Cloud- und Streamingdienste: Apple TV+, Arcade und Apple One werden teurer
Apple erhöht seine Preise für Apple TV+, Arcade und Apple One, während Apple Music seinen Preis behält. (Apple, Apple TV)
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Apple erhöht seine Preise für Apple TV+, Arcade und Apple One, während Apple Music seinen Preis behält. (Apple, Apple TV)
Auf dem Weg zu einem europaweiten Recht auf Reparatur ist ein weiterer Schritt unternommen worden: Der EU-Binnenmarktausschuss positioniert sich klar. (Nachhaltigkeit, Verbraucherschutz)
Plumbonacrite has previously been found in later works by Rembrandt.
When Leonardo da Vinci was creating his masterpiece, the Mona Lisa, he may have experimented with lead oxide in his base layer, resulting in trace amounts of a compound called plumbonacrite. It forms when lead oxides combine with oil, a common mixture to help paint dry, used by later artists like Rembrandt. But the presence of plumbonacrite in the Mona Lisa is the first time the compound has been detected in an Italian Renaissance painting, suggesting that da Vinci could have pioneered this technique, according to the authors of a recent paper published in the Journal of the American Chemical Society.
Fewer than 20 of da Vinci's paintings have survived, and the Mona Lisa is by far the most famous, inspiring a 1950s hit song by Nat King Cole and featuring prominently in last year's Glass Onion: a Knives Out Mystery, among other pop culture mentions. The painting is in remarkably good condition given its age, but art conservationists and da Vinci scholars alike are eager to learn as much as possible about the materials the Renaissance master used to create his works.
There have been some recent scientific investigations of da Vinci's works, which revealed that he varied the materials used for his paintings, especially concerning the ground layers applied between the wooden panel surface and the subsequent paint layers. For instance, for his Virgin and Child with St. Anne (c. 1503–1519), he used a typical Italian Renaissance gesso for the ground layer, followed by a lead white priming layer. But for La Belle Ferronniere (c. 1495–1497), da Vinci used an oil-based ground layer made of white and red lead.
Previously unknown XSS in Roundcube let Winter Vivern steal government emails.
A relentless team of pro-Russia hackers has been exploiting a zero-day vulnerability in widely used webmail software in attacks targeting governmental entities and a think tank, all in Europe, researchers from security firm ESET said on Wednesday.
The previously unknown vulnerability resulted from a critical cross-site scripting error in Roundcube, a server application used by more than 1,000 webmail services and millions of their end users. Members of a pro-Russia and Belarus hacking group tracked as Winter Vivern used the XSS bug to inject JavaScript into the Roundcube server application. The injection was triggered simply by viewing a malicious email, which caused the server to send emails from selected targets to a server controlled by the threat actor.
“In summary, by sending a specially crafted email message, attackers are able to load arbitrary JavaScript code in the context of the Roundcube user’s browser window,” ESET researcher Matthieu Faou wrote. “No manual interaction other than viewing the message in a web browser is required.”
The spider was nesting on her eardrum—and there’s video.
While brain worms have made many horrifying headlines this year, the good folks at the New England Journal of Medicine offer some fresh nightmare fuel ahead of Halloween: an ear spider. And there's a video.
In a short clinical report published in this week's issue, doctors in Tainan City, Taiwan, detail the case of a 64-year-old woman who sought care at an otolaryngology (ENT) clinic. She came in complaining of having an incessant ruckus in her left ear for the previous four days. On the first day of symptoms, the woman said she was awoken by a feeling of a wee creature crawling in her ear canal. That feeling was then followed by days of clicking, beating, and rustling noises.
Gigabit broadband connections are old hat. Google Fiber says it’s turning the dial up to 20 and rolling out 20 Gigabit fiber internet in select markets by the end of the year. There’s no word on how much it will cost though… or if yo…
Gigabit broadband connections are old hat. Google Fiber says it’s turning the dial up to 20 and rolling out 20 Gigabit fiber internet in select markets by the end of the year. There’s no word on how much it will cost though… or if you’ll be able to afford it after the latest price hikes […]
The post Lilbits: Alder Lake-N vs RK3588, 20 Gigabit broadband, and streaming price hikes appeared first on Liliputing.
The Apple One bundle is getting pricier, too.
Apple announced monthly price hikes for several online services on Wednesday, including its catchall Apple One subscription service.
Apple TV+ will jump from $6.99 to $9.99 per month, while Apple Arcade will go from $4.99 to $6.99 monthly. Apple News+ used to cost $9.99 per month, but now it's $12.99.
Those three services are bundled alongside iCloud and (in the Premier tier) Fitness+ in Apple One, the company's pseudo-Amazon Prime all-in-one offering. That service will also increase in price. Individual plans will go from $16.95 to $19.95 monthly, family plans will go from $22.95 to $25.95, and Premier plans will now cost $37.95 instead of $32.95.
