DIY: Unser schöner selbst programmierter Adventskalender

Unser selbst programmierter Adventskalender nimmt Gestalt an: Nach den Grundlagen folgt jetzt die Praxis. Wir machen unseren Kalender hübsch. Eine Anleitung von Martin Krause (Unterhaltung & Hobby, Programmiersprachen)

Unser selbst programmierter Adventskalender nimmt Gestalt an: Nach den Grundlagen folgt jetzt die Praxis. Wir machen unseren Kalender hübsch. Eine Anleitung von Martin Krause (Unterhaltung & Hobby, Programmiersprachen)

Anzeige: Powershell in a nutshell – so geht Automatisierung

Dieses dreiteilige E-Learning-Paket mit 122 Lektionen und mehr als neun Stunden Inhalt deckt die Powershell ganzheitlich ab, von den Basics bis zu spezifischen Anwendungen wie Remote-Verwaltung und Datenformatierung. (Golem Karrierewelt, Microsoft)

Dieses dreiteilige E-Learning-Paket mit 122 Lektionen und mehr als neun Stunden Inhalt deckt die Powershell ganzheitlich ab, von den Basics bis zu spezifischen Anwendungen wie Remote-Verwaltung und Datenformatierung. (Golem Karrierewelt, Microsoft)

RIAA Should Disclose Anti-Piracy Details, Altice Argues

Altice, owner of Internet provider Optimum, is not content with the RIAA’s refusal to share detailed information about its anti-piracy efforts. The ISP subpoenaed the music group to obtain potential key evidence for use in its defense against a piracy liability lawsuit filed by record labels. Faced with the RIAA’s objections, Altice has filed a motion to compel.

From: TF, for the latest news on copyright battles, piracy and more.

cassette tape pirate musicUnder U.S. copyright law, Internet providers must terminate the accounts of repeat infringers “in appropriate circumstances”.

This legal requirement remained largely unenforced for nearly two decades but a series of copyright infringement liability lawsuits, with hundreds of millions of dollars at stake, have shaken up the industry.

RIAA Labels vs. Altice

These piracy liability lawsuits have targeted large and small Internet providers across the United States. This includes Altice, which was sued by various parties in recent years both directly and indirectly as the owner of ISP Optimum.

This summer, Optimum settled its lawsuit with some music industry giants, including BMG, UMG, and Capitol Records, but that doesn’t mean its legal woes are over.

Last December, a group of nearly 50 music labels filed a similar yet separate ‘mass-infringement’ lawsuit against Altice. All members of the RIAA, these music companies claim the ISP is liable for copyright infringement, alleging that it failed to take action against repeat infringers on the “Optimum” network.

“Despite Altice’s stated policies and despite receiving tens of thousands of infringement notices concerning Plaintiffs’ works […] Altice knowingly permitted repeat infringers to continue to use its services to infringe,” the complaint read.

RIAA Denies Discovery Requests

Nearly a year has passed since the complaint was filed. Both parties are currently conducting discovery, seeking relevant evidence to support their arguments. For Altice, the RIAA is a key target, as the music industry group was involved in events that led up to the lawsuit.

To find out more, Altice subpoenaed the RIAA for what it believes is relevant information. The RIAA responded to the request, but refused to produce several documents, so Altice filed a motion at the federal court, asking it to compel the RIAA to comply.

The ISP is particularly interested in the RIAA’s dealings with anti-piracy vendor OpSec Online. The company was responsible for tracking subscribers’ piracy activity on BitTorrent networks and alerting the associated Internet providers, including Altice. These piracy notices were then used as evidence in the current lawsuit.

“According to Plaintiffs, OpSec’s system was used to detect all of the alleged downloads by Altice’s subscribers that serve as the basis for Plaintiffs’ secondary copyright infringement case against Altice,” the motion reads.

RIAA’s Dealings with OpSec

The RIAA reportedly responded with standard rejections to many of these requests. The music group agreed to hand over a copy of its 2019 agreement with OpSec, but rejected to share any other communications related to it.

According to Altice, this missing context is vital to its defense. It may reveal more about the accuracy and reliability of the piracy notices, for example, including details of potential errors and inaccurate notices.

