
Deutsche Giganetz: “Verzweifelte Menschen werden nach Glasfaser hungern”
Der Netzbetreiber Deutsche Giganetz sieht Glasfaser im Kommen. Kommunen, die das ignorieren, würden abgestraft. (Glasfaser, DSL)
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Der Netzbetreiber Deutsche Giganetz sieht Glasfaser im Kommen. Kommunen, die das ignorieren, würden abgestraft. (Glasfaser, DSL)
The PocketBook Era Color is an upcoming eBook reader with a 7 inch E Ink Kaleido 3 color display, a 1.8 GHz quad-core processor, 32GB of storage, and a waterproof design. Pocketbook hasn’t announced how much the Era Color will cost in the US yet…
The PocketBook Era Color is an upcoming eBook reader with a 7 inch E Ink Kaleido 3 color display, a 1.8 GHz quad-core processor, 32GB of storage, and a waterproof design. Pocketbook hasn’t announced how much the Era Color will cost in the US yet, but the company is showing a 259 Euro list price […]
The post PocketBook Era Color is a 7 inch eReader with a Kaleido 3 display and page turn buttons appeared first on Liliputing.
After its launch in 2007, the popularity of streaming links platform SeriesYonkis exploded and within a year it was among the most-visited sites in Spain. From a local law enforcement operation against one of the site’s operators in 2009, a full trial demanding 550 million euros from four men in 2019, to their complete acquittal in 2021, the journey was eventful. Yet suddenly, following an appeal by the movie companies’ anti-piracy outfit, the case will be resurrected.
From: TF, for the latest news on copyright battles, piracy and more.
In 2007, Netflix shifted from distributing optical media via the mail to streaming content online. Apple released the first iPhone in the same year, but neither were quite ready to start squeezing the modern equivalent of the silver screen onto a 320×480 LCD panel.
From a standing start alongside these innovative products in 2007, within a year SeriesYonkis would establish itself as one of Spain’s most-visited sites. Soon after, as the discontinued iPhone collapsed in the rear-view mirror in the summer of 2018, SeriesYonkis powered on to become one of the most popular ‘pirate’ sites in mainland Europe. That didn’t go unnoticed.
Providing links to TV shows hosted on sites such as Megaupload may have been exciting for fans, but SeriesYonkis and movie-focused sister site PeliculasYonkis would soon feel the heat. When a black and white movie produced in Argentina was spotted by the rightsholder, a criminal complaint escalated into Spanish law enforcement action in 2009, and a search at the home of one of the site’s operators.
The search turned up nothing useful, at least when viewed through the eyes of Spanish law and how it was perceived at the time. SeriesYonkis was fueled by links to content hosted elsewhere, posted by users. There was no evidence to show that the site’s operators uploaded any content, or even checked the links to see if they actually worked.
The big struggle for rightsholders was a lack of clarity in Spanish law; specifically whether the mere provision of links amounted to a ‘communication to the public’, a regular feature of many copyright cases that have ended up at the Court of Justice of the European Union (CJEU).
Between 2007 and 2014, Spain’s Criminal Code had no definition for ‘communication to the public’ and when efforts were made to utilize provisions in the country’s Intellectual Property law, courts looked at other cases involving hyperlinks. All determined that linking did not amount to a communication to the public.
In February 2014, when dealing with the landmark case Svensson v Retriever Sverige AB, the CJEU set out the criteria for a communication to the public. Communication was defined as making works available in a way the public can access them. The term ‘public’ was clarified to mean a large number of people, who were not the original audience rightsholders had envisioned when they made the content available.
Importantly, the CJEU clarified that the provision of hyperlinks to protected content amounts to making content available.
Since making content available constitutes an act of communication, the people behind SeriesYonkis understood that this case, which didn’t directly involve them, certainly did now. Rightsholders did not envision their content reaching the users of SeriesYonkis via file-hosting sites for free, so that qualified as a ‘new public’ as defined by Europe’s highest court.
SeriesYonkis’ fate was sealed; Spain updated its laws with explicit reference to hyperlinks and before that came into force, SeriesYonkis shut itself down. Yet four years later, the men behind the site were on trial, facing years in prison and a claim for over half a billion euros in damages.
Following relentless legal pressure by several major Hollywood studios and their local proxies EGEDA and the Spanish Anti-Piracy Federation, four men went on trial in April 2019 for their work on SeriesYonkis, PeliculasYonkis and VideosYonkis (Series, Film, and Video Junkies).
Founder and original owner Alberto García and subsequent owners Alexis Hoepfner, Jordi Tamargo and David Martínez, faced a damages claim of 550 million euros and calls from Hollywood for prison sentences of up to four years each. The local prosecutor felt that two years would be sufficient.
For reasons directly linked to the CJEU ruling in Svensson, and the fact that the site’s operators shut everything down before Spain updated its law, Judge Isabel María Carrillo Sáez of Murcia’s Criminal Court said the men would not be going to prison, because they had committed no crimes.
The inevitable appeal, filed by the Public Prosecutor’s Office, Warner Bros, Paramount Pictures, Universal Studios and EGEDA, was subsequently rejected by the Murcia Provincial Court. Three magistrates ratified the decision handed down by the Murcia Criminal Court in 2019; still not guilty, all four remain acquitted.
According to a new report by elDiario.es, anti-piracy group EGEDA has filed an ‘amparo claim’ at the Constitutional Court against the acquittal of the men in 2021.
Amparo is one of the main powers conferred by the Constitution to the Constitutional Court. The object of this process is the protection against breaches of the rights and freedoms enshrined in Articles 14 to 29 and 30.2 of the Constitution originated by provisions, legal acts, omissions or simple actions of the government of the State, the Autonomous Communities and other public bodies of territorial, corporate or institutional nature, as well as their staff.
