakers, the MPAA said HF 27411 "could limit the distribution of a wide array of mainstream, Constitutionally protected material, including items of legitimate news, commentary, and historical interest. These items are part of news, public affairs, entertainment or sports programming, and are distributed in motion pictures, television programs, audiovisual works of all kinds, via the Internet and other media." The group added that "images of Holocaust victims, or prisoners at Abu Ghraib, or the Pulitzer-Prize winning photograph entitled 'Napalm Girl'—which shows a young girl running screaming from her village, naked, following a Napalm attack—could be prohibited under the terms of this legislation."

The bill cleared a House committee on Friday. If approved, it would add to the growing number of revenge porn bills nationwide—now at 27. There is no federal revenge porn law, and to varying degrees, these state revenge porn laws prohibit sharing sexually explicit photos of people without their consent. The MPAA's bone of contention on Minnesota's bill is that the person who releases the explicit photos or videos doesn't have to mentally want to harm or humiliate the person in the images.

Read 7 remaining paragraphs | Comments

Zum Genuino/Arduino Day 2016: Hobby-Elektronik kommt in der Industrie an

Einst von Industrie und Ingenieuren als Spielzeug oder Hobby abgetan, sehen mittlerweile auch sie Vorteile im Ökosystem von Arduino & Co. Eine kurze Bestandsaufnahme zum Arduino/Genuino Day 2016. (Arduino, OSHW)

Einst von Industrie und Ingenieuren als Spielzeug oder Hobby abgetan, sehen mittlerweile auch sie Vorteile im Ökosystem von Arduino & Co. Eine kurze Bestandsaufnahme zum Arduino/Genuino Day 2016. (Arduino, OSHW)

Optimizing fisheries management for economics make them more sustainable

Lower fishing costs, higher quality catches, all with healthy fish populations.

(credit: J. M. Olson/NOAA)

In the popular fiction series, Jeeves eats a lot of fish; Bertie Wooster thinks that that’s why he’s so smart. In real life we should all probably be eating more fish given how healthy it is, but can we do that in a way that keeps fish populations healthy, too?

A visit to the fishmonger can be daunting, and Monterey Bay Aquarium’s Seafood Watch App doesn’t necessarily make it any easier. Fresh or frozen? Wild or farmed? Local or imported? What are the best options for your body, your wallet, the planet?

You and I are not the only ones to grapple with these issues; environmental scientists in New York and California did, too. Specifically, they wondered how reform would impact fisheries, which are defined as the wild and cultivated regions where fish are caught, as well as the act and occupation of catching fish. They modeled two types of reform—one that aimed to maximize the economic value of fisheries, and one that aimed to maximize their long term catch. They were interested in how these reforms would affect the fisheries’ profit, catch, and the biomass of all the fish in the sea by the year 2050. Turns out that if fisheries were better managed, all three variables would improve.

Read 7 remaining paragraphs | Comments

Robotik: Mann baut lebensechten Scarlett-Johansson-Roboter

Ein Graphikdesigner hat seinen Lebenstraum wahr gemacht und sich einen eigenen, lebensecht aussehenden Roboter gebaut – der rein zufällig wie der Hollywoodstar Scarlett Johansson aussieht. Die ist darüber möglicherweise nicht sonderlich erfreut. (Roboter, Internet)

Ein Graphikdesigner hat seinen Lebenstraum wahr gemacht und sich einen eigenen, lebensecht aussehenden Roboter gebaut - der rein zufällig wie der Hollywoodstar Scarlett Johansson aussieht. Die ist darüber möglicherweise nicht sonderlich erfreut. (Roboter, Internet)

Rightscorp Plans to Hijack Pirates’ Browsers Until a Fine is Paid

Anti-piracy outfit Rightscorp says that it’s working on a new method to extract cash settlements from suspected Internet pirates. The company says new technology will lock users’ browsers and prevent Internet access until they pay a fine. To encourage ISPs to play along, Rightscorp says the system could help to limit their copyright liability.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

hijackEarlier this week, anti-piracy outfit Rightscorp published its results for 2015. They make for dismal reading, with the company recording a net loss of $3.43m, up from the $2.85m net loss recorded in 2014.

