YouTube’s Innovative Content ID is No Substitute For Humankind’s Greatest Gift

YouTube has made massive strides towards solving millions of copyright claims that plague its platform. The automated Content ID system is by no means perfect but does provide a way for rightsholders and alleged infringers to amicably settle their differences. What it doesn’t have is the human ability to spot opportunities for cooperation and innovation. Sadly, humans can struggle with that too.

From: TF, for the latest news on copyright battles, piracy and more.

agreementCopyright infringement disputes come in many shapes and sizes. They can be entirely justified, cynically malicious but, in most cases, utterly frustrating for at least one of the parties.

What is rare, however, is for a copyright infringement dispute to have an air of sadness, especially when that affects both sides, albeit in different ways. I’m referring to the hugely controversial battle between Toei Animation and popular YouTuber Totally Not Mark we reported early December.

A short summary: Manga/anime fanatic Mark Fitzpatrick makes high-quality reviews and posts them on YouTube. To date, his channel has received nearly 40 million views. Just recently, Japanese company Toei Animation used Content ID to remove around 150 of his videos claiming that the use of Toei clips infringed their copyrights.

Mark believes his work is allowed under fair use but that didn’t seem important to Toei. It was important to many of Mark’s fans though, and with huge numbers flooding to social media to call for a Toei boycott, the situation had already spiraled out of control. Against this backdrop and Toei’s apparent refusal to discuss the matter, Mark posted videos that were conciliatory but were perceived by some to have counterproductive undertones.

This caused yet more conflict on social media with mud thrown at Toei, YouTube, Mark, and anyone else who dared to come out in support of any one of them at the wrong time or in the wrong way. It looked more like a bitter feud between mortal enemies than the usual celebrations of what manga and anime fans have in common. A quick search on Twitter today reveals that the conflict is sadly still ongoing.

The aim of this article isn’t to discuss the merits or failures of Content ID. Neither does it seek to provide an in-depth analysis of whether Mark’s fair use claims stand up. Or indeed whether Toei had the right to do what it did which, intended or not, seems to have seriously damaged Mark’s ability to earn a living.

The point is that by agreeing to let YouTube’s bots make technical decisions based on sophisticated yet somehow basic content matching, Toei allowed a piece of computer software to determine the nature of the company’s first interaction with not just an influential manga/anime fan, but a potential business partner.

Content ID was designed to tackle full-blown piracy but has zero ability to determine context or intent – malicious, well-meaning, or otherwise. It will grow in sophistication over time but it will never have the ability to predict the consequences of its actions. If it could it would’ve understood that Mark is an exceptional reviewer who loves manga and anime more than anything, is a wonderful promoter of Toei products, and has a loyal fanbase only too keen to empty their pockets buying Toei-like products.

“Are you sure you want to remove all of this YouTuber’s videos? (Y/N)”

But to focus on YouTube here is a little unfair since Content ID solves many more disputes than it creates. No, the real problem is the underutilization of one of humankind’s greatest gifts – that of communication. In a civilized world, there are few problems that can’t be solved or at least improved simply by talking. Apparently, that was not considered a viable option.

According to Mark, Toei’s first display of unhappiness was to delete his videos and ignore his appeals for discussion. Maybe the company felt there was nothing to discuss but as I mentioned in conversation with someone I respect who’s involved in the Japanese market, countless opportunities to exploit the situation for good (and for profit) were thrown away one after another, first by one side and then by the other.

There was a real chance for everyone to come out a winner but by not engaging in discussion, negotiation and compromise, pretty much everyone involved lost. As Stephen Hawking once said, it doesn’t have to be like this.

“Speech has allowed the communication of ideas, enabling human beings to work together to build the impossible. Mankind’s greatest achievements have come about by talking, and its greatest failures by not talking. It doesn’t have to be like this.

Our greatest hopes could become reality in the future. With the technology at our disposal, the possibilities are unbounded. All we need to do is make sure we keep talking.”

Happy New Year

From: TF, for the latest news on copyright battles, piracy and more.

Klimawandel: Die Städte werden kochen

Mehr “Heiße Tage”, deutlich mehr “Tropennächte” und stetig steigende Spitzentemperaturen: Unsere Siedlungs-Infrastruktur wurde mit den Erfahrungen eines gemäßigten Klimas errichtet. Experten fordern Umdenken

Mehr "Heiße Tage", deutlich mehr "Tropennächte" und stetig steigende Spitzentemperaturen: Unsere Siedlungs-Infrastruktur wurde mit den Erfahrungen eines gemäßigten Klimas errichtet. Experten fordern Umdenken

HBO Max rings in a raunchy new year with Peacemaker red band trailer

“Dude, we’re saving the world! It’s every thing we’ve ever wanted.”

Peacemaker explores the continuing story of the character that John Cena reprises from James Gunn’s 2021 film The Suicide Squad.

