Month: January 2021

Enlarge / Omar Sy stars as Assane Diop, looking every bit the contemporary version of Arsène Lupin, famed French fictional gentleman thief. (credit: Netflix)

Netflix has kicked off 2021 with a bang, thanks to its new series, Lupin, starring French actor and comedian Omar Sy. This delightful contemporary reimagining of a classic character in French detective fiction, Arsène Lupin—a gentleman thief and master of disguise who was essentially the French equivalent of Sherlock Holmes—is a massive hit. According to Deadline Hollywood, Lupin is on track to top 70 million households in its first 28 days of release, beating out two other recent Netflix smash hits, Bridgerton (63 million households) and The Queen's Gambit (62 million households).

(Some spoilers below, but no major reveals.)

As I've written previously, Arsène Lupin is the creation of Maurice Leblanc, who based the character partly on a French burglar/anarchist. Leblanc was also familiar with the gentleman thief featured in the work of Octave Mirbeau as well as E.W. Hornung's famed gentleman thief, A.J. Raffles, and he also knew about Rocambole, a character whose adventures were recounted in a series of stories published between 1857 and 1870 by Pierre Alexis Ponson du Terrail.

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Enlarge (credit: Getty Images)

Not to toot my own horn, but I know a thing or two about bizarre animals. And I can tell you without a hint of doubt that the bobbit worm is by far the most bizarre. Growing to 10 feet long, the worm digs a burrow in the seafloor, leaving only its bear trap of a mouth sticking out. When a fish approaches, the bobbit worm shoots out of its burrow with astonishing speed, snapping its jaws around its prey. With violent tugs, the worm then drags the victim down into its lair, where it eats the fish alive. (Oh, there's video.)

Now scientists say they've found evidence that an ancestor of the bobbit worm may have been menacing fish 20 million years ago. Writing today in the journal Scientific Reports, the researchers argue that hundreds of fossilized worm burrows, found in what is now Taiwan, show telltale signs of struggle. They haven't found the worms themselves, mind you, as boneless critters like worms (known as invertebrates, because they lack spinal columns) very rarely fossilize. Instead, they discovered trace fossils, geological features that hint at the behavior of ancient animals, in sandstone that was once a seafloor.

"This is, we believe, the first time that we've actually found a trace fossil that shows how invertebrates like worms were feeding on vertebrates," says National Taiwan University sedimentologist Ludvig Löwemark, co-author of the new paper. "Because, typically, what we find in the sedimentary record is animals that are moving through the sediment." Invertebrates, for instance, might dig tunnels through the sea bottom and pump water through their burrows, filtering out particles. "But this is a record of a much more active behavior," he continues. "The worms were actually hiding in the sediment, jumping out, catching their prey, and then dragging this prey down into the sediment."

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Many copyright holders portray pirates as thieves that must be hampered or stopped at any cost.

However, these same people are consumers too. In fact, research repeatedly shows that they are the most passionate fans.

UK-based piracy monitoring outfit MUSO realizes this potential. In addition to traditional takedown services, the company also leverages piracy analytics as business intelligence. After all, every pirate is a potential consumer. And there are quite a few.

MUSO keeps a close eye on the number of visits to pirate sites. While this is only a subset of the entire piracy ecosystem, since it doesn’t involve streaming devices, it provides some interesting insights.

130 Billion Pirate Site Visits

The piracy tracking firm reports that in 2020 there were over 130 billion visits to pirate sites around the world.

The bulk of these, 57 percent, went to streaming sites, followed by direct download portals (27%), torrent sites (12%), and stream rippers (4%). The market share of streaming sites has declined a bit when compared to last year, in favor of download and torrent sites.

If we look at the geographical distribution, the United States remains the top traffic source with nearly 12.5 billion visits. Russia is in second place with 8.3 billion, followed by China and India with 6.9 and 5.6 billion respectively.

Needless to say, the countries at the top of the list are also some of the largest population-wise. When we look at visits per Internet user, Barbados is on top followed by Andorra, Georgia, and Ukraine.

Profiling Pirates

These data are interesting but, in isolation, the numbers don’t say much. However, MUSO does more than just counting totals. It can also build profiles of the pirate audience for particular titles or categories, including various demographic variables.

This is where MUSO distinguishes itself from many other companies that operate in the ‘anti-piracy’ niche. Aside from sending DMCA takedown notices on behalf of clients, it also sees pirates as an opportunity. They are potential customers, after all.

Through its MUSO Connect service, the company uses data analytics to built profiles of pirates. These can then be used for marketing purposes.

For example, a copyright holder may be interested in finding out what the average “The Walking Dead” pirate looks like, or what the typical profile is of a pirate who watches pirated UFC fights. These data can be used to target ads to this group.

Identifying Superfans

“MUSO’s piracy data also reveals a highly engaged audience of avid consumers and superfans willing to go through a sometimes challenging process to illegally stream or download a title,” the company explained recently.

“This is a valuable audience for entertainment companies; high-intent customers consuming their content but not currently paying for it,” the company added.

The data-driven approach works, the company explains. It highlights a case study where it helped an international broadcaster to promote its new VOD platform. Based on data from pirate views of the broadcaster’s content, MUSO generated a detailed profile of this undiscovered audience.

More Clicks

This ‘profile’ was then used as input for an advertising campaign. Because this was targeted at a high-intent audience, the click-through rate for the ads was three times higher than average, with sign-ups exceeding expectations.

“The net result is the client is converting motivated pirates into paying subscribers,” MUSO notes.

As with most data analytics and analysis services, MUSO works based on measured data that’s extrapolated. They don’t know who every pirate on the planet is. However, given the vast amount of data it can classify people based on sex, household income, education profiles, and various interests.

TorrentFreak spoke to MUSO’s commercial director Peter Clothier, who ensures us that all data are handled in compliance with privacy laws, including the GDPR.

Converting Pirates

The company stresses that it doesn’t offer advertising services itself nor does it work with pirate sites. It simply uses the data it obtains from external sources to create profiles, based on whatever the client is interested in.

The overarching message is that pirates should be seen as an opportunity, not a threat. And if big data can help to convert more pirates into paying customers, everybody wins.

“MUSO Connect reveals the commercial value of the piracy audience rather than writing that audience off as worthless,” Clothier concludes.

From: TF, for the latest news on copyright battles, piracy and more.