The company has a number of problems. First and foremost it has too few clients and somehow needs to expand the catalog of copyrights under its protection. With a wider spread and greater volume it could do better, but that’s only part of the problem.

Internet service providers in the United States aren’t generally fans of copyright trolls like Rightscorp. They prey on valuable customers who often incorrectly conclude that their provider has been spying on them. Of course the sting in the tail is the compensation that Rightscorp demands, all conveniently delivered to the Internet subscriber by their ISP.

In its filing this week Rightscorp blamed falling revenues on a reluctance by ISPs to pass on these automated fines. Nevertheless, the company isn’t giving up on improved cooperation with service providers since it has a plan that could streamline its business and more or less force users to pay up.

Rightscorp says this could be achieved via a “next generation technology” its developing called Scalable Copyright, which will shift warnings and settlement demands away from easily ignored emails and towards an altogether more aggressive delivery method.

“In the Scalable Copyright system, subscribers receive each [settlement] notice directly in their browser,” the company reports.

“Single notices can be read and bypassed similar to the way a software license agreement works [but] once the internet account receives a certain number of notices over a certain time period, the screen cannot be bypassed until the settlement payment is received.”

The idea of locking browsers in response to infringement allegations is nothing new. Users of some ISPs in the United States already receive these warnings if too many complaints are made against their account. However, to date no company has asked for money to have these locks removed and the idea of ‘wheel clamping’ a browser is hardly an attractive one, especially based on the allegations of a third-party organization.

Still, Rightscorp seems confident that it can persuade ISPs to come along for the ride.

“Its implementation will require the agreement of the ISPs. We have had discussions with multiple ISPs about implementing Scalable Copyright, and intend to intensify those efforts. ISPs have the technology to display our notices in subscribers’ browsers in this manner,” the company notes.

While ISPs do indeed have the ability to hold their customers to ransom on Rightscorp’s behalf, the big question is why they would choose to do so. On the surface there seems no benefit to ISPs whatsoever, since all it will do is annoy those who pay the bills. But Rightscorp sees things somewhat differently and says that the system will actually be both cheap and beneficial to ISPs.

“We provide the data at no charge to the ISPs. With Scalable Copyright, ISPs will be able to greatly reduce their third-party liability and the music and home video industries will be able to return to growth along with the internet advertising and broadband subscriber industries,” the company explains.

That third-party liability is the requirement under the DMCA for service providers to terminate repeat infringers or face the prospect of losing their safe harbor protections.

“U.S. ISPs have a safe harbor that is conditional on terminating repeat copyright infringers. Rightscorp has the technology to identify these repeat infringers. ISPs either need to work with copyright holders to reduce repeat infringers identified by Rightscorp or face significant liability,” the company warns.

As the recent case between BMG and Cox Communications illustrates, ISPs do need to be cautious over the issue of repeat infringers and they must have policies in place to deal with them. However, the notion that a browser-lock system like this one needs to be deployed is unlikely to be on the agenda of many ISPs, especially considering Rightscorp’s track record.

While the MPAA/RIAA Copyright Alerts program limits the numbers of warnings that can be sent to single subscriber in order to avoid labeling them as repeat infringers too quickly, Rightscorp is on record as sending 112 notices to a single Comcast user in less than 48 hours over the sharing of a single torrent.

But despite all the rhetoric, these ambitious plans to hijack browsers to generate revenue will require ISPs to co-operate more with Rightscorp, not less, so the current downward trend in forwarding the company’s notices is hardly encouraging.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

HBM2: eSilicon zeigt 14LPP-Design mit High Bandwidth Memory

Ein Chip mit einem HBM2-Stack: Der Speicherinterface-Entwickler eSilicon arbeitet an einem Design, das im 14LPP-Verfahren entsteht. Dabei könnte es sich um AMDs Zen-basierte APUs namens Raven Ridge handeln, denkbar ist aber auch der Chip des Nintendo NX. (PC-Hardware, Prozessor)

Ein Chip mit einem HBM2-Stack: Der Speicherinterface-Entwickler eSilicon arbeitet an einem Design, das im 14LPP-Verfahren entsteht. Dabei könnte es sich um AMDs Zen-basierte APUs namens Raven Ridge handeln, denkbar ist aber auch der Chip des Nintendo NX. (PC-Hardware, Prozessor)