Google created a new AI model for talking to dolphins

DolphinGemma will get its first test run this summer.

Dolphins are generally regarded as some of the smartest creatures on the planet. Research has shown they can cooperate, teach each other new skills, and even recognize themselves in a mirror. For decades, scientists have attempted to make sense of the complex collection of whistles and clicks dolphins use to communicate. Researchers might make a little headway on that front soon with the help of Google's open AI model and some Pixel phones.

Google has been finding ways to work generative AI into everything else it does, so why not its collaboration with the Wild Dolphin Project (WDP)? This group has been studying dolphins since 1985 using a non-invasive approach to track a specific community of Atlantic spotted dolphins. The WDP creates video and audio recordings of dolphins, along with correlating notes on their behaviors.

One of the WDP's main goals is to analyze the way dolphins vocalize and how that can affect their social interactions. With decades of underwater recordings, researchers have managed to connect some basic activities to specific sounds. For example, Atlantic spotted dolphins have signature whistles that appear to be used like names, allowing two specific individuals to find each other. They also consistently produce "squawk" sound patterns during fights.

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HBO’s The Last of Us is back for season 2, and so are we

One game-player and one newbie return to recap HBO’s fungal free-for-all.

New episodes of season 2 of The Last of Us are premiering on HBO every Sunday night, and Ars' Kyle Orland (who's played the games) and Andrew Cunningham (who hasn't) will be talking about them here every Monday morning. While these recaps don't delve into every single plot point of the episode, there are obviously heavy spoilers contained within, so go watch the episode first if you want to go in fresh.

Kyle: To start us off as we return to the world of The Last of Us, as a non-game player, maybe recap what you remember from the first season and what you've heard about the second.
Andrew: Going into the first season, I’d been aware of The Last of Us, the video game, as a story about an older guy and a kid trying to navigate a post-apocalyptic world. And the show was also mostly that: It’s Joel and Ellie against the world, and who knows, maybe this spunky young girl with an apparent immunity to the society-ravaging fungal infection could hold the key to a cure!

Things fell apart at the end of last season when the Fireflies (a group of survivalists/doctors/scientists/etc.) may or may not have been threatening to kill Ellie in order to research their cure, which made Joel go on a murder rampage, which he then lied to Ellie about. We fade to black as they make their way back toward the one semi-functioning human settlement they’d visited on their travels, where Joel’s brother and his family also happen to live.

Going into this season: I know nothing. I don’t really engage in TV show fandoms or keep up with casting announcements or plot speculation. And the only thing I know about the second game going into this is a vague sense that it wasn’t as well-received as the first. In short, I am as a newborn baby, ready to take in the second season of a show I kind of like with the freshest possible eyes.

Kyle: I may be to blame for that vague sense you have. I fell in love with the first game, especially the relationship between Joel and Ellie, and I thought the first season of the show captured that quite well. I thought the endings to both the game and season 1 of the show were just about perfect and that any continuation after that was gonna struggle to justify itself.

Without giving too much away, I think the second game misses a lot of what made the narrative of the first one special and gets sidetracked in a lot of frankly gratuitous directions. That said, this premiere episode of the second season drew me in more than I expected.

One jarring thing (in a good way) about both the second game and the second season is suddenly seeing Joel and Ellie just existing in a thriving community with electric lights, music, alcohol, decent food, laughter, etc., etc. After the near-constant precarity and danger they've faced in the recent past, it really throws you for a loop.

Andrew: Unfortunately but predictably, you see both of them struggling to adapt in different ways; these are two extremely individualistic, out-for-number-one people. Ellie (now a 19-year-old, after a five-year time jump) never met a rule she couldn’t break, even when it endangers her friends and other community members.

And while Joel will happily fix your circuit breaker or re-string your guitar, he emphatically rejected a needs-of-the-many-outweigh-the-needs-of-the-few approach at the end of last season. When stuff breaks bad (and I feel confident that it will, that’s the show that it is) these may not be the best people to have in your corner.

