2020 in Deutschland: Dürre und Hitzetote

Auch in Deutschland sind die ersten Auswirkungen der Klimakrise längst zu spüren. Im August starben mehrere Tausend Menschen an den Folgen einer Hitzewelle

Auch in Deutschland sind die ersten Auswirkungen der Klimakrise längst zu spüren. Im August starben mehrere Tausend Menschen an den Folgen einer Hitzewelle

2020 in Deutschland: Dürre und Hitzetote

Auch in Deutschland sind die ersten Auswirkungen der Klimakrise längst zu spüren. Im August starben mehrere Tausend Menschen an den Folgen einer Hitzewelle

Auch in Deutschland sind die ersten Auswirkungen der Klimakrise längst zu spüren. Im August starben mehrere Tausend Menschen an den Folgen einer Hitzewelle

Tesla delivered a record 500,000 vehicles in 2020

Tesla needs to expand rapidly to justify its $600 billion market capitalization.

The parking lot of Tesla's Shanghai factory was full of new cars in October 2020.

Enlarge / The parking lot of Tesla's Shanghai factory was full of new cars in October 2020. (credit: Costfoto/Barcroft Media via Getty Images)

Tesla smashed previous production and delivery records in the fourth quarter of 2020, shipping more than 180,000 vehicles to customers over the last three months. That's 30 percent higher than Tesla's Q3 deliveries, which itself was a record figure for the company.

For 2020 as a whole, Tesla delivered 499,550 vehicles to customers. This is 36 percent higher than the 367,500 vehicles Tesla delivered to customers in 2019.

Tesla didn't quite hit the company's self-imposed target of half a million deliveries for the year. But the miss is literally a rounding error and Tesla's 2020 performance is still pretty impressive. The pandemic made 2020 an unusually challenging year for the auto industry. Tesla's Fremont factory—like those of most competitors in the US—was closed between late March and mid-May.

Read 5 remaining paragraphs | Comments

Archaeology is going digital to harness the power of Big Data

Combining traditional “pick and trowel” field work with a sweeping birds-eye view

Archaeology is catching up with the digital humanities movement with the creation of large online databases, combining data collected from satellite-, airborne-, and UAV-mounted sensors with historical information.

Enlarge / Archaeology is catching up with the digital humanities movement with the creation of large online databases, combining data collected from satellite-, airborne-, and UAV-mounted sensors with historical information. (credit: Brown University)

There's rarely time to write about every cool science-y story that comes our way. So this year, we're once again running a special Twelve Days of Christmas series of posts, highlighting one science story that fell through the cracks in 2020, each day from December 25 through January 5. Today: archaeologists are using drones and satellite imagery, among other tools, to build large online datasets with an eye toward harnessing the power of big data for their research.

Archaeology is finally catching up with the so-called "digital humanities," as evidenced by a February special edition of the Journal of Field Archaeology, devoted entirely to discussing the myriad ways in which large-scale datasets and associated analytics are transforming the field. The papers included in the edition were originally presented during a special session at a 2019 meeting of the Society for American Archaeology. The data sets might be a bit smaller than those normally associated with Big Data, but this new "digital data gaze" is nonetheless having a profound impact on archaeological research.

As we've reported previously, more and more archives are being digitized within the humanities, and scholars have been applying various analytical tools to those rich datasets, such as Google N-gram, Bookworm, and WordNet. Close reading of selected sources—the traditional method of the scholars in the humanities—gives a deep but narrow view. Quantitative computational analysis can combine that close reading with a broader, more generalized bird's-eye approach that can reveal hidden patterns or trends that otherwise might have escaped notice. The nature of the data archives and digital tools are a bit different in archaeology, but the concept is the same: combine the traditional "pick and trowel" detailed field work on the ground with more of a sweeping, big-picture, birds-eye view, in hopes of gleaning hidden insights.

