UFC & Boxing Distributor Uses Copyright Claims Board to Target ‘Pirating’ Bars

UFC distributor Joe Hand Promotions regularly goes after bars and restaurants that show fights to customers without paying a license fee. These cases are typically dealt with in federal court, but after the Copyright Claims Board launched a few weeks ago, the company is testing this cheaper alternative instead.

From: TF, for the latest news on copyright battles, piracy and more.

ufcThe Ultimate Fighting Championship (UFC) is the most recognizable mixed martial arts promotions company in the world.

The company’s events attract millions of viewers, some of whom are willing to pay big bucks to access monthly PPV events and even more money to watch live in often sold-out arenas.

For others, the costs involved are simply too steep. The UFC puts on a lot of events every year, which inevitably means some fans settle for highlights or find themselves tracking down widely available pirate streams. Another option is to go to a restaurant or bar where the fights can be enjoyed in a more communal atmosphere.

‘Pirating Bars’ and Restaurants

Broadcasting high-profile sports events can draw quite a few customers to these venues. This generates additional revenue, but not without incurring extra costs. After all, bars need an even more expensive license to legally show UFC PPV events in-house.

To avoid these costs, some establishments decide to take a gamble by showing UFC events without obtaining the correct license. This is a risky business as associated rightsholders often have spotters tasked with monitoring “pirating” bars and restaurants.

Joe Hand Promotions is one of these rightsholders. The company sells pay-per-view licenses for sports including UFC, Fox Sports Boxing, and WWE to commercial locations. The company is also responsible for taking legal action against venues that broadcast UFC PPV cards without paying for them.

Over the years, Joe Hand has sued hundreds of bars and restaurants in US federal courts. These lawsuits often result in settlements that can easily exceed ten thousand dollars. This sounds like a profitable business but not all cases result in a win and litigating federal lawsuits can be quite expensive.

UFC Copyright Battle at the Copyright Claims Board

So, when a cheaper option appeared in the form of the Copyright Claims Board (CCB), the UFC/boxing distributor was eager to give it a try.

The CCB is part of the Copyright Office and aims to make it cheaper for creators to resolve disputes. There’s no attorney required and the filing fee is limited to $100 per claim. The potential damages are also capped at $30,000 and those who prefer traditional lawsuits can choose to opt out.

When the CCB launched a few weeks ago we noticed that it was mostly used by smaller independent creators such as photographers. However, large companies can use it too.

This week, Joe Hand Promotions submitted six new cases to the CCB, all targeting bars and restaurants. These venues, including “Cabo Tacos & Beer”, “Fusion Spice Bar” and “La Barrita Bar” are all accused of broadcasting the 2019 WBA fight between Manny Pacquiao and Keith Thurman.

In addition, some of the bars also streamed UFC 240. Headlined by Max Holloway and Frankie Edgar, the main card was widely considered one of the worst of the year, but that doesn’t affect the need for a license.

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The claims were filed exactly three years after the Pacquiao vs. Thurman fight took place. This is important to note, as the statute of limitations on CCB cases is three years; these cases appear to have been filed just in time.

The accusations themselves are fairly straightforward. The venues are accused of showing the broadcasts to their customers without obtaining an appropriate license.

“Defendants intentionally pirated the Program for the sole purpose of their own economic gain. Defendants exhibited the Program for the commercial purpose of attracting paying customers, patrons, members, and guests, thereby wrongfully benefiting financially by infringing Plaintiff’s rights in the Program,” the complaints read.

$30,000 Piracy Damages

As compensation, Joe Hand Promotions seeks $15,000 in damages from the bars and restaurants, per infringement. Since some of the venues showed two fights, they face the maximum damages of $30,000.

The distributor argues that these damages are warranted as the infringing activity was willful, intentional, and purposeful.

The claims now lie with the three-member CCB tribunal, which will make a decision without the need for either side to have an attorney. If the defendants don’t want to participate they can opt-out, after which the case can still be refiled in federal court.

Joe Hand Promotions is the first major rightsholder to file a series of claims at the CCB. It will be interesting to see if more cases will follow. In any case, the total number can’t be higher than 30 per year, which is the maximum number of claims per copyright holder.

From: TF, for the latest news on copyright battles, piracy and more.

