Meta’s business model depends on selling user data to advertisers, and it seems that the owner of Facebook and Instagram sought new paths to continue widely gathering data and to recover from the suddenly lost revenue. Last month, a privacy researcher and former Google engineer, Felix Krause, alleged that one way Meta sought to recover its losses was by directing any link a user clicks in the app to open in-browser, where Krause reported that Meta was able to inject a code, alter the external websites, and track “anything you do on any website,” including tracking passwords, without user consent.
Now, within the past week, two class action lawsuits [1][2] from three Facebook and iOS users—who point directly to Krause’s research—are suing Meta on behalf of all iOS users impacted, accusing Meta of concealing privacy risks, circumventing iOS user privacy choices, and intercepting, monitoring, and recording all activity on third-party websites viewed in Facebook or Instagram’s browser. This includes form entries and screenshots granting Meta a secretive pipeline through its in-app browser to access “personally identifiable information, private health details, text entries, and other sensitive confidential facts”—seemingly without users even knowing the data collection is happening.
Florida law was blocked by lower courts that found it violates First Amendment.
Enlarge/ The US Supreme Court building. (credit: Getty Images | Rudy Sulgan)
Florida yesterday asked the US Supreme Court to reinstate its social media regulation law that made it illegal for sites like Facebook and Twitter to ban politicians.
Florida's petition said the Supreme Court should answer the questions of whether the First Amendment prohibits states "from requiring that social-media companies host third-party communications, and from regulating the time, place, and manner in which they do so," and whether the First Amendment prohibits states "from requiring social-media companies to notify and provide an explanation to their users when they censor the user's speech."
The Florida law is currently blocked by an order issued by the US Court of Appeals for the 11th Circuit, which made its ruling in a lawsuit filed by Big Tech industry groups. Florida filed its Supreme Court petition several days after a Texas social media law was reinstated by the US Court of Appeals for the 5th Circuit.
Chinese electronics maker LilyGo is selling a keyboard kit that effectively turns one of the company’s cheap smartwatches into a device that looks more like a tiny replica of a desktop computer. The LilyGo T-Watch-Keyboard-C3 is available from A…
Chinese electronics maker LilyGo is selling a keyboard kit that effectively turns one of the company’s cheap smartwatches into a device that looks more like a tiny replica of a desktop computer. The LilyGo T-Watch-Keyboard-C3 is available from AliExpress with prices starting at $19 for a keyboard and speaker that connect to an existing watch […]
Erste Piloten sind bei 50G und 100G, erklärte ein Nokia-CTO. Huawei berichtete von 50G und Fiber To The Room durch flexible Glasfaser mit Heißkleber. (Nokia, Huawei)
Erste Piloten sind bei 50G und 100G, erklärte ein Nokia-CTO. Huawei berichtete von 50G und Fiber To The Room durch flexible Glasfaser mit Heißkleber. (Nokia, Huawei)
After a copyright blunder led to a major boost for the horror genre, George A. Romero’s Night of the Living Dead became a public domain classic. But in a terrifying new twist, YouTubers are now completely surrounded by a horde of Content ID notices claiming ownership and monetization rights. Screams for help are being ignored as Universal Music-owned Ingrooves gorges on the spoils.
From: TF, for the latest news on copyright battles, piracy and more.
One can only imagine the crew’s screams of pain when they discovered that a clerical error had robbed ‘Night of the Living Dead’ of its copyright protections.
George A. Romero’s masterpiece opened in 1968 to audiences largely unprepared for its genius. If anything, movie distributor Walter Reade Organization was even more unprepared.
The company’s failure to file for a new copyright after the movie ditched its original title ‘Night of the Flesh Eaters’ was the reason that Night of the Living Dead (NOLD) was quickly pushed into the public domain.
History has since shown us that due to the subsequent effect on the greater good, no suffering was in vain. NOLD inspired a whole genre of horror that has gained momentum with age. And for advocacy groups like the EFF, the story is tailor-made for showing how the public domain brings freedoms that can benefit society as a whole.
The EFF’s Q&A is very easy to understand and accurately reflects public domain theory, but nothing beats a generous dose of reality stomping all over the textbooks.
