Elektronische Beweise: Europaparlament fordert Vetorecht bei Datenabfrage
Das Europaparlament will den länderübergreifenden Zugriff auf elektronische Beweismittel deutlich stärker absichern. Ein Bericht von Friedhelm Greis (Datenschutz, Internet)
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Das Europaparlament will den länderübergreifenden Zugriff auf elektronische Beweismittel deutlich stärker absichern. Ein Bericht von Friedhelm Greis (Datenschutz, Internet)
Adds over 100 million potential users; follows deals for PlayStation 5, Amazon Fire.
As 2020 draws to a close, HBO Max's 2020 stumble into the streaming-video fray has begun smoothing out, and the subscription service will soon seal its biggest North American gap: a spot on the Roku marketplace.
Starting tomorrow, December 17, North American Roku owners will finally be able to download and access the HBO Max app, as confirmed by a joint statement by Roku and WarnerMedia, the entertainment conglomerate that's wholly owned by AT&T. The official statement didn't mention what previously prevented owners of Roku set-top boxes and smart TVs from accessing the $14.99/mo subscription service, though it did acknowledge a new "agreement" between the companies—which was likely a financial one.
And that agreement was likely significant, owing to the whopping 100 million-plus users currently hooked into the Roku ecosystem. It follows a November move by WarnerMedia to get HBO Max onto Amazon Fire streaming-video devices. That's not all—PlayStation 5 users can add HBO Max to that console's "media" tab starting today, as well.
The new plan is three years of major OS updates and four years of security updates.
Google and Qualcomm are teaming up to enable a longer support window for flagship Android smartphones. Qualcomm, with Google's help, will now support its chipsets for three years of major OS updates and four years of security updates, enabling a better-than-Pixel level for all future Android phones, provided your OEM is willing to cooperate. This policy is starting with the flagship Snapdragon 888, but even lower-end chips will be supported. Qualcomm PR tells us "the plan is to roll this out to all Snapdragon chipsets, including lower-tier ones, but starting the new Snapdragon 888 platform."
Part of the challenge of Android updates is the continuous chain of software custody that has to be maintained, across several companies, from the Android repository to your phone. Google and Qualcomm now say they are willing to pass the update baton to OEMs for three major updates and four years of security updates, but OEMs will actually need to update their Android skins and ship working builds to each of their devices. If they don't, we at least know who to blame now.
Qualcomm and Google's blog posts both contain the same phrasing, that they will "support 4 Android OS versions and 4 years of security updates." Read that quote closely and you'll spot two different units of measurement happening there, which some people have misinterpreted. While there are four years of security updates, the two companies are counting the initial release of Android in their quote of "4 Android OS versions," so it's three years of major Android updates, not four years. We double-checked with Qualcomm and got back "Qualcomm will support the launch version + 3 OS upgrades, for a total of 4 major Android OS versions. Snapdragon 888 will support Android 11, 12, 13, and 14."
Google says it will continue to offer the free-as-in-beer Home edition.
This week, Google acquired OS vendor Neverware, makers of the CloudReady distribution of ChromiumOS. ChromiumOS is the fully open source, upstream version of ChromeOS—the sharply limited, cloud-focused operating system which Chromebooks and Chromeboxes run on.
The acquisition sounds great on paper—Google certainly has more resources than Neverware, including but not limited to the developer base for ChromeOS itself. According to Neverware's FAQ on the transition, big G will honor all existing license agreements and has no current plans to curtail availability of the free Home edition of CloudReady.
All of this good news comes with "at this time" caveats on every bullet point, unfortunately—which strikes us as a bit unnerving, coming as it does immediately after Red Hat announced that it was killing off CentOS Linux and replacing it with CentOS Stream.
Apple doesn’t let developer submit apps to the App Store if they effectively include their own app store… and that means game streaming services like Stadia, Luna, GeForce Now, and Xbox Cloud Gaming need not apply. But there’s an alt…
Apple doesn’t let developer submit apps to the App Store if they effectively include their own app store… and that means game streaming services like Stadia, Luna, GeForce Now, and Xbox Cloud Gaming need not apply. But there’s an alternate path to streaming games on iPhones and iPads: the web browser. Amazon’s Luna game streaming […]
The post Lilbits: Cross platform edition (Stadia on iOS, Apple TV on Chromecast, HBO Max on Roku) appeared first on Liliputing.
Mediziner wollen Altern als Krankheit klassifizieren und behandeln. Philosophen haben ein Déjà-vu
Gibt es nicht, solange die Verwaltung der Migranten-Lager nicht reformiert wird. Ein erfolgreiches und übles Geschäftsmodell verhindert dies
The LG Gram line of laptops are known for their thin and very light designs. But the new LG Gram 16 pushes things a bit further by reducing the bezels around the display, allowing LG to fit a 16 inch screen into a laptop that’s a little smaller …
The LG Gram line of laptops are known for their thin and very light designs. But the new LG Gram 16 pushes things a bit further by reducing the bezels around the display, allowing LG to fit a 16 inch screen into a laptop that’s a little smaller than a typical 15.6 inch laptop like the […]
The post LG Gram 16 is a 2.6 pound laptop with a big, high-res display appeared first on Liliputing.
Facebook and YouTube detailed their anti-piracy measures during a Senate Judiciary Subcommittee on Intellectual Property hearing yesterday. To the frustration of lawmakers, Twitter was noticeably absent. The RIAA had little positive to say about the social media platform either, accusing it of doing nothing to stop “industrial-scale” piracy on its network. At the same time, domain registrars were accused of protecting pirates.