It's a brand new year, and HBO Max has kicked it off with a shiny new red-band trailer for Peacemaker.

As we've reported previously, the eight-episode spinoff series is set after the events of Gunn's 2021 filmm The Suicide Squad—specifically after the post-credits scene, in which we learned that Peacemaker had survived what had appeared to be a fatal shooting. The first teaser dropped in October, showing Peacemaker (aka Christopher Smith) being recruited by Clemson Murn (Chukwudi Iwuji) for another mission in order to avoid going back to prison.

Once again, he's basically an assassin, but at least he's only killing bad people (maybe). He gets assistance from warden John Economos (Steve Agee) of the Belle Reve penitentiary, NSA agent and former Waller aide Emilia Harcourt (Jennifer Holland), and new team member Leota Adebayo (Danielle Brooks). The cast also includes Robert Patrick (Terminator 2) as Peacemaker's crusty father, Auggie Smith, who thinks his son is a "nancy-boy"; Freddie Stroma as Adrian Chase (aka Vigilante), a district attorney who fights crime and has rapid-healing abilities; and Nhut Le as Judomaster

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Noblewoman’s tomb reveals new secrets of ancient Rome’s highly durable concrete

It’s a combo of unique volcanic aggregate and unusual chemical interactions over millennia

The Tomb of Caecilia Metella is a mausoleum located just outside Rome at the three mile marker of the Via Appia.

Enlarge / The Tomb of Caecilia Metella is a mausoleum located just outside Rome at the three mile marker of the Via Appia. (credit: ivioandronico2013/CC BY-SA 4.0)

Among the many popular tourist sites in Rome is an impressive 2000-year-old mausoleum along the Via Appia known as the Tomb of Caecilia Metella, a noblewoman who lived in the first century CE. Lord Byron was among those who marveled at the structure, even referencing it in his epic poem Childe Harold's Pilgrimage  (1812-1818). Now scientists have analyzed samples of the ancient concrete used to build the tomb, describing their findings in a paper published in October in the Journal of the American Ceramic Society.

“The construction of this very innovative and robust monument and landmark on the Via Appia Antica indicates that [Caecilia Metella] was held in high respect,” said co-author Marie Jackson, a geophysicist at the University of Utah.  “And the concrete fabric 2,050 years later reflects a strong and resilient presence.”

Like today's Portland cement (a basic ingredient of modern concrete), ancient Roman concrete was basically a mix of a semi-liquid mortar and aggregate. Portland cement is typically made by heating limestone and clay (as well as sandstone, ash, chalk, and iron) in a kiln. The resulting clinker is then ground into a fine powder, with just a touch of added gypsum—the better to achieve a smooth, flat surface. But the aggregate used to make Roman concrete was made up fist-size pieces of stone or bricks

Read 16 remaining paragraphs | Comments

Noblewoman’s tomb reveals new secrets of ancient Rome’s highly durable concrete

It’s a combo of unique volcanic aggregate and unusual chemical interactions over millennia

The Tomb of Caecilia Metella is a mausoleum located just outside Rome at the three mile marker of the Via Appia.

Enlarge / The Tomb of Caecilia Metella is a mausoleum located just outside Rome at the three mile marker of the Via Appia. (credit: ivioandronico2013/CC BY-SA 4.0)

Among the many popular tourist sites in Rome is an impressive 2000-year-old mausoleum along the Via Appia known as the Tomb of Caecilia Metella, a noblewoman who lived in the first century CE. Lord Byron was among those who marveled at the structure, even referencing it in his epic poem Childe Harold's Pilgrimage  (1812-1818). Now scientists have analyzed samples of the ancient concrete used to build the tomb, describing their findings in a paper published in October in the Journal of the American Ceramic Society.

“The construction of this very innovative and robust monument and landmark on the Via Appia Antica indicates that [Caecilia Metella] was held in high respect,” said co-author Marie Jackson, a geophysicist at the University of Utah.  “And the concrete fabric 2,050 years later reflects a strong and resilient presence.”

Like today's Portland cement (a basic ingredient of modern concrete), ancient Roman concrete was basically a mix of a semi-liquid mortar and aggregate. Portland cement is typically made by heating limestone and clay (as well as sandstone, ash, chalk, and iron) in a kiln. The resulting clinker is then ground into a fine powder, with just a touch of added gypsum—the better to achieve a smooth, flat surface. But the aggregate used to make Roman concrete was made up fist-size pieces of stone or bricks

Read 16 remaining paragraphs | Comments

Flucht und Migration als Machtinstrument

Migranten sind im Westen willkommen, wenn sie wirtschaftlichen Nutzen haben. Lukaschenko benutzt sie als Mittel zur Stabilisierung seines Staates und seiner Macht (Teil 2)

Migranten sind im Westen willkommen, wenn sie wirtschaftlichen Nutzen haben. Lukaschenko benutzt sie als Mittel zur Stabilisierung seines Staates und seiner Macht (Teil 2)