Night of the Copyright Claim
Last month a user of Reddit’s /r/copyright revealed that they’d used some footage from NOLD in a short film titled ‘Trick ‘r Creep (Horror Short Film)’. After uploading the film to YouTube, the Google-owned video platform fired back a message, reporting that a portion of the video had been flagged due to the content being owned by a third party.
Since this was an automated Content ID claim, no strikes were involved, but how public domain content (specifically the NOLD soundtrack) was able to trigger the system in this way remained unclear. The YouTuber decided to contest the copyright claim, but YouTube quickly rejected it, leaving nowhere to go.
The image above shows that YouTube matched the user’s upload with another YouTube video titled ‘Night of the Living Dead, Pt. 1’, which was apparently uploaded by someone called Jack Meakin.
The Content ID notice lists the copyright owner as INgrooves, on behalf of Plastic Records, and the video they reportedly own is embedded below for reference.
What’s curious here is that Jack Meakin’s YouTube channel has just one subscriber and his NOLD video, which appears to contain 31 minutes of audio from the original movie, has a note underneath stating that the content was directly supplied to YouTube by Ingrooves.
All appear to have been identified by Content ID as matching the video on the Jack Meakin channel. The video contains audio from the 1968 public domain movie and is used as justification for Jack Meakin/Ingrooves to generate revenue from NOLD content uploaded by other YouTubers.
So Who Are These People and What Do They Want?
Ingrooves is owned by Universal Music and describes itself as a global music distribution company providing marketing and rights management services for independent labels and artists.
Given the information provided in the Content ID notice, it seems possible that Ingrooves may represent Jack Meakin, who in turn might have some kind of arrangement with Plastic Records. While plausible, that fails to explain what connections these people have to public domain movie Night of the Living Dead, if any.
After we turned our focus to the mysterious Jack Meakin, a confusing situation somehow managed to get even more so. A Twitter search quickly turned up a DJ/electronic musician of the same name, but when we combined the name with the title of the movie, something even more unexpected entered the mix.
Jack Meakin Featuring George Romero
According to the Living Dead wiki, the music score of NOLD was not composed especially for the film but came from the libraries of WRS Studio and Capitol Records. Among the composers of that music was a man called Jack Meakin, who was born in 1906 and left for better things in 1982.
So was this the missing piece of the puzzle? Is it possible that the late Jake Meakin held some rights to his music in Night of the Living Dead? Were those rights passed to someone else after he passed away? If so, which of the compositions in the movie are his and why are Plastic Records involved, whoever they are?
We don’t have access to Content ID and given that YouTube is rejecting and refusing to discuss NOLD disputes, we decided to get a bit more creative. We found the Jack Meakin account on YouTube, hit play on the Night of the Living Dead video, fired up Shazam, and got a surprise instant hit.
According to our digital fingerprinting overlords, the piece is called ‘Chapter 1’ by a recording artist called ‘George Romero’. Wonderful…and thanks for nothing.
However, given that there are many links between Jack Meakin, George Romero and Night of the Living Dead on platforms other than YouTube, we turned our attention to Spotify, Apple Music, Amazon and general Google searches. There may be other things at play here but someone may have some explaining to do.
What Was That DJ on Twitter Called Again?
The Jack Meakin we completely disregarded on Twitter (because he’s a young DJ who didn’t even exist in 1968) is also a techno/trance producer. He has tracks including “He Was Taught” and “Bodyskills” available to stream on Apple, Spotify, and other similar platforms. He sometimes collaborates with Seb James, according to his Twitter account, but never mentions zombies publicly – at least far as we know.
Interestingly, DJ Jack Meakin is also credited with several other compositions. These include the whole soundtrack to Night of the Living Dead, which is available on dozens of other music platforms around the world, including Apple Music.
Conducting a specific search for Jack Meakin on Spotify not only turns up zombies but what appears to be some kind of musical Frankenstein.
Born in 1906, authorized to issue copyright claims on the most famous public domain horror movie of all time (years after his death), yet still spinning trance tracks at 116 years old – it’s the one and only (honestly)….Jack Meakin.
Anyone in need of additional proof that this incredible hybrid person really exists can check out the panel provided by Google alongside searches for Jack Meakin.
