Lenovo’s new ThinkPad P series mobile workstations combine Intel Meteor Lake, NVIDIA Ada, and LPCAMM2 memory (on select models)

Lenovo’s ThinkPad P-series mobile workstations are relatively thin and light laptops with support for professional graphics, among other things. And this year’s lineup includes four new models with Intel Meteor Lake processors and optional…

Lenovo’s ThinkPad P-series mobile workstations are relatively thin and light laptops with support for professional graphics, among other things. And this year’s lineup includes four new models with Intel Meteor Lake processors and optional support for NVIDIA RTX Ada graphics. The smallest of the bunch is the new Lenovo ThinkPad P14s i Gen 5 which […]

The post Lenovo’s new ThinkPad P series mobile workstations combine Intel Meteor Lake, NVIDIA Ada, and LPCAMM2 memory (on select models) appeared first on Liliputing.

There’s More to Copyright Than Financial Incentives, Internet Archive Argues in Court

The Internet Archive is doubling down on its position that its digital lending library service operates under the bounds of fair use. Major publishers assert that digitizing books without appropriate licensing amounts to infringement but IA counters that the practice is in the public interest. It also fits copyright’s ultimate purpose; to promote the broad public availability of literature and other arts.

From: TF, for the latest news on copyright battles, piracy and more.

internet archiveThe non-profit Internet Archive (IA) aims to preserve digital history for generations to come.

The organization literally archives key parts of the Internet, copying older versions of websites to preserve them for future generations. This information becomes more and more valuable as time passes by.

IA has plenty of other archive projects too. For example, it operates a library that offers a broad collection of digital media, including books, which patrons can borrow upon request.

Thousands of libraries have digital lending services but IA’s approach is different. The organization doesn’t license authorized digital copies from publishers; instead, its books are scanned and digitized in-house. Each copy can only be loaned to one person at a time, to mimic the lending attributes of physical books.

Lawsuit and Appeal

Internet Archive believes that its approach falls under fair use but publishers Hachette, HarperCollins, John Wiley, and Penguin Random House disagree. They filed a lawsuit in 2020 equating IA’s controlled digital lending operation to copyright infringement.

Earlier this year a New York federal court concluded that the library is indeed liable for copyright infringement. The court’s decision effectively put an end to IA’s self-scanning library, at least for books from the publishers in suit.

IA is not letting go without a fight and in December the non-profit filed its opening brief at the Second Circuit Court of Appeals, hoping to reverse the judgment. Among other things, IA argued that its lending activity causes no financial harm is substantially different from the ebook licensing market.

Fearing a ‘Napster moment’ for books, the publishers rejected the notion that outsiders can run their own digitization programs and operate distribution platforms, without rightsholders being involved. Rightsholders should remain in control of all digital copies to be monetized on their terms.

Both sides were supported by amicus briefs from interested parties, a clear indication of what’s at stake in this dispute. Before the court case moves forward, however, IA replied to the publishers’ Napster comments and other critiques.

IA Points Out ‘Critical Misconceptions’

The Archive maintains that its lending service is fair use. The organization points out that the publishers have several misconceptions about its service.

IA points out that it doesn’t lend out digital copies without limits. For each physical book, it will only lend a single digitized copy at the time. This fixed “owned-to-loaned ratio” sets it apart from many of the copyright-infringing services mentioned by the publishers..

“Controlled digital lending is not equivalent to posting an ebook online for anyone to read or copy or to peer-to-peer file-sharing by companies like Napster. Neither practice is based on use of a library’s lawfully acquired physical copy, and neither ensures that only the one person entitled to borrow the book (or recording) can access it at a time.”

IA further notes that it has no profit motive, which differs from companies that resell digital copies without permission. In addition, the enormous work that goes into digitizing the books makes it hard for others to do the same, so fears of a flood of similar services are overblown.

“[B]ecause of the huge investment required to operate a legally compliant controlled lending system and the controls defining the practice, finding fair use here would not trigger any of the doomsday consequences for rightsholders that Publishers and their amici claim to fear,” IA writes.

Libraries Have Broad Missions

The brief goes on to counter the publishers’ “cramped” view of what libraries are for. Libraries are not just outfits that lend physical books to people nearby; their missions are much broader.

IA says that libraries make books available to a broad public, no matter their social status or location. They also preserve books for future generations and ensure that readers can enjoy books without giving up their privacy.

“Libraries provide readers more egalitarian access to a wider range of books, overcoming socioeconomic and geographic barriers by sharing resources with other libraries through interlibrary loans.”

“They also build permanent collections to preserve books, including older editions, for future generations. And they protect reader privacy, preventing disclosure of patron records that could chill access to information,” IA adds.