Read 26 remaining paragraphs | Comments

Bürde der späten Geburt

Die Aktivistin Greta Thunberg wird 18. Ein Anlass zur Betrachtung von Zeiträumen, in denen Erwachsene ihre Hausaufgaben nicht machten

Die Aktivistin Greta Thunberg wird 18. Ein Anlass zur Betrachtung von Zeiträumen, in denen Erwachsene ihre Hausaufgaben nicht machten

Record Labels Defeat False DMCA Takedown Claims in Court

A federal court in Florida has dismissed a complaint from ISP Bright House Networks, which accused several major record labels of targeting subscribers with false and deceptive piracy notices. The ISP, which wanted to add RIAA and its anti-piracy partner MarkMonitor to the suit as well, doesn’t have a valid claim as it failed to act on the ‘false’ claims.

From: TF, for the latest news on copyright battles, piracy and more. We have some good VPN deals here for the holidays.

pirate flagUnder US copyright law, Internet providers must terminate the accounts of repeat infringers “in appropriate circumstances.”

In the past such drastic action was rare, but with the backing of legal pressure, ISPs are increasingly being held to this standard.

Repeat Infringer Lawsuits

Several major music industry companies including Artista Records, Sony Music Entertainment, Universal Music, and Warner Records, have filed lawsuits against some of the largest U.S. Internet providers. This also includes Bright House, which is owned by Charter.

Through this lawsuit, the music companies hope to win hundreds of millions of dollars in damages. While that may sound high, last year a federal jury handed down a billion-dollar award in a lawsuit against Cox Communications.

False DMCA Notices Counterclaim

Bright House would like to avoid this fate at all costs. In a countersuit, filed in July, the ISP hit back accusing the record labels of sending inaccurate and deceptive takedown notices. This is in violation of the DMCA as well as the Florida Deceptive and Unfair Trade Practices Act, the company argued.

A month later, the Internet provider asked the court for permission to add the RIAA and its anti-piracy partner MarkMonitor to the suit, as they are central to the wrongful conduct.

The record labels were not happy with these accusations and asked the court to dismiss the claims. While it’s possible that some incorrect notices were sent, they argued that Bright House has no standing as the company failed to take any action based on their notices.

No Disconnections, No Harm

This defense points back to the basis of the “repeat infringer” issue. The labels sued the ISP because it didn’t disconnect persistent pirates. So if there were false notices, there was no real harm done.

After hearing both sides, US District Court Judge Mary Scriven decided over the matter this week, clearly siding with the record labels.

“Bright House alleges that Plaintiffs violated Section 512(f) of the DMCA by sending knowingly false infringement notices. This counterclaim fails as a matter of law because Bright House does not allege that it removed or disabled access to any allegedly infringing content in response to the notices.”

Judge Scriven notes that this case is similar to the one Charter filed against several record labels. That case was dismissed as well a few weeks ago, as Charter didn’t show that it disconnected subscribers based on false DMCA notices.

False Notices Claim Dismissed

“Bright House’s counterclaim suffers from the same fatal flaw and is therefore due to be dismissed,” the District Court Judge writes.

The ISP’s second claim, that the labels violated the Florida Deceptive and Unfair Trade Practices Act (FDUTPA) fails as well, according to the court.

A proper FDUTPA claim requires Bright House to argue that the false notices were sent as part of “trade or commerce,” which generally involves advertising or offering services, property, or something else of value. That’s not the case here, Judge Scriven notes.

FDUTPA Claim Fails As Well

“The FDUTPA claim is defective because the infringement notices do not constitute ‘advertising, soliciting, providing, offering, or distributing’ any ‘thing of value’ to Bright House, its subscribers, or any other party.

“Plaintiffs sent the infringement notices as part of an alleged effort to enforce their legal rights in recordings and compositions they claimed to own,” Judge Scriven writes.

This means that both counterclaims are dismissed. Bright House also put in a separate request to enforce the same claims against the RIAA and its anti-piracy partner RightCorp, but this is futile now that the underlying arguments don’t hold up.

The case will now continue to trial without any counterclaims. Bright House will still have to defend itself against the repeat infringer claims and copyright infringement allegations.

A copy of US District Court Judge Mary Scriven’s order is available here (pdf)

From: TF, for the latest news on copyright battles, piracy and more. We have some good VPN deals here for the holidays.