With other sites like Discogs identifying the actual NOLD composer by his full name (Jack Brunker Meakin) and describing him as an American musician, orchestra leader, and film composer from Salt Lake City, someone has led Google to believe that Jack Meakin is an actor in two movies and also a composer in the Dance/Electronic genre.
TorrentFreak attempted to reach the only Jack Meakin who could possibly respond in person but despite emails sent to him and his record label, we have discovered no signs of life. Appropriate if nothing else.
As a result, we still cannot explain why a company owned by Universal is monetizing Night of the Living Dead on behalf of a man who has been dead for 40 years, under the name of a living man who just happens to share his name. But we could have a wild guess.
Is it even plausible that someone in the music business simply ticked the wrong box in error and inadvertently merged two artists’ existences to create a single undead-like entity, one with a hunger so great it can only be satisfied by automatically feasting on public domain works? Or did someone accidentally upload and attribute the NOLD soundtrack to DJ Meakin?
We honestly have no idea but one thing seems certain. Someone has commissioned YouTube’s Content ID to target regular YouTubers using a public domain work in good faith, and then sent them messages implying or even stating that they had no right to do so. Then, to remedy this supposed infringement of someone’s rights, they’re now taking all the money.
Nice scheme? Looks like a no-brainer.
From: TF, for the latest news on copyright battles, piracy and more.
When Nvidia rolled out its new RTX 40-series graphics cards earlier this week, many gamers and industry watchers were a bit shocked at the asking prices the company was putting on its latest top-of-the-line hardware. New heights in raw power also came with new heights as far as MSRP, which falls in the $899 to $1,599 range for the 40-series cards.
When asked about those price increases, Nvidia CEO Jensen Huang told the gathered press to, in effect, get used to it. "Moore's law is dead," Huang said during a Q&A, as reported by Digital Trends. "A 12-inch wafer is a lot more expensive today. The idea that the chip is going to go down in price is a story of the past."
Sorry, how expensive?
In justifying Nvidia's price increases, Huang defended the raw power of the 40-series cards compared with past offerings. "The performance of Nvidia's $899 GPU or $1,599 GPU a year ago, two years ago, at the same price point, our performance with Ada Lovelace is monumentally better," he said. "Off-the-charts better."
One Netbook has been selling handheld gaming PCs under the ONEXPLAYER brand for a few years, but they tend to be expensive devices packed to the gills with high-end hardware. The company’s upcoming ONEXFLY will be something different: a smaller,…
One Netbook has been selling handheld gaming PCs under the ONEXPLAYER brand for a few years, but they tend to be expensive devices packed to the gills with high-end hardware. The company’s upcoming ONEXFLY will be something different: a smaller, cheaper handheld computer for gaming. One Netbook hasn’t revealed many details about the ONEXFLY yet, […]
On Wednesday, OpenAI released a new open source AI model called Whisper that recognizes and translates audio at a level that approaches human recognition ability. It can transcribe interviews, podcasts, conversations, and more.
OpenAI trained Whisper on 680,000 hours of audio data and matching transcripts in approximately 10 languages collected from the web. According to OpenAI, this open-collection approach has led to "improved robustness to accents, background noise, and technical language." It can also detect the spoken language and translate it to English.
OpenAI describes Whisper as an encoder-decoder transformer, a type of neural network that can use context gleaned from input data to learn associations that can then be translated into the model's output. OpenAI presents this overview of Whisper's operation:
Der Sportwagenhersteller Porsche will sich nicht allein auf die Software von Cariad verlassen. Bei Problemen ist noch ein Ausstieg möglich. (Cariad, Börse)
Der Sportwagenhersteller Porsche will sich nicht allein auf die Software von Cariad verlassen. Bei Problemen ist noch ein Ausstieg möglich. (Cariad, Börse)
Erste Piloten sind bei 50G und 100G, erklärte ein Nokia-CTO. Huawei berichtete von 50G und Fiber To The Room durch flexible Glasfaser mit Heißkleber. (
Nach 30 Jahren liefert das James-Webb-Teleskop der Wissenschaft wieder Bilder aller Ringe des Planeten Neptun. (
Der Sportwagenhersteller Porsche will sich nicht allein auf die Software von Cariad verlassen. Bei Problemen ist noch ein Ausstieg möglich. (
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