Lilbits: Fitbit Sense 2 and Versa 4 leaked, save $300 on a Pixel 6a with a trade-in

Google’s first Pixel-branded smartwatch is set to ship this fall. But it’s not the company’s only new smartwatch on the way. Google-owned Fitbit appears to be working on new members of the Fitbit Sense and Fitbit Versa families, and …

Google’s first Pixel-branded smartwatch is set to ship this fall. But it’s not the company’s only new smartwatch on the way. Google-owned Fitbit appears to be working on new members of the Fitbit Sense and Fitbit Versa families, and a series of leaks give us a pretty good idea of what to expect. In other […]

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Chris Pine is a wise-cracking bard in D&D: Honor Among Thieves trailer

“We didn’t mean to unleash the greatest evil the world has ever known.”

The beloved tabletop RPG comes (back) to the silver screen with Dungeons and Dragons: Honor Among Thieves.

Paramount Pictures delighted D&D fans at Comic-Con with a panel and official trailer for its upcoming feature film, Dungeons and Dragons: Honor Among Thieves.

The film is a reboot of the film trilogy that launched with Dungeons & Dragons (2000). That film bombed at the box office, earning just over $33 million globally against its $45 million budget. Plus it was savaged by critics for its poor quality especially the cheap special effects), subpar performances, and inept direction. That film still spawned D&D: Wrath of the Dragon God (2005), a made-for-TV standalone sequel; and D&D 3: The Book of Vile Darkness (2012), which had a direct-to-DVD release.

The current reboot was first proposed by Warner Bros. in 2013, but the project's announcement quickly drew Hasbro's ire, because Hasbro was developing its own D&D film with Universal Pictures. Hasbro sued and eventually settled, giving Warner Bros. the green light to continue. Eventually, Hasbro moved the project to Paramount, shooting for a July 2021 release, and hired John Francis Daley and Jonathon Goldstein to write and direct. The release was delayed twice, but Honor Among Thieves will finally see the light of day on March 3, 2023.

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Chris Pine is a wise-cracking bard in D&D: Honor Among Thieves trailer

“We didn’t mean to unleash the greatest evil the world has ever known.”

The beloved tabletop RPG comes (back) to the silver screen with Dungeons and Dragons: Honor Among Thieves.

Paramount Pictures delighted D&D fans at Comic-Con with a panel and official trailer for its upcoming feature film, Dungeons and Dragons: Honor Among Thieves.

The film is a reboot of the film trilogy that launched with Dungeons & Dragons (2000). That film bombed at the box office, earning just over $33 million globally against its $45 million budget. Plus it was savaged by critics for its poor quality especially the cheap special effects), subpar performances, and inept direction. That film still spawned D&D: Wrath of the Dragon God (2005), a made-for-TV standalone sequel; and D&D 3: The Book of Vile Darkness (2012), which had a direct-to-DVD release.

The current reboot was first proposed by Warner Bros. in 2013, but the project's announcement quickly drew Hasbro's ire, because Hasbro was developing its own D&D film with Universal Pictures. Hasbro sued and eventually settled, giving Warner Bros. the green light to continue. Eventually, Hasbro moved the project to Paramount, shooting for a July 2021 release, and hired John Francis Daley and Jonathon Goldstein to write and direct. The release was delayed twice, but Honor Among Thieves will finally see the light of day on March 3, 2023.

Read 6 remaining paragraphs | Comments

Nuclear power plants are struggling to stay cool

Climate change is reducing output and raising safety concerns at nuclear facilities.

Image of two power plant cooling towers.

Enlarge (credit: US DOE)

From its humble start as a glacial trickle in the Swiss Alps, the Rhône River quickly transforms into one of the world's most industrialized waterways. As it winds through the south of France toward the Mediterranean Sea, its chilly water is drawn into boilers, sucked through pipes as coolant, deviated for agriculture. Among its biggest customers is a battalion of nuclear reactors. Since the 1970s, the river and its tributaries have helped generate about a quarter of France's atomic energy.

But in recent weeks that hasn't been the case. Amidst a slow-burning heat wave that has killed hundreds and sparked intense wildfires across Western Europe, and combined with already low water levels due to drought, the Rhône's water has gotten too hot for the job. It's no longer possible to cool reactors without expelling water downstream that's so hot as to extinguish aquatic life. So a few weeks ago, Électricité de France (EDF) began powering down some reactors along the Rhône and a second major river in the south, the Garonne. That's by now a familiar story: Similar shutdowns due to drought and heat occurred in 2018 and 2019. This summer's cuts, combined with malfunctions and maintenance on other reactors, have helped reduce France's nuclear power output by nearly 50 percent.

