BREIN Planning to Tighten The Noose on Pirates & Intermediaries

Dutch anti-piracy group says it has remained busy during the COVID-19 lockdown period. In a report detailing its activities of the past six months, the group says that in addition to 250 enforcement actions against content providers, it is planning to tighten the noose on intermediaries. They need to cooperate more if they want to take advantage of their limited liability status.

From: TF, for the latest news on copyright battles, piracy and more.

BREIN logoFounded before Napster, BREIN has forged itself a unique niche in anti-piracy enforcement.

It not only tackles smaller-scale distributors and facilitators of infringing content, but has also obtained some of the most important legal precedents against the largest of targets, ones that will carry momentum for years to come.

For these reasons and more, it’s always prudent to keep an eye on what BREIN is doing. The anti-piracy outfit is loved by some and hated by others but if nothing else, BREIN is more open and pragmatic about its activities than others operating in the same space. And BREIN is always busy, as its latest six-month update reveals.

Coronavirus Hasn’t Slowed BREIN Down

Perhaps unsurprisingly, BREIN begins with an observation concerning the coronavirus, a pandemic that has touched everyone in some way but the creative sectors perhaps more than most. In normal times, many pirates justify pirating music, for example, by choosing to support their favorite bands at live gigs, paying entrance fees and buying merchandise. As BREIN points out, in most countries those options have now been taken away.

“Gigs are no alternative to loss of income due to illegal streaming and downloading, and certainly not with Corona slashing into the income from gigs. Piracy and Corona is a double whammy,” BREIN writes.

The world of cinema has been affected too. It’s not uncommon for people to complain about overcrowded cinemas with expensive snacks that take advantage of consumers, so an occasional free download is an antidote to that. Now, however, cinema revenues are taking a battering everywhere and even affecting the supply of fresh movies on pirate sites.

‘Street’ Level Enforcement Activities

With this backdrop, BREIN says it has carried out almost 250 actions thus far this year against those offering pirated content for free. It’s also removed more than 765,000 search results pointing to illegal content and made more than 1,000 “interventions” on online auction sites to remove adverts offering illicit content.

BREIN says that most of these matters are settled out of court, often concluded with an agreement to stop certain activities. In other cases, financial settlements are reached along with compensation for legal fees. Other matters can see BREIN’s lawyers go head to head with defendants’ who want to put up a fight, but end up changing their minds “at the eleventh hour” after incurring more costs, the group says.

BREIN also has plans to deal with frequent and long-term uploaders. The plan was first aired in 2016 and while it has taken action against numerous individuals since, its large-scale “awareness project” has yet to appear. According to the anti-piracy group, an announcement on that will be coming soon.

Enforcement Activity Against Intermediaries

Tackling smaller-scale infringers is often the ‘bread and butter’ work of many anti-piracy groups but BREIN has a reputation for hand-picking certain cases in order to set legal precedents. For example, it was BREIN’s work that led to a definitive ruling from the EU’s highest court that users streaming unlicensed content to their homes are breaking the law, something that was previously considered a gray area. The illegality of selling pre-loaded set-top boxes was also confirmed.

BREIN says it is now engaged in legal action with the aim of compelling Internet intermediaries, which currently enjoy limited liability, to cooperate more in anti-piracy matters, including providing identifying data on their users/customers.

“Intermediaries must cooperate in enforcement, not only in the event of shutting down or blocking [services], but if necessary also by providing identifying data. Intermediaries for suppliers of illegal offerings or providing access to such offers must also have reliable identifying data [of users/customers], otherwise the ‘perpetrators’ can pass through elsewhere anonymously,” BREIN writes.

“If intermediaries have their services resold by others – we have already seen this almost as standard with Dutch ‘hosting’ providers, who therefore advertise themselves as an ‘access’ or ‘upstream’ service – then they must oblige their contracting parties to verify their identity per perpetual clause from corporate customers.”

Whether BREIN will achieve these goals will remain to be seen but the group has a reputation for persistency.