IA’s lending service advances this mission and was launched, in part, because the current ebook licensing schemes are seen as too restrictive.

restrictive

A “Copyright” Balancing Act

The parties broadly agree on what the lending program entails and how it operates from a technical perspective. However, it’s the purpose and consequences that mostly determine whether a service is ‘fair use’, and here they have diametrically opposing views.

The publishers have argued that IA offers digital copies of their books without permission, which directly competes with its legal licensing business.

IA, in turn, doesn’t deny that copyrights play a role but stresses that its controlled lending is fair use. The reply highlights several arguments to make this point and concludes that the scale clearly tips in its favor.

The reply brief notes that the lower court didn’t properly balance the interests required by copyright law, largely overlooking the benefits the service has to the public at large, while strongly focusing on the financial aspect of copyright instead.

“[The District Court] decision barely mentions copyright’s ultimate purpose of ‘promoting broad public availability of literature, music, and the other arts’. Publishers do not deny that IA’s use serves this purpose; instead, they ask the Court to ignore that service and focus instead on copyright’s financial incentives for creativity.”

IA cites the Warhol Supreme Court case which made clear that fair use is a balancing act between the interests of the public and rightsholders. In this case, it believes that the balance favors its lending service.

“Creative work is to be encouraged and rewarded, but private motivation must ultimately serve the cause of promoting broad public availability of literature, music, and the other arts. The district court’s failure to consider the latter contravenes decades of precedent recognizing that rewards are a secondary consideration, while promoting availability is primary,” IA informs the court.

“Here, the record shows that the balancing act between these purposes is better served by allowing the use than by preventing it,” IA concludes.

A copy of the Internet Archive’s reply brief, submitted at the Second Circuit Court of Appeals, is available here (pdf)

From: TF, for the latest news on copyright battles, piracy and more.

Replacing “iperf3” with “ntttcp” to measure networking throughput in reviews

One of the things I test when reviewing mini PCs for Liliputing is WiFi performance or network throughput. And up until recently I’ve used the popular iperf3 tool to do that, since it allows me to see how real-world performance compares with the…

One of the things I test when reviewing mini PCs for Liliputing is WiFi performance or network throughput. And up until recently I’ve used the popular iperf3 tool to do that, since it allows me to see how real-world performance compares with the speeds you’d expect from the specifications provided by WiFi chip makers. For […]

The post Replacing “iperf3” with “ntttcp” to measure networking throughput in reviews appeared first on Liliputing.

Glasfaserhauptverteiler: Deutsche Glasfaser schrumpft die Points of Presence

Points of Presence sind bisher beim Glasfaserausbau meist begehbare Standorte in Garagengröße. Deutsche Glasfaser setzt jetzt erheblich kleinere ein. (Deutsche Glasfaser, Glasfaser)

Points of Presence sind bisher beim Glasfaserausbau meist begehbare Standorte in Garagengröße. Deutsche Glasfaser setzt jetzt erheblich kleinere ein. (Deutsche Glasfaser, Glasfaser)

You can now disable some of Fortnite’s most toxic emotes

Epic: “We want emotes to be a source of good vibes…”

For online players tired of being harassed by randos over voice chat, animated emotes have long served as a "safe" way to communicate in-game via simple, pre-approved non-verbal messages. In Fortnite, though, a few of those emotes have become so "confrontational" (as developer Epic puts it) that individual players can now choose to block them with an in-game settings toggle.

The new "See Confrontational Emotes" setting, announced Tuesday, can be set to automatically block the appearance (and associated sound effects) of four emotes "that are sometimes used in confrontational ways," Epic wrote. Those four emotes are (links go to video examples):

By default, the toggle will be set to only display these emotes from friends in an online party, Epic wrote. That setting can be changed to always allow or always block those emotes at any time.

Read 6 remaining paragraphs | Comments

Apple’s next product event happens on May 7, and it’s probably iPads

Reports point to a new OLED iPad Pro with M3 and a big-screened iPad Air.

Apple’s next product event happens on May 7, and it’s probably iPads

Enlarge (credit: Apple)

Apple is going to announce some new things on Tuesday, May 7, at 10 am Eastern, according to an invitation the company sent out to members of the press (and posted to its website) this morning.

The name Apple has given the event (“Let Loose”) doesn’t tell us much about what the company might announce, but the art does: It’s a hand holding an Apple Pencil, which almost certainly means the event will be iPad-focused.

Apple has reportedly been on the cusp of releasing new iPads since late March, and the rumor mill has already delivered most of the key details. The headliner is likely to be a pair of new iPad Pros with M3 chips, OLED displays, slightly larger screens, and refined designs. Riding shotgun will be a refreshed 10.9-inch iPad Air with an M2 chip, plus a brand-new 12.9-inch Air meant to give large-screened iPad fans an option that doesn’t cost as much as the iPad Pro.

Read 4 remaining paragraphs | Comments