Altered images could destroy AI model training efforts that scrape art without consent.
On Friday, a team of researchers at the University of Chicago released a research paper outlining "Nightshade," a data poisoning technique aimed at disrupting the training process for AI models, reports MIT Technology Review and VentureBeat. The goal is to help visual artists and publishers protect their work from being used to train generative AI image synthesis models, such as Midjourney, DALL-E 3, and Stable Diffusion.
The open source "poison pill" tool (as the University of Chicago's press department calls it) alters images in ways invisible to the human eye that can corrupt an AI model's training process. Many image synthesis models, with notable exceptions of those from Adobe and Getty Images, largely use data sets of images scraped from the web without artist permission, which includes copyrighted material. (OpenAI licenses some of its DALL-E training images from Shutterstock.)
AI researchers' reliance on commandeered data scraped from the web, which is seen as ethically fraught by many, has also been key to the recent explosion in generative AI capability. It took an entire Internet of images with annotations (through captions, alt text, and metadata) created by millions of people to create a data set with enough variety to create Stable Diffusion, for example. It would be impractical to hire people to annotate hundreds of millions of images from the standpoint of both cost and time. Those with access to existing large image databases (such as Getty and Shutterstock) are at an advantage when using licensed training data.
Qualcomms neuer Snapdragon-Prozessor liefert bei der CPU- und bei der GPU-Leistung ein deutliches Plus gegenüber dem Vorgänger – und teilweise auch gegenüber Apples A17 Pro. (Snapdragon Summit 2023, Smartphone)
Facebook and Instagram are trying to educate users on copyright infringement by showing a ‘popup’ to those who search for potentially problematic terms such as IPTV. This is one of the many voluntary anti-piracy tools the Meta-owned social media platforms have implemented, in an effort to help combat online copyright infringement.
From: TF, for the latest news on copyright battles, piracy and more.
Similar to any other online platforms that deal with user-generated content, Instagram and Facebook process thousands of copyright complaints daily.
Simply responding to takedown notices isn’t sufficient for all rightsholders, some of which mentioned Meta’s companies as potential “notorious markets” in recent recommendations to the U.S. Trade Representative (USTR).
Meta is not happy with this and this week the company responded with a rebuttal. For starters, it points out that the USTR’s Special 301 process is intended to map foreign copyright threats, not domestic ones. That would mean that as an American corporation, Meta has no place in the review.
Zuckerberg’s company writes that it fully supports the USTR’s Notorious Markets List as a means to flag global piracy and counterfeiting threats, but expanding it to domestic companies goes beyond its scope.
“[I]f the Notorious Markets List is to continue to advance U.S. trade interests internationally, it needs to remain focused on the underlying purpose of the Special 301 program: the identification of foreign countries and foreign markets that engage in or facilitate piracy and counterfeiting.”
Meta doesn’t stop there. It continues the rebuttal by outlining the wide variety of anti-piracy and counterfeiting measures it has implemented over the years.
Both Instagram and Facebook have anti-piracy tools that go far beyond the basic notice and takedown procedures required by law. This includes automated content recognition technology, for example, as well as an elaborate Intellectual Property Reporting API.
Instagram also blocks hashtags linked to potentially problematic content. For example, the #Z-Library hashtag doesn’t seem to exist, and tagging posts with #IPTV doesn’t lead anywhere either.
According to Meta, these types of interventions are meant to reduce the discoverability of potential copyright-infringing content. In the case of the hashtag blocks, it also allows Instagram to automatically disable accounts that repeatedly use these forbidden words.
Meta’s rebuttal mentions that it recently added a new ‘intervention’ technique to its arsenal. To reduce piracy and counterfeiting, both Instagram and Facebook now show popups to users who search for controversial terms.
It’s unclear how many problematic terms Meta identified, but “luxury replica” and “IPTV” are explicitly mentioned.
“Now, when users enter certain counterfeit- and piracy-related terms […] into the search bar on Facebook or Instagram, they are directed to a pop-up that explains Meta’s policy against IP infringement and offered a link to Meta’s IP Help Center to learn more,” Meta writes.
Facebook and Instagram users can still reach the search results if they want, but Meta believes that this nudge will help to educate users where needed.
“Only after users see this pop-up can they click through to see the results of their search. By adding this layer of friction, we are able to reduce users’ engagement with potential counterfeit and pirated content – all while providing further education and transparency,” Meta clarifies.
Just how effective these and other tools are is unknown. Meta probably collects data on how people interact with these roadblocks so it would be great – from a transparency perspective – to learn what the click-through rate is.
All in all, Meta believes that all the efforts it takes to combat piracy, should make it clear that their platforms should not be labeled as ‘notorious piracy markets’, even if they were foreign services.
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A copy of Meta’s full rebuttal, which it sent to the USTR a few days ago, is available here (pdf)
From: TF, for the latest news on copyright battles, piracy and more.
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