Eternally five years away? No, batteries are improving under your nose

Under the hood, lithium-ion batteries have gotten better in the last decade.

What year, again, does Mr. Fusion show up to compete with Tesla et al?

Enlarge / What year, again, does Mr. Fusion show up to compete with Tesla et al? (credit: Universal Pictures)

It’s hard to write about battery research around these parts without hearing certain comments echo before they’re even posted: It’ll never see the market. Cold fusion is eternally 20 years away, and new battery technology is eternally five years away.

That skepticism is understandable when a new battery design promises a revolution, but it risks missing the fact that batteries have gotten better. Lithium-ion batteries have reigned for a while now—that’s true. But “lithium-ion” is a category of batteries that includes a wide variety of technologies, both in terms of batteries in service today and the ones we've used previously. A lot can be done—and a lot has been done—to make a better lithium-ion battery. In fact, gains in the amount of energy they can store have been on the order of five percent per year. That means that the capacity of your current batteries is over 1.5 times what they would have held a decade ago.

Lithium-ion batteries have evolved, whether you noticed or not. Here's how.

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Realitätsverlust: Trumps ungebrochener Einfluss auf die US-Republikaner

Der Ex-Präsident, der sich nicht von der Macht trennen wollte, hatte nie eine landesweite Mehrheit. Das “Wahlmännersystem”, von dem er profitierte, hat einen rassistischen Ursprung

Der Ex-Präsident, der sich nicht von der Macht trennen wollte, hatte nie eine landesweite Mehrheit. Das "Wahlmännersystem", von dem er profitierte, hat einen rassistischen Ursprung

German ‘Upload Filter’ Law Sets Standards to Prevent Overblocking

The German Parliament has adopted new legislation that will implement the EU Copyright Directive into local law. This includes the controversial Article 17 that, according to some, would lead to overbroad upload filters. To deal with these concerns, the German law prevents ‘minor’ and limited use of copyrighted content from being blocked automatically.

From: TF, for the latest news on copyright battles, piracy and more.

germanyIn 2019 the European Parliament adopted the new Copyright Directive that aims to modernize how copyright is protected in the online environment.

After the directive passed, individual EU member states began working on implementing the text into local law, which has to be finalized next month

This includes the controversial Article 17, which requires online services to license content from copyright holders. If that is not possible, these companies should ensure that infringing content is taken down and not re-uploaded to their services.

Many opponents fear that this language will effectively lead to broad ‘upload filters’ that will take down more content than needed. This worry has been reiterated reiterated by several experts over the years.

Germany Tames Upload Filters

One option to limit the damage would be to implement the requirement into local law with several precautions. This is the direction Germany being taken by Germany.

Last week, the German Parliament adopted its version of Article 17, which includes various measures to prevent over-blocking. Once signed into law, online services will have to ensure that copyright-infringing content is not re-uploaded, but not without keeping potential legal uses in mind.

As pointed out by Communia, Germany introduced the concept that some uploads can be “presumably authorized by law.” This refers to uploads that qualify for a combination of fair use elements.

‘Presumably Authorized’

These “presumably authorized” uploads should not be blocked automatically if they qualify for all of the selection criteria below.

– The upload should use less than 50% of the original copyrighted work
– The upload must use the copyrighted work in combination with other content
– The use should be ‘minor’

The term ‘minor’ applies to non-commercial uses of fewer than 15 seconds of video or audio, 160 characters of text, or 125 kB of graphics. If the use of a copyrighted work exceeds these ‘minor’ thresholds, it can still qualify as ‘presumably authorized’ when the uploader flags it as an exception.

Rightsholders Can Object

If all conditions are met an upload can’t be blocked automatically. However, copyright holders still have the right to object and request a further review from the online platform.

Additionally, the “presumably authorized” classification doesn’t apply to content that’s still being broadcasted. This is in part to protect sports rights holders, who don’t want short clips of live events being made available, while a game is ongoing.

The German Article 17 proposal has yet to be signed into law by the President but that is expected to happen soon. It will then become the first Article 17 implementation with over-blocking protections built-in, which could set an example for other EU countries that have yet to implement the text into law.

From: TF, for the latest news on copyright battles, piracy and more.

Der Impfverweigerer aus der Pharmaindustrie

Der Millionärserbe Dimitris Giannakopoulos leitet ein Pharmaunternehmen in Griechenland. Dennoch will er sich nicht gegen Covid-19 impfen lassen, mit einer beachtlichen Erklärung

Der Millionärserbe Dimitris Giannakopoulos leitet ein Pharmaunternehmen in Griechenland. Dennoch will er sich nicht gegen Covid-19 impfen lassen, mit einer beachtlichen Erklärung

Vom Habeck-Hype zur Baerbock-Blase?

Die inhaltlichen Aussichten der Öko-Partei gut vier Monate vor der Wahl – eine Mängelanzeige

Die inhaltlichen Aussichten der Öko-Partei gut vier Monate vor der Wahl – eine Mängelanzeige

Review: zombie heist thriller Army of the Dead is Zack Snyder at his best

Snyder reined in his worse impulses in this entertaining twist on a zombie apocalypse

A team of mercenaries ventures into zombie-infested Las Vegas in hopes of recovering millions in cash from a casino vault in Zack Snyder's zombie heist horror thriller, Army of the Dead. It's a stylish mix of Zombieland (especially the opening montage) and Ocean's Eleven, with a smattering of The Dirty Dozen. While Snyder's distinctive directorial style is plainly evident, he's reined in his worst impulses to give us a clever, entertaining twist on the zombie apocalypse, featuring all the flesh-eating carnage one expects from the genre.

(Some spoilers below but no major reveals.)

As I wrote previously, in a sense, Snyder has come full circle. His directorial debut was 2008's Dawn of the Dead, an entertaining reboot of the original George Romero classic from 1978. Army of the Dead started out as a joint project between Universal Studios and Warner Bros. back in 2007. But like so many films, it got stuck in development hell until Snyder signed on as director in 2019. Netflix picked up the distribution rights from Warner Bros. soon after.

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