The only claim that can be enforced through the amparo is the restoration or preservation of the rights or freedoms for which the appeal is lodged.
EGEDA’s claim, access to which was obtained by elDiario.es, states that by finding the operators of SeriesYonkis innocent on the basis detailed above, the Provincial Court of Murcia’s decision violated “their right to enjoy effective judicial protection.”
As a result they want the case examined again; the Constitutional Court has accepted.
Carlos Sánchez Almeida, a lawyer for one of the men behind SeriesYonkis, expressed the opinion that if anyone needs protection, his client is a prime candidate.
“Whoever needs effective judicial protection and all the rights of Article 24 of the Constitution is our client,” Almeida says.,
“He designed [SeriesYonkis] when he was a student, and for which he has suffered, is suffering and will suffer a 16-year bench sentence,” his response to the Constitutional Court reads.
“Basically, practically the entirety of his work and family life has been spent dealing with a lawsuit constantly threatening present and future plans, with media, mental, family and economic expenses that would wear down any person. And in the face of such suffering, an accusation puts an imaginary 550 million euros on the scales of justice, invoking the right to effective judicial protection of legal entities that produce cinematographic works.”
It could be several years before the Constitutional Court issues its verdict.
From: TF, for the latest news on copyright battles, piracy and more.
“This isn’t about good or bad. This is about power and who is allowed to use it.”
Amandla Stenberg stars as a former padawan turned dangerous warrior in Star Wars: The Acolyte.
A long time ago, in a galaxy far, far away, the Galactic Republic and its Jedi masters symbolized the epitome of enlightenment and peace. Then came the inevitable downfall and outbreak of war as the Sith, who embraced the Dark Side of the Force, came to power. Star Wars: The Acolyte is a forthcoming new series on Disney+ that will explore those final days of the Republic as the seeds of its destruction were sown—and the streaming platform just dropped the first trailer.
The eight-episode series was created by Leslye Headland, who co-created Russian Doll with Natasha Lyonne and Amy Poehler. It's set at the end of the High Republic Era, about a century before the events of The Phantom Menace. Apparently Headland rather cheekily pitched The Acolyte as "Frozen meets Kill Bill," which is an intriguing combination. She drew on wuxia martial arts films for inspiration, much like George Lucas was originally inspired by Westerns and the samurai films of Akira Kurosawa.
(Some spoilers for the prequel trilogy below.)
Louisiana lawyer faced tough questions from liberal and conservative justices.
Enlarge / Supreme Court Chief Justice John Roberts and Associate Justice Sonia Sotomayor arrive for President Joe Biden's State of the Union address on March 7, 2024, in Washington, DC. (credit: Getty Images | Win McNamee )
Supreme Court justices yesterday expressed skepticism about whether federal government officials should face limits on their communications with social media networks like Facebook.
The Supreme Court previously stayed a lower-court injunction that would prevent the Biden administration from pressuring social media firms to take down content and yesterday heard oral arguments in the case brought against the US government by the Missouri and Louisiana attorneys general.
Louisiana Solicitor General J. Benjamin Aguiñaga faced skepticism from both liberal and conservative justices. Justice Amy Coney Barrett raised a hypothetical in which Louisiana state officials are doxed and targeted by threats made on social media.
Lenovo’s latest ThinkPad L-series laptops include new models with 13, 14, and 16 inch displays, Intel or AMD processors, and prices that start at around $999. But which features you get vary a bit from model to model. For example, the ThinkPad L…
Lenovo’s latest ThinkPad L-series laptops include new models with 13, 14, and 16 inch displays, Intel or AMD processors, and prices that start at around $999. But which features you get vary a bit from model to model. For example, the ThinkPad L13 Gen 5, ThinkPad L13 2-in-1 Gen 5, and ThinkPad L14 i Gen 5 all feature Intel Core Ultra processors […]
The post Lenovo launches ThinkPad L13 and L14 Gen 5 laptops with Intel Core Ultra and Ryzen 7030 processor options appeared first on Liliputing.
YouTube wants “realistic” likenesses or audio fabrications to be labeled.
Enlarge (credit: Future Publishing | Getty Images)
YouTube is rolling out a new requirement for content creators: You must disclose when you're using AI-generated content in your videos. The disclosure appears in the video upload UI and will be used to power an "altered content" warning on videos.
Google previewed the "misleading AI content" policy in November, but the questionnaire is now going live. Google is mostly concerned about altered depictions of real people or events, which sounds like more election-season concerns about how AI can mislead people. Just last week, Google disabled election questions for its "Gemini" chatbot.
As always, the exact rules on YouTube are up for interpretation. Google says it's "requiring creators to disclose to viewers when realistic content—content a viewer could easily mistake for a real person, place, or event—is made with altered or synthetic media, including generative AI," but doesn't require creators to disclose manipulated content that is "clearly unrealistic, animated, includes special effects, or has used generative AI for production assistance."
Das Pilotprojekt Gigabit Innovation Track beginnt zu messen. Hätten wir auf jedem Kilometer eine C-Band-Antenne mit Glasfaser-Backhaul, wären die Probleme im Bahn-WLAN Vergangenheit. (Deutsche Bahn, Ericsson)
Hyundai Mobis hat die Entwicklung eines neuen Frontmoduls für Elektroautos angekündigt, das die Effizienz steigern und das Design nicht verschandeln soll. (Hyundai, Elektroauto)
Dune 2 ist der bisher erfolgreichste Film des Jahres. Erfolgreich ist der Ornithopter von Lego ebenfalls. Doch beide ernten auch Kritik. (Lego, Unterhaltung & Hobby)
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