My only real Game Question for you at the outset is the big one: Is season 2 adapting The Last of Us Part II or is it doing its own thing or are we somewhere in between or is it too early to say?

"Oh, dang, is that Catherine O'Hara?"
Kyle: From what I have heard it will be adapting the first section of the second game (it's a long game) and making some changes and digressions that expand on the game's story (like the well-received Nick Offerman episode last season). Already, I can tell you that Joel's therapy scene was created for the TV show, and I think it improves on a somewhat similar "Joel pours his heart out" scene from early in the game.

The debut episode is also already showing a willingness to move around scenes from the game to make them fit better in chronological order, which I'm already appreciating.

One thing I think the show is already doing well, too, is showing 19-year-old Ellie "acting like every 19-year-old ever" (as one character puts it) to father figure Joel. Even in a zombie apocalypse, it's a relatable bit of character-building for anyone who's been a teenager or raised a teenager.

Andrew: Joel’s therapist, played by the wonderful Catherine O’Hara. (See, that’s why you don’t follow casting announcements, so you can watch a show and be like, “Oh, dang, is that Catherine O’Hara?”)

I didn’t know if it was a direct adaptation, but I did notice that the show’s video gamey storytelling reflexes were still fully intact. We almost instantly end up in a ruined grocery store chock-full of environmental storytelling (Ellie notes a happy birthday banner and 2003’s Employee of the Year wall).

And like in any new game new season of a TV show, we quickly run into a whole new variant of mushroom monster that retains some of its strategic instincts and can take cover rather than blindly rushing at you. Some of the jump scares were so much like quick-time events that I almost grabbed my controller so I could press X and help Ellie out.

Meta AI ‘Piracy’ Lawsuit: Publishers and Professors Challenge Fair Use Defense

As Meta defends its AI training practices in court, major publishers and copyright law experts are weighing in against the company. An amicus brief from publishers highlights Meta’s alleged reliance on pirated book archives including Anna’s Archive and Z-Library. Separately, a brief from law professors argues that Meta’s unauthorized copying to train Llama is an “undeniably commercial” use that provides no new transformative meaning and shouldn’t qualify as fair use.

From: TF, for the latest news on copyright battles, piracy and more.

meta logoTech companies are racing to build the most powerful Artificial Intelligence (AI) but how these systems are trained is now mired in controversy.

Many major tech firms allegedly used huge amounts of copyrighted material to train their AI, without obtaining permission from rightsholders. This has triggered a series of copyright infringement lawsuits.

Meta, the parent company of Facebook and Instagram, is one of the companies being sued. Well-known book authors, including Richard Kadrey, Sarah Silverman, and Christopher Golden, previously filed a class-action lawsuit against the company.

This lawsuit has a clear piracy angle, as Meta used BitTorrent to download archives of pirated books to use as training material for its Llama models.

Notably, the authors argued that, in addition to downloading pirated books from Anna’s Archive, Z-Library and other sources, Meta uploaded pirated books to third parties in the process.

Last month, both parties filed motions for summary judgment. Meta’s motion relied heavily on a fair use defense. Meanwhile, the authors argued that the downloading of millions of books cannot be classified as fair use, since the source of the books is clearly copyright-infringing.

Law Professors Back Both Sides

Given the high stakes, the motions for summary judgment attracted interest from various third parties. Through amicus brief filings, these groups are asking the court to consider their perspectives. Previously, several law professors backed Meta, for example, arguing that training AI using ‘pirated’ content might be fair use.

Not all law professors agree with this conclusion, however, as highlighted in a new amicus brief from another group of law professors. This “friend of the court” brief, submitted last Friday, clearly backs the authors.

These law professors, who don’t address the BitTorrent-specific allegations, believe that using copyrighted books to train AI is not fair use.

“Meta’s claim that its unauthorized copying of plaintiffs’ works to train its large language models is fair use is a breathtaking request for greater legal privileges than courts have ever granted human authors. It should be rejected,” they write.

