Former Phone Store Employee Sued for Promoting Popcorn Time

The company behind the film Hunter Killer has sued a former phone store employee who allegedly promoted the piracy app Popcorn Time to customers. The woman in question, who already lost her job due to the accusations, also downloaded the movie herself according to a recently filed complaint.

From: TF, for the latest news on copyright battles, piracy and more. We have some good VPN deals here for the holidays.

hunter killerEvery year, thousands of “Doe” defendants are sued for allegedly sharing pirated videos via BitTorrent.

Most of these lawsuits follow a common pattern. The copyright holders track down an infringing IP-address, uncover the associated account holder through a subpoena, to then offer this person a settlement.

Defendants who ignore or deny the settlement offers will often be named. And if they fail to respond after that, the copyright holder will ask the court to issue a default judgment.

More Than an IP-address

In recent months Hawaii-based attorney Kerry Culpepper has, on occasion, broken with this pattern by bringing in additional evidence. For example, he went after several users of the torrent site YTS, after the site’s operator shared database information to resolve his own legal troubles.

In a case filed at a federal court in Texas last week, Culpepper continues down this path. While this case doesn’t rely on YTS information, it is connected to a previous lawsuit where ‘additional’ information surfaced.

Phone Store Lawsuit

Earlier this year, we reported that the company behind the movie Hunter Killer filed a copyright infringement lawsuit against Verizon retailer VICTRA. According to that complaint, employees of the phone store promoted the use of pirate apps including Popcorn Time and Showbox.

The claim was backed up by testimony from a VICTRA customer who stated that an employee named Ms. Boylan recommended and helped him to install Popcorn Time to watch free movies. This case was eventually dismissed after a few months, likely following an out-of-court settlement. However, it wasn’t without consequence for the employee.

In the complaint filed in Texas last week, Hunter Killer writes that Boylan was fired by VICTRA for promoting and distributing movie piracy apps. While that must have come as a big hit, the movie company isn’t showing mercy.

Fired Employee Faces Piracy Lawsuit

On the contrary, Hunter Killer Productions accuses Boylan of both contributory and direct copyright infringement. The first allegation is related to the defendant’s promotion of Popcorn Time during her time with her former employer.

“Defendant Boylan promoted movie piracy apps at the VICTRA TX Store to her customers for the purposes of infringing copyright protected content,” the complaint reads, adding that she did so to increase sales and boost her compensation.

The allegation is backed up by the aforementioned testimony from a customer, who said that the defendant recommended and installed Popcorn Time on a newly purchased Samsung Galaxy tablet.

“Defendant Boylan promoted Popcorn Time by telling members of the general public, including Gerard Prado, that it could be used to watch ‘free movies’ at the TX Store on or around March 5, 2019.

“Defendant Boylan installed Popcorn Time on the tablet device of Gerard Prado while he was at the TX Store so that Gerard Prado could watch content in violation of copyright laws,” the complaint adds.

‘Defendant Also Downloaded the Film’

These allegations are just part of the picture. According to Hunter Killer, the defendant also downloaded and shared the movie herself. This claim is backed up by an IP-address that was observed sharing a pirated copy of Hunter Killer last December.

“Defendant Boylan downloaded, reproduced and shared copies of the Work under the file name ‘Hunter Killer (2018) [WEBRip] [720p] [YTS.AM]’ multiple times on December 27, 2019 from the IP address 174.237.5.2.”

The IP-address is linked to a Verizon cellular phone Internet service account in Boylan’s name. According to the complaint, this means that she likely downloaded the file herself.

In addition to Boylan, the movie company also accuses five John Doe defendants of direct copyright infringement by downloading the film. These people have yet to be identified through a subpoena.

Hunter Killer Productions hopes to recoup the damages these copyright infringements reportedly caused. In theory, this could reach $150,000 in statutory damages per person, but it’s likely that one or more defendants will settle out of court.

A copy of Hunter Killer’s complaint against Boylan and the five Doe defendants is available here (pdf)

From: TF, for the latest news on copyright battles, piracy and more. We have some good VPN deals here for the holidays.

Review: Alice in Borderland takes us down a deliciously bonkers rabbit hole

 Alice in Wonderland and Ready Player One meet Lord of the Flies and Cube.

Tokyo residents find themselves trapped in a post-apocalyptic parallel world called Borderland, where they must compete in deadly games to survive.

Enlarge / Tokyo residents find themselves trapped in a post-apocalyptic parallel world called Borderland, where they must compete in deadly games to survive. (credit: Netflix)

In the carefree, pre-pandemic Before Times, escape rooms were all the rage as fun group activities, where people had to solve a puzzle or mystery, or complete a series of tasks, in order to escape. Alice in Borderland, a hugely entertaining new Netflix series from Japan, takes that concept to a whole new level, transforming Tokyo into an alternate dimension called "Borderland." Those trapped therein must compete in deadly games to survive, and escape is by no means guaranteed. This is an emotionally intense, addictive series you'll definitely want to binge.