Way back in 2010, BREIN went to court to try and force Ziggo, the Netherlands’ largest ISP, to block The Pirate Bay. Via an interim order, the group already managed to block the site and 258 mirrors and proxies in 2019 alone but this June, BREIN finally obtained the ruling it was looking for, opening up the possibility of wider blocking in the Netherlands.

“We have a ‘building block’ strategy in which we gradually build case law that assists our enforcement measures. You can point back to this in the future,” BREIN explains.

“We will also go to the highest European court for this, and not without success. That can be a long-term process. Even though a lot has been gained in recent years, not only in the legal field, but certainly also socially and politically, we are far from there,” the group concludes.

From: TF, for the latest news on copyright battles, piracy and more.

Blu-ray, Ultra HD Blu-ray sales stats for the week ending August 1, 2020

The results and analysis for DVD, Blu-ray and Ultra HD Blu-ray sales for the week ending August 1, 2020, are in. A very quiet week in which we had to go to the 15th place on the Blu-ray sales chart to find the only new release in the top 20, an Indonesian superhero movie. Find out what movie it was in our weekly DVD, Blu-ray and Ultra HD Blu-ray sales stats and analysis feature.



The results and analysis for DVD, Blu-ray and Ultra HD Blu-ray sales for the week ending August 1, 2020, are in. A very quiet week in which we had to go to the 15th place on the Blu-ray sales chart to find the only new release in the top 20, an Indonesian superhero movie. Find out what movie it was in our weekly DVD, Blu-ray and Ultra HD Blu-ray sales stats and analysis feature.

Wenn der Arzt zur Marke wird

Das deutsche Gesundheitswesen ist seit geraumer Zeit im Umbruch. Was sich als mehr Effizenz über Digitalisierung abzeichnet, verändert das persönliche Vertrauensverhältnis zwischen Arzt und Patienten

Das deutsche Gesundheitswesen ist seit geraumer Zeit im Umbruch. Was sich als mehr Effizenz über Digitalisierung abzeichnet, verändert das persönliche Vertrauensverhältnis zwischen Arzt und Patienten

Uploadfilter: Youtube lehnt Zwangslizenz für Pornos ab

An den Regierungsplänen zur Urheberrechtsreform gibt es neben Lob auch viel Kritik. Google warnt vor Zwangslizenzen, die Gema fordert genau dies. Eine Analyse von Friedhelm Greis (Uploadfilter, Urheberrecht)

An den Regierungsplänen zur Urheberrechtsreform gibt es neben Lob auch viel Kritik. Google warnt vor Zwangslizenzen, die Gema fordert genau dies. Eine Analyse von Friedhelm Greis (Uploadfilter, Urheberrecht)

High Score review: Netflix’s story of gaming’s “golden age” is honestly solid

The good outweighs the bad, though weird interview choices add unfortunate bloat.

The series' title is silly, but it's actually such a good series that we found ourselves nitpicking its faults instead of feeling entirely embarrassed by it. In the gaming-media world, we'll call that progress.

Enlarge / The series' title is silly, but it's actually such a good series that we found ourselves nitpicking its faults instead of feeling entirely embarrassed by it. In the gaming-media world, we'll call that progress. (credit: Netflix)

We at Ars Technica's gaming section are flattered by High Score, the newest docu-series launching August 19 on Netflix. The easiest way to describe this gaming-centric interview series, split into six 40-minute episodes, is to give a shoutout our own War Stories video series.

For a few years, War Stories has been asking developers of beloved game series to explain how they overcame problems and got their eventual classics to your favorite PCs and consoles. Netflix's new series does something very similar: it asks members of the game industry to stitch together a narrative of gaming's so-called "golden era," which, in their eyes, begins with Space Invaders in arcades and ends with Doom on PC.

All in all, I'm happy High Score exists. If you want to watch it uncritically, especially with people who don't necessarily play video games, you can look forward to a mix of intriguing and all-too-familiar classic-gaming tales, told with high production values and clear storytelling throughlines. For the most part, the series is dignified, not embarrassing—a fact that delights the inner 12-year-old in me, who still has a chip on his shoulder about being a gamer "outcast" for most of my youth.

Read 13 remaining paragraphs | Comments