Using copyrighted works without permission might be considered ‘fair use’ if the use creates a new and transformative product. However, the law professors don’t believe that’s the case here.

Instead, they see the AI end product as a commercial tool that has a similar purpose to the books it is trained on; namely, to educate people.

“The use of copyrighted works to train generative models is not ‘transformative,’ because using works for that purpose is not relevantly different from using them to educate human authors, which is a principal original purpose of all of plaintiffs’ works,” the professors state.

“That training use is also not ‘transformative’ because its purpose is to enable the creation of works that compete with the copied works in the same markets – a purpose that, when pursued by a for-profit company like Meta, also makes the use undeniably ‘commercial’.”

In their 19-page brief, the professors dispute Meta’s fair use defense by analyzing several relevant factors. They ultimately conclude that these factors weigh “conclusively” against a finding of fair use.

Professors’ conclusion

profs

Publishers Highlight Brazen Widespread Piracy

The book authors also receive support from other third parties, including The International Association of Scientific, Technical and Medical Publishers (STM), which also submitted an amicus curiae brief last Friday.

The publishers’ brief highlights the shadow libraries that Meta allegedly used to source some of its training materials. These include Z-Library, Library Genesis and Anna’s Archive, which have all been subject to legal problems of their own; such as the criminal prosecution of two alleged Z-Library operators.

“The illegal websites that Meta used to purloin a trove of copyrighted works have been the repeated subject of enforcement,” the publishers’ brief reads.

“Collectively, they have been found by multiple courts to be illegal and against the public interest; investigated by the FBI and the U.S. Department of Justice, including for potential espionage; had their domains shut down; and had their operators arrested.”

From the STM brief

zlib

Meta previously argued that its alleged use of copyrighted books as training inputs could be seen as fair use, regardless of the source of the data. However, STM sees this differently. They say that the “use of stolen content matters.”

The brief urges the court to consider these pirate sources, not only regarding the direct copyright infringement claim, but also when determining fair use for the AI training.

“Meta knowingly copied and distributed a shocking amount of infringing material from the world’s most notorious infringing websites to serve its commercial ends. Meta’s brazen acts of infringement, unprecedented in the annals of copyright law, must be considered in the context of fair use and should weigh heavily against it,” the publishers conclude.

The publishers’ position doesn’t come as a surprise, as they are directly impacted by the legal debate over AI training data. However, the fact that law professors can have vastly different opinions on the fair use analysis, shows that this isn’t an easy matter to resolve in court.

And given the stakes at play, these and other AI-related fair-use questions could very well end up at the Supreme Court in a few years.

A copy of the Amicus Curiae brief from the Law Professors is available here (pdf), and the brief from the International Association of Scientific, Technical and Medical Publishers can be found here (pdf)

From: TF, for the latest news on copyright battles, piracy and more.

(g+) Recruiter als Vermittler in der IT: Nützlicher Unterstützer oder mitkassierendes Übel?

Viele greifen bei der Suche nach Entwicklern auf Recruiter zurück. Braucht’s das wirklich? Meine Erfahrungen aus über zehn Jahren Freelancing. Ein Erfahrungsbericht von Rene Koch (Arbeit, Softwareentwicklung)

Viele greifen bei der Suche nach Entwicklern auf Recruiter zurück. Braucht's das wirklich? Meine Erfahrungen aus über zehn Jahren Freelancing. Ein Erfahrungsbericht von Rene Koch (Arbeit, Softwareentwicklung)

Foto-Morphing: Digitale Passfotos mit Anlaufschwierigkeiten

Vom 1. Mai an sind in Deutschland nur noch digitale Passbilder erlaubt. Die erforderlichen Geräte und Clouddienste liegen noch nicht überall vor. Von Friedhelm Greis (Biometrie, Datenschutz)

Vom 1. Mai an sind in Deutschland nur noch digitale Passbilder erlaubt. Die erforderlichen Geräte und Clouddienste liegen noch nicht überall vor. Von Friedhelm Greis (Biometrie, Datenschutz)