Hayabusa 2: Wertvolle Asteroidenprobe ist auf der Erde gelandet
Sechs Jahre sind eine lange Zeit für eine Reise von Japan nach Australien. Aber der Umweg durch das Sonnensystem hat sich gelohnt. (Hayabusa 2, Raumfahrt)
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Sechs Jahre sind eine lange Zeit für eine Reise von Japan nach Australien. Aber der Umweg durch das Sonnensystem hat sich gelohnt. (Hayabusa 2, Raumfahrt)
Nach einer Lockdown-Verschnaufpause läuft die Zerstörung des Planeten auch in Indien wieder auf Hochtouren
Manfred Trenz und Chris Huelsbeck waren 1991 für uns Popstars und Turrican 2 auf C64 und Amiga ihr Greatest-Hits-Album. Die 7. Staffel Golem-Retro startet! Von Martin Wolf (golem retro_, Command & Conquer)
Manfred Trenz und Chris Huelsbeck waren 1991 für uns Popstars und Turrican 2 auf C64 und Amiga ihr Greatest-Hits-Album. Die 7. Staffel Golem-Retro startet! Von Martin Wolf (golem retro_, Command & Conquer)
It’s Director Robert Rodriguez’s standalone sequel to his 2005 3D kids’ film.
It's been 15 years since the premiere of The Adventures of Sharkboy and Lavagirl in 3D, Director Robert Rodriguez's fantasy adventure kids' film that was hyped as the movie event of 2005. It fell short of expectations, but Rodriguez clearly retained a deep love for this imaginary world—deep enough that he was keen to revisit it with the forthcoming Netflix standalone sequel, We Can Be Heroes. And yes, the original Lavagirl, Taylor Dooley, makes an appearance.
(Spoilers below for The Adventures of Sharkboy and Lavagirl.)
Rodriguez is an impressively versatile director, from his early Western/action films El Mariachi (1992), Desperado (1995), and From Dusk Till Dawn (1996), to the Spy Kids franchise and last year's science fiction blockbuster, Alita: Battle Angel. After the success of 2003's Spy Kids 3D: Game Over, Rodriguez pitched another immersive kids' film, based on a story by his young son, Racer Max. It featured a young boy named Max, neglected by his parents and bullied at school, who creates an imaginary dream world in his journal, called Planet Drool. The inhabitants include Sharkboy (Taylor Lautner), son of a marine biologist, and Lavagirl (Dooley), who has a tendency to set things on fire—as well as "plughounds" and singing bubbles called LaLas. But when the school bully steals Max's dream journal, those dreams start to bleed into reality.
California-based ZaReason started selling Linux computers in 2007 and for more than a decade the company remained one of a fairly small number of businesses to exclusively sell desktop and notebook computers powered by GNU/Linux software. Now ZaReason…
California-based ZaReason started selling Linux computers in 2007 and for more than a decade the company remained one of a fairly small number of businesses to exclusively sell desktop and notebook computers powered by GNU/Linux software. Now ZaReason is closing up shop for good. A message posted to the company’s website notes that ZaReason “is […]
The post Linux PC company ZaReason goes out of business due to COVID-19 appeared first on Liliputing.
In Deutschland sterben immer mehr Menschen an Covid-19
Marx ist Murks – Teil 4a. In dieser Replik besprechen wir die Einwände gegen die Marxsche Theorie der Lohnkosten und ihre Folgen. Da es sehr viele Einwürfe zu diesem Thema gab, wird der Punkt in der nächsten Replik fortgesetzt.
Latest horror/comedy from Christopher Landon spoofs Friday the 13th, Freaky Friday.
Walt Disney Studios struck the proverbial motherlode in 1976 with its now-classic body-swap comedy Freaky Friday, starring Jodie Foster and Barbara Harris as a daughter and mother who switch bodies. Both Foster and Harris received Golden Globe nominations for their performances, even though the film received mixed reviews. The studio has returned to that vein multiple times, with a 1995 TV movie remake, a 2018 TV musical for the Disney Channel, and a critically acclaimed 2003 remake with Lindsey Lohan and Jamie Lee Curtis in the lead roles.