From: TF, for the latest news on copyright battles, piracy and more.
The US Senate’s Judiciary Subcommittee on Intellectual Property is looking for better ways to tackle the ever-present threat of online piracy.
Specifically, it’s working with various stakeholders to see if the DMCA can be improved to better suit today’s online environment.
During a hearing yesterday, Senators received input from various stakeholders on the role of voluntary agreements and existing anti-piracy technologies. YouTube, for example, explained its Content-ID system and Facebook showed how its Rights Manager tool helps copyright holders.
Twitter was also invited to testify but the company refused to attend. This frustrated lawmakers, including Senator Thom Tillis, who repeatedly asked Twitter to join the discussion. When that didn’t happen Tillis sent a series of written questions, but the “non-answers” the company sent back only appear to have made things worse.
The lawmakers are not alone in their critique of Twitter. As expected, they were fully supported by the RIAA, which was present to represent the music industry. RIAA chairman and CEO Mitch Glazier specifically mentioned the social media platform in his opening statement.
Glazier argued that the current takedown system is highly ineffective and he used Twitter as an example. Over the past year, the RIAA has tried to keep a single music track off Twitter, but despite thousands of notices, it kept reappearing.
“As a result, over a 10-month period, RIAA had to send notices for nearly 9,000 infringements of that same track – let me repeat that. We had to send 9,000 notices over a 10-month period for the same exact track. Unfortunately, we must do this all the time for hundreds of tracks on many different services,” Glazier said.
The RIAA would like Twitter and other platforms to keep infringing files offline indefinitely. A so-called takedown and staydown policy. In addition, copyright holders should be allowed to effectively monitor and report infringements. However, companies such as Twitter prefer to do very little and hide behind their safe harbor protection, Glazier said.
“They could solve the piracy problem voluntarily tomorrow if they had the will and incentive to do so. Unfortunately, the DMCA safe harbors have been interpreted to apply so broadly that platforms do not have the business incentive to participate in a balanced system.”
The Twitter-bashing continued during the questioning round. Senator Mazie Hirono stressed that Twitter hasn’t shown to be a “willing partner” for copyright holders and asked Glazier to elaborate.
RIAA’s CEO gladly complied and said that the music industry has sent more than three million notices to Twitter over the past two years, identifying 20,000 works. That’s an average of 150 notices per track, and things aren’t improving.
“This is piracy on an industrial massive scale. This is not some small problem,” Glazier said. “Unlike Facebook and YouTube, they have done nothing to at least try to build tools, or to help prevent what is by its nature a viral system where piracy can spread literally in microseconds.”
The takedown efforts are complicated because the RIAA and its members don’t have an effective system to search Twitter for copyright infringements. The social media platform is willing to offer this, but not for free.
“They really don’t offer us the ability to search their universe for infringements. We have asked for it many many times and they want to charge us,” Glazier said.
“And then when we send them notices it can take anywhere between four hours and four days to take one thing down while we’ve got millions of pieces spreading at the same time. It’s a huge problem,” he adds.
Twitter was not the only company to be called out. Senator Mazie Hirono also asked RIAA’s CEO about the role of domain name registrars, which offer services to pirate sites. Again, Glazier said that this is a huge problem.
“Domain name registrars and their role in allowing piracy to happen through their systems is a huge problem. Very few domain name registrars are doing very little. Both at the registrar and at the registry level.”
Glazier notes that there are voluntary agreements with a select group of domain registrars. However, most simply do nothing. They simply keep pirate domains online. And when copyright holders ask them to help identify bad actors, they refuse to cooperate.
“When we go to them and say: ‘help us to find the pirates’ so we can go against them directly, they won’t give the name of the pirate. They hide their identity and help them become anonymous and they say that it’s because of privacy laws. That they need to protect the criminals. Which is ridiculous.”
“Privacy laws are meant to protect consumers, they are not meant to protect criminals,” Glazier adds.
The RIAA would like the law to make it clear that intermediaries, including domain registrars and registries, have to do more. The same is true for services that host content. The current takedown process simply doesn’t cut it, it’s a sham.
While the hearing was supposed to be about voluntary and private agreements to help fight piracy, the threat of stricter regulation may be needed.
The RIAA applauded the work of Facebook and YouTube but, reading between the lines, Glazier suggests that Twitter and other companies may need a bigger push from lawmakers to come to the table.
From: TF, for the latest news on copyright battles, piracy and more.
Ars chatted with showrunner Naren Shankar and writers Daniel Abraham and Ty Franck.
Amazon Prime's epic science fiction series The Expanse is back for its fifth season. In her review last week, Ars' Tech Policy Reporter Kate Cox called it "the best [season] since its first, a long-awaited high-stakes payoff to several seasons' worth of setup," adding, "if you drifted away from the show during earlier seasons, like something accidentally dropped in microgravity, this new season makes it worth finding a way to come back."
(Some spoilers below, but no major reveals.)
As we've noted previously, The Expanse is based on a series of novels by James S.A. Corey (the pen name for writing team Daniel Abraham and Ty Franck), exploring interplanetary tensions that are breaking out all over a Solar System long since colonized by humans—mostly between Earthers, Martians, and "Belters." Part mystery, part political thriller, part classic space opera, The Expanse has earned almost nothing but praise from critics and its devoted fans alike, not just for its gripping storytelling but also its excellent use of accurate physics.
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