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Hardcoded password in Confluence app has been leaked on Twitter

Advisory had already warned hardcoded password was “trivial to obtain.”

Hardcoded password in Confluence app has been leaked on Twitter

Enlarge (credit: Getty Images)

What's worse than a widely used Internet-connected enterprise app with a hardcoded password? Try said enterprise app after the hardcoded password has been leaked to the world.

Atlassian on Wednesday revealed three critical product vulnerabilities, including CVE-2022-26138 stemming from a hardcoded password in Questions for Confluence, an app that allows users to quickly receive support for common questions involving Atlassian products. The company warned the passcode was "trivial to obtain."

The company said that Questions for Confluence had 8,055 installations at the time of publication. When installed, the app creates a Confluence user account named disabledsystemuser, which is intended to help admins move data between the app and the Confluence Cloud service. The hardcoded password protecting this account allows for viewing and editing of all non-restricted pages within Confluence.

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Asterisk is a tiny game system that lets you play Tetris anytime

Modern gaming handhelds range from Game Boy clones to full-fledged computers capable of running PC games. Asterisk is something different. It’s a tiny handheld with a 0.91 inch display, four buttons, and one game: a “falling-block puzzle g…

Modern gaming handhelds range from Game Boy clones to full-fledged computers capable of running PC games. Asterisk is something different. It’s a tiny handheld with a 0.91 inch display, four buttons, and one game: a “falling-block puzzle game,” that’s basically Tetris. The little game system is available from Tindie for $20. Astrisk measures just 4cm […]

The post Asterisk is a tiny game system that lets you play Tetris anytime appeared first on Liliputing.

South Carolina lawmakers want to banish abortion talk from the Internet

Experts say the abortion bill could lead to more states restricting free speech.

South Carolina lawmakers want to banish abortion talk from the Internet

Enlarge (credit: UCG / Contributor | Universal Images Group)

While YouTube has started deleting videos promoting false information on abortion, the South Carolina Senate introduced a new bill that strives to block Internet users from talking about abortion truthfully online.

Known as the "Equal Protection at Conception—No Exceptions—Act," the bill would ban any website from hosting or publishing any information about accessing or self-inducing abortion "knowing that the information will be used, or is reasonably likely to be used, for an abortion."

Specifically, the bill restricts "providing information to a pregnant woman, or someone seeking information on behalf of a pregnant woman, by telephone, Internet, or any other mode of communication." That includes restrictions against providing abortion referral services, including to doulas performing abortions, as well as hosting or maintaining a website that's "purposefully directed to a pregnant woman" living in South Carolina. Less specifically, the bill notes that further restrictions will apply once the law becomes enforced.

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The new Formula 1 cars are pigs to drive: F1 22 reviewed

It’s starting to feel more like an EA game than a Codemasters game.

F1 22 splash screen showing Lando Norris, Charles Leclerc, and George Russell.

Enlarge / F1's young guns stare out from the cover of F1 22 (credit: EA Sports)

Earlier in July saw the release of F1 22, the latest installment of the official Formula 1 racing game franchise. Unlike in years past, a lot has changed in the year since F1 2021: radical new technical rules mean the cars are very different from the ones we've seen for several decades, several tracks have been revised, new tracks have been added, and the race format now includes the occasional shorter sprint race alongside the main feature race. All of this is faithfully reflected in F1 22, and for some die-hard F1 fans, that will be sufficient to pick up a copy.

For everyone else, I'm not so sure. Some of that is down to the game itself. For the first time since EA Sports bought the Codemasters studio at the end of 2020, we can see the influence of the behemoth games publisher at work, and it's not particularly positive. For example, the sheer frequency of exhortations to spend XP or purchase microtransactions will probably be enough for most Ars readers to dislike F1 22.

But my frustration is not just with the game itself—at its core are still wonderful physics that translate to engaging handling, whether that's with a steering wheel or a controller. No, it's F1's new cars, which are larger and heavier than they've ever been, and, frankly, somewhat of a pig to drive.

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