Copyright Trolls Demand Cash For Alleged Movie Piracy Back in 2013

Companies connected to the Robert Redford movie The Company You Keep are writing to customers of Sky demanding that they pay a sizeable settlement or face being taken to court. Bizarrely, the alleged infringements took place seven years ago in 2013, well beyond the six-year limit usually available to copyright holders.

From: TF, for the latest news on copyright battles, piracy and more.

Sky logoIn so many different ways, large and small, good and bad, 2013 was a memorable year.

In politics, Barack Obama was inaugurated for his second term as US president and Baroness Thatcher, the UK’s first female prime minister, passed away aged 89. It was also the year when Edward Snowden blew the whistle on NSA spying and the words “twerk” and “selfie” were added to the dictionary.

While these events may be a distant memory for most, people who were customers of ISP Sky back in 2013 are now being given a crash-course in history. After being dormant for years, copyright trolls are now writing to individuals claiming that if they don’t pay a sizeable settlement, they face being dragged to court over alleged movie piracy.

Alleged Infringement, Seven Years Ago

In September 2014, TorrentFreak learned of a UK court case that had just appeared before the Chancery Division. TCYK v British Sky Broadcasting featured the company behind the Robert Redford movie The Company You Keep demanding the personal details of Sky subscribers who had allegedly downloaded and shared the movie without permission.

During March 2015, Sky confirmed it would be handing over the details of some of its customers to TCYK, warning that it was likely that the company would demand compensation for infringements that were allegedly carried out up to two years previously.

Some People Probably Paid Up, Others Did Not

From experience we know that when faced with scary-looking copyright infringement claims, some letter recipients pay up. The reasons for this are varied, from admitting they were in the wrong through to being flat-out scared of the consequences, regardless of fault. However, some people weren’t so easily pushed around and chose to hire a lawyer to fight their corner.

In 2015, some people targeted by TCYK hired UK-based lawyer Michael Coyle of Lawdit Solicitors to deal with their predicament. TorrentFreak was informed that in several cases and after obtaining legal representation, TCYK and business partners Hatton and Berkeley backed away from their demands. However, to the surprise of almost everyone, half a decade later they are now back again repeating the same things.

Remember Us? We’re Back Again For Another Go

During the past several weeks, TCYK via London-based Hatton & Berkeley have been writing to people they originally sent claims to back in 2015. In order to protect the identities of those who were kind enough to share their correspondence with us, we won’t publish the letters here in full. However, we can provide the following outline.

The letter begins with a statement that H&B Administration has “recently taken over management” of the allegations against the recipient, noting that their member TCYK LLC (the companies are in an LLP together) has a “legitimate claim in relation to the unauthorized distribution” of the movie The Company You Keep.

What follows is a speculative calculation of damages the alleged infringer supposedly caused seven years ago, taking the supposed BitTorrent ‘swarm size’ (people sharing the movie) at the time of infringement, multiplying it by the retail cost of the movie, and ending up with a gross profit of which the company is claiming 70%.

Again, we won’t detail specific sums here but we’ve seen claims in excess of £2,000.

As we highlighted two years ago, the calculation as presented is flawed and could come under pressure if subjected to scrutiny. Nevertheless, none of that stops companies from piling on the pressure and they at least claim to be serious about taking matters to court.

Pay Up or Else….Again

“These claims will be issued in the IPEC (Intellectual property and Enterprise Court) 14 days from the sending of this letter. At which point a claim form with the particulars of claim attached will be served upon you. In order to avoid this, you may email or call at the address stated below and offer a settlement of the claim,” the letters seen by TF read.

Interestingly, the letters also provide links to two sources, claiming that they both offer “official guidance” on how to deal with a copyright infringement letter.

One source is the government itself but the other is available on the website of the Federation Against Copyright Theft, a private company that along with TCYK, is part of H&B Administration LLP, the business entity handling the actual copyright claim.

Will a Claim Older Than Prince George Hold Up in Court?

This is perhaps the biggest question here. While a copyright claim can be brought any time up to six years after the alleged offense, some of the claims reviewed by TorrentFreak are outside that period by several months. We spoke to lawyer Michael Coyle who raised doubts over whether a claim could be brought.

“I was always under the impression that the limitation period under the Copyright Designs and Patents Act 1988 is six years from the date when the alleged infringing act is committed, which means that (in normal circumstances) once that time has expired, plaintiffs are unable to go to court and pursue a case for damages,” he explained.

The other interesting factor is that when pursuing the case against Sky all those years ago, TCYK characterized its predicament as particularly urgent. Yet, after receiving several denials of their claims back in 2015, they appear to have waited five long years only to respond with yet another claim for cash.

Only time will tell whether they’ll succeed in wringing a few hundred pounds from their targets seven years on but as things stand, the odds of succeeding in court make for an interesting calculation.

From: TF, for the latest news on copyright battles, piracy and more.

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Napster Founder’s ‘Screening Room’ Obtains New Patent for P2P-Polluting Anti-Piracy Tech

Napster co-founder Sean Parker became a billionaire by being at the right place at the right time and making smart business decisions. A few years ago, he co-founded a new company, Screening Room, which hoped to revolutionize the movie industry. While the plan has yet to come to fruition, the company did obtain a new anti-piracy patent this week.

From: TF, for the latest news on copyright battles, piracy and more.

movie theaterSean Parker is a prominent name in the history of online piracy.

The American entrepreneur co-founded the file-sharing application Napster, which popularized file-sharing with the public at large.

Parker later gained fame as the first president of Facebook which helped him to become the billionaire he is today. In addition to becoming a philanthropist, he also remains involved in new startups, including one with an indirect piracy angle.

Four years ago, Parker co-founded a new company called Screening Room, which envisioned making the latest blockbusters available in people’s homes on the day of release. For $50 per movie, people should be able to enjoy new movies on their own screens, instead of going to a movie theater, the plan went.

This home viewing option would not only be convenient but could also remove the incentive for some people – those who can afford it – to go out and pirate films.

Several key players in the movie industry were skeptical and today the plan has still not come to fruition. Nevertheless, the company remains active and recently rebranded to SR Labs, hiring former Sony Pictures Home Entertainment president Man Jit Singh as its new CEO.

With Singh, the company now has strong connections to the movie industry. And while the official site doesn’t reveal any news, the company did score a small victory this week after being awarded a new patent.

Screening Room’s New Anti-Piracy Patent

Over the past several years, Screening Room (SR Labs) has obtained several technology-related patents, including some with an anti-piracy angle. The new patent (pdf) granted this week sits in that same niche.

Titled: Pairing Devices to Prevent Digital Content Misuse, the patent describes a system where home access to movies can be tightly controlled. This includes pairing a phone or tablet to a TV and making sure that the viewer has all the necessary permissions throughout a broadcast.

The patent is filled with complex descriptions of how the system would operate and also comes with a dedicated anti-piracy strategy. For example, HDMI piracy will be prevented by disabling access to a movie when it’s no longer paired to the authorized TV.

Invisible Watermarks

In addition, the system comes with a dedicated piracy crawler that scours the web for pirated copies. When an unauthorized copy is detected, the system can use the embedded watermark to find the source and take appropriate action.

“When the web crawler identifies a film, it scans it