The latest twist on the body-swapping concept is not even remotely family-friendly. Vince Vaughn stars as an aging serial killer who switches bodies with a hapless teenaged girl in Freaky, which also pays homage to classic teen slasher movies like Friday the 13th (1980) and Scream (1996). Universal Pictures debuted the film at Beyond Fest in October. The film hit theaters (despite the pandemic) on Friday, November 13th, garnering solid reviews and eking out $7.2 million at the box office so far—not a bad showing considering how many movie theaters remain closed. It's now available on VOD, and makes for an entertaining, if familiar-feeling, weekend watch.
(Some spoilers below.)
Various software tools aggressively promoted online have the stated purpose of allowing people to download movies and TV shows from services including Netflix and Disney+. While most work on a base level by providing a file that can be stored and watched independently of the service in question, the results are a poor replacement for the services themselves.
From: TF, for the latest news on copyright battles, piracy and more.
For those who remember using audio cassette tapes, VHS and Betamax video recorders and similar wizardry, recording content from various sources to keep for a while was the sole purpose of the technology.
Whether those recordings were songs from the radio, ‘backup’ copies of friends’ legitimately purchased movies (or, more likely, tapes hired for the night from a rental store), recording media onto tapes was a way of life for millions spanning decades. Then digital happened and everything changed.
These days, people are more likely to stream music and movies from Spotify and Netflix but what neither of these platforms offers is a way to become a collector. Many people still like to have permanent copies of content on their own devices, rather than having to continually connect to the Internet or maintain a subscription. This presents problems.
Essentially, those looking to maintain a collection today either need to spend small fortunes on physical media, rely on downloads from streaming platforms, or head off down the piracy route. At least in terms of music and TV shows (legalities aside), the latter is by far the easiest option but what if there was a way to download content from legal streaming services to keep forever, just as people did with tapes decades ago?
Over the past few years, several apps have appeared on the market claiming to allow users to do just that. Flixgrab, for example, claims to allow users to download from Netflix, Disney+, Prime Video and more, with the software itself freely downloadable either directly from the maker’s site or from the Microsoft Store.
“FlixGrab is a new powerful application for downloading videos from the most popular online video websites. You can download and watch videos from anywhere: Netflix, Amazon Prime, HULU, Youtube, Facebook, Instagram and many others with only one FlixGrab app. This freeware absolutely contains no adware, no spyware, no registration or other unwanted software,” the marketing reads.
While all of that sounds attractive enough, there are also caveats that are so significant that they are likely to put people off acquiring a collection using these kinds of tools.
When using a tool such as youtube-dl, for example, the user downloads a digital file that’s an exact replica of the one they were listening to on YouTube. However, with apps such as the one mentioned above, that’s simply not the case. While they are billed as ‘downloaders’, they are essentially a type of screen recorder that take the original source material from the service in question, convert it on the user’s machine, and spit out a transcoded video file.
While this may sound attractive to some, there are serious quality issues. While subscribers to Netflix or Disney+ consume content in 4K or even the relatively lower 1080p, when files are ‘recorded’ through these apps the end result is a million miles away.
The files that are produced may claim to be 1080p (‘pseudo’ 4K isn’t available – yet), their filesizes give away the quality on offer and a few hundred megabytes for a 1080p movie just doesn’t cut it. Essentially, if people think they are going to get a quality copy for keeps, they’re going to be disappointed.
Those looking to research these kinds of apps online will quickly discover lots and lots of positive reviews claiming they’re the greatest thing since sliced bread. However, people should be aware that it’s possible to get free keys to access premium versions of these tools in exchange for writing nice things about them.
So, if you’re watching a great review on YouTube, reading a five-star Trust Pilot recommendation, or even posts on Facebook, Twitter or Instagram that read like an advert, those reviews stand a good chance of being connected to a free key. Some may be genuine of course, but proceeding with caution shouldn’t be dismissed.
Ultimately, tools that actually download high-quality video from services such as Netflix and Disney+ aren’t available to the masses and even when ‘professional’ pirates ‘screen record’ to produce so-called ‘web-rips’, they certainly don’t use these commercially available tools – the results would be way too disappointing for the discerning pirate.
From: TF, for the latest news on copyright battles, piracy and more.
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