(Some spoilers below, but no major reveals.)

As previously reported, the series is based on the Japanese manga by Haro Aso. It has elements of  Alice in Wonderland and Ready Player One, with a dash of Lord of the Flies and the 1997 sci-fi horror film, Cube, thrown in for good measure, but it's very much an original vision. The TV adaptation is directed by Shinsuke Sato, best known for 2001's The Princess Blade and last year's Kingdom, and co-written by Haro Aso and Yasuko Kuramitsu. The manga tells the story of Ryōhei Arisu (Arisu can be translated as "Alice"), a bored high schooler who longs for a more exciting life. Arisu's wish is granted during a fireworks celebration: he and his two best friends find themselves in a post-apocalyptic parallel world known as Borderland, where they must play a series of dangerous games to survive.

Read 10 remaining paragraphs | Comments

Review: Alice in Borderland takes us down a deliciously bonkers rabbit hole

 Alice in Wonderland and Ready Player One meet Lord of the Flies and Cube.

Tokyo residents find themselves trapped in a post-apocalyptic parallel world called Borderland, where they must compete in deadly games to survive.

Enlarge / Tokyo residents find themselves trapped in a post-apocalyptic parallel world called Borderland, where they must compete in deadly games to survive. (credit: Netflix)

In the carefree, pre-pandemic Before Times, escape rooms were all the rage as fun group activities, where people had to solve a puzzle or mystery, or complete a series of tasks, in order to escape. Alice in Borderland, a hugely entertaining new Netflix series from Japan, takes that concept to a whole new level, transforming Tokyo into an alternate dimension called "Borderland." Those trapped therein must compete in deadly games to survive, and escape is by no means guaranteed. This is an emotionally intense, addictive series you'll definitely want to binge.

(Some spoilers below, but no major reveals.)

As previously reported, the series is based on the Japanese manga by Haro Aso. It has elements of  Alice in Wonderland and Ready Player One, with a dash of Lord of the Flies and the 1997 sci-fi horror film, Cube, thrown in for good measure, but it's very much an original vision. The TV adaptation is directed by Shinsuke Sato, best known for 2001's The Princess Blade and last year's Kingdom, and co-written by Haro Aso and Yasuko Kuramitsu. The manga tells the story of Ryōhei Arisu (Arisu can be translated as "Alice"), a bored high schooler who longs for a more exciting life. Arisu's wish is granted during a fireworks celebration: he and his two best friends find themselves in a post-apocalyptic parallel world known as Borderland, where they must play a series of dangerous games to survive.

Read 10 remaining paragraphs | Comments

Court: Mass “Copyright Troll” Lawsuits Targeting Danes May Be Illegal

A mass copyright-trolling scheme in Denmark is at risk of boiling over into criminal action against the companies involved. After hundreds of cases against alleged pirates were kicked out over recent months due to the plaintiffs having no right to sue, a court has warned that the campaign may be threatening Danes’ legal security.

From: TF, for the latest news on copyright battles, piracy and more.

copyright trollSo-called ‘copyright trolling’ campaigns against alleged file-sharers is huge business in both the United States and Europe.

The goal is to have courts order ISPs to hand over the personal details behind an IP address so that subscribers can be put under pressure to pay a settlement or face punishing legal action. In Denmark, especially considering its relatively small population, such schemes are now extremely prevalent. But all is not well for the main players.

Cases Undermined Due to Rookie Mistakes

It’s not always easy to tell the difference between a regular copyright lawsuit and one filed by a supposed ‘copyright troll’. However, when middle-man companies appear in the mix, those which appear to have no place in the proceedings other than to provide some kind of shield for the real rightsholders, red flags start to get raised. For those on the receiving end, however, that’s not always bad news.

As reported in April, a High Court in Denmark threw out three copyright infringement cases against alleged pirates. The problem was that Copyright Management Services, a UK middle-man company working with Danish law firm NJORD Law, attempted to squeeze around US$1,000 from the defendants to prevent further action from their movie company partners.

Unfortunately for them, however, the Eastern High Court found that CMS had absolutely no right to sue. As a result, the cases were dismissed and the opportunists were sent on their way. But that wasn’t the end of the road.

Dozens and Dozens of Cases Collapse

The findings of the Eastern High Court created momentum. Since then, it’s believed that around 100 other cases have been dismissed on the same grounds, including three reported by the Court of Frederiksberg this week.

The three cases emerged following judgments obtained against three defendants, one of whom reportedly torrented an adult movie and another London Has Fallen, a common title in similar lawsuits elsewhere. After failing to appear last year to defend themselves, each was ordered to pay 7,500 kroner (US$1,237) in default damages.

All three failed to pay, so each found themselves pursued through the bailiff’s court by the ‘plaintiffs’. However, the court in Frederiksberg has booted out all three cases (1,2,3), referencing earlier cases that found that CMS had no right to sue.

In fact, not only did the court reference the failed case in April, it also referred to another 39 rulings by the same court and another 60 handed down by the Copenhagen City Court, all of which found that CMS had no right to bring these copyright cases as it had no standing to be the plaintiff.

Hundreds of Thousands of Danes Potentially Affected

These types of lawsuits have been ongoing for several years in Denmark and despite warnings, very little has been done to prevent their spread. In 2018, ISPs Telenor and Telia put up a fight but the damage had already been done.

According to a report by Berlingske this week, at least 2,500 Danes could be affected and potentially up to 200,000.

“It’s a big money machine where you treat the courts as ATMs,” lawyer Allan Ohms told the publication. “Njord Law Firm is a reputable law firm, so I do not understand why they are involved.”

The Berlingske report catalogs many horrors, including the targeting of an 84-year-old woman with dementia and a 41-year-old man who had to sit in court while being accused of downloading porn, because his age and gender “matched the profile” of someone who would’ve carried out the crime. The case was dismissed but a family member recalls that the case took its toll.

“I clearly remember when he came home after the trial. He was completely devastated. As an ordinary citizen one stands completely defenseless in this situation. That can simply not be right,” the person said.

But many people have already settled with NJORD law and its apparently shadowy partners, about which very little is known.

Lawyer Nikolaj Linneballe said that no one really knows who is pulling the strings behind the scenes and, importantly, who is collecting all the money from cases that should have never been brought. He believes the settlement money should be returned when it has been shown that plaintiffs had no right to bring a case but whether that will ever happen is unknown.

Court Suggests That The Lawsuits May Be Illegal

As reported by Berlingske, the Court of Frederiksberg appears to be of the opinion that the lawsuits in these ‘false plaintiff’ cases may be illegal. Indeed, the suggestion is that Danes affected by the action may be able to file a claim for damages via a criminal complaint.

While that may be the case, by design these middle-man companies seem primed to collapse like chocolate teapots should the battle turn sour. But nonetheless, things are certainly in a mess.

Aside from CMS’s lack of standing to bring any of these cases, NJORD law stands accused of requesting an arbitrary amount of 7,500 kroner to settle each case, regardless of the costs incurred in the matter. This raises the question of how “real” these claims for compensation are, despite the fact they should’ve never been brought at all.

“[The] amount is arbitrarily fixed for the occasion, and not an amount where there is an expression of a real claim for compensation, remuneration or allowance,” the court previously said, noting that the actions constitute a potentially significant “legal security problem” for Danes.

One of the problems is the starting point of the law firm and its partners. Those accused are considered guilty unless they are able to prove their innocence, which in most cases is not possible, since the companies involved hold all of the ‘evidence’, including who is supposed to have shared what, when, and with whom.

Indeed, the collection and presentation of evidence is held in a tightly closed-loop, since it’s all handled non-transparently by entities acting in concert with the plaintiffs and rightsholders. The defendants have no access to the audit trails so are faced with the problem of arguing against a spreadsheet.

In many respects, copyright-trolling has rarely been any different. The smoke and mirrors are fairly standard, as are the strong-arm tactics. But maybe Denmark has had enough now, which is usually a signal for the trolls to move to another territory and start the same thing all over again.

From: TF, for the latest news on copyright battles, piracy and more.

Humanity is in danger of becoming obsolete technology in LX 2048

Director Guy Moshe chats with Ars about his ambitious sci-fi film

James D'Arcy stars as a terminally ill man who gets the chance to "upgrade" his life in Guy Moshe's sci-fi film LX 2048.

A fatally ill man tries to secure the future of his family in a near-future world where the toxicity of the sun forces people to stay inside during the daytime in LX 2048, starring James D'Arcy (Agent Carter, Homeland). It's a flawed yet thought-provoking surreal science fiction film, chock-full of big ideas on our relationship to technology and what it means to be human, and anchored by D'Arcy's fantastic performance.

(Some spoilers below.)

D'Arcy plays Adam Bird, a married father of three on the brink of divorce from his wife, Reena (Anna Brewster). The year is 2048, and people are largely living indoors during the day because the sunlight is powerful enough to scald human skin instantly. Everyone spends most of their time in a virtual world known as The Realm. (The fact that Reena caught Adam virtually cavorting with his AI lover is just one of their many marital issues.) Everyone also takes regular doses of LithiumX to ward off depression. Adam, however, clings to his old habits, driving a convertible to the office in a hazmat suit, and refusing to take the drug.

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Ärger an der EU-Peripherie: Die Gasvorkommen im Mittelmeer

Die Türkei entwickelt sich immer deutlicher zu einem Stressfaktor an der Peripherie der Europäischen Union. Aber die Erdogan-Regierung ist nicht der alleinige Unruhestifter. Teil 1

Die Türkei entwickelt sich immer deutlicher zu einem Stressfaktor an der Peripherie der Europäischen Union. Aber die Erdogan-Regierung ist nicht der alleinige Unruhestifter. Teil 1