In addition, the RIAA should also be required to share reports and other details that provide more insight into the scope and purpose of the piracy notice efforts.

“[T]he broader reports are relevant to, for example, (1) how many notices were sent to other ISPs, (2) how the RIAA directed OpSec to gather evidence of piracy from other ISPs, and (3) whether the RIAA had a strategy for bringing suits against the entire ISP industry, and, if so, its motivations for doing so,” Altice writes.

Altice request, RIAA response

riaa altice

Along the same lines, the RIAA should also disclose about how much it paid OpSec for its services. The music industry group already shared payments between 2020 and 2023, but it should hand over older data too. That will help to establish OpSec’s credibility as a witness, Altice notes.

RIAA’s Other Enforcement Efforts

The remaining information mostly relates to other enforcement efforts. The RIAA is asked to explain how it selects the copyrighted works that are used as evidence in lawsuits, for example, and whether it chose to extend the protection of certain titles, while discarding others.

The RIAA has so far refused to share this information. The same also applies to details of any other enforcement options it considered, including actions against torrent sites and potential lawsuits against providers of file-sharing software.

“These requests are directly relevant to the RIAA’s motivations for pursuing actions against ISPS, like Altice, instead of taking action themselves to address online copyright infringement such as sending notices of infringement to torrent site aggregators […] or taking legal action against providers of peer-to-peer file-sharing technologies.”

Altice request, RIAA response

p2p

Finally, Altice brings up the Copyright Alert System (CAS). This now-defunct voluntary agreement between rightsholders and Internet providers was previously used in an effort to deter infringement. Notably, this industry sanctioned model did not require ISPs to terminate subscriber accounts.

The music labels have sued Altice for its alleged failure to terminate accounts of repeat infringers, so this information is highly relevant to its defense, the company notes. Through the motion to compel, Altice hopes that the court will order the music group to comply.

At the time of writing, the RIAA has yet to respond to the motion. After that, the court is expected to issue a decision.

A copy of the motion to compel, as well as an associated request to transfer it to the Eastern District of Texas, is available here (pdf).

Instant update: The motion is transferred to Texas (pdf).

From: TF, for the latest news on copyright battles, piracy and more.

Silo S2 expands its dystopian world

Ars chats with cinematographer Baz Irvine about creating a fresh look for the sophomore season.

The second season of  Silo, Apple TV's dystopian sc-fi drama, is off to a powerful start with yesterday's premiere. Based on the trilogy by novelist Hugh Howey, was one of the more refreshing surprises on streaming television in 2023: a twist-filled combination of political thriller and police procedural set in a post-apocalyptic world. It looks like S2 will be leaning more heavily into sci-fi thriller territory, expanding its storytelling—and its striking cinematography—beyond the original silo.

(Spoilers for S1 below as well as first five minutes of S2 premiere.)

As previously reported, Silo is set in a self-sustaining underground city inhabited by a community whose recorded history only goes back 140 years, generations after the silo was built by the founders. Outside is a toxic hellscape that is only visible on big screens in the silo's topmost level. Inside, 10,000 people live together under a pact: Anyone who says they want to "go out" is immediately granted that wish—cast outside in an environment suit on a one-way trip to clean the cameras. But those who make that choice inevitably die soon after because of the toxic environment.

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These are the lasting things that Half-Life 2 gave us, besides headcrabs and crowbars

Beyond the game itself (which rocks), Half-Life 2 had a big impact on PC gaming.

It's Half-Life 2 week at Ars Technica! This Saturday, November 16, is the 20th anniversary of the release of Half-Life 2—a game of historical importance for the artistic medium and technology of computer games. Each day up through the 16th, we'll be running a new article looking back at the game and its impact.

“Well, I just hate the idea that our games might waste people’s time. Why spend four years of your life building something that isn't innovative and is basically pointless?”

Valve software founder Gabe Newell is quoted by Geoff Keighley—yes, the Game Awards guy, back then a GameSpot writer—as saying this in June 1999, six months after the original Half-Life launched. Newell gave his team no real budget or deadline, only the assignment to “follow up the best PC game of all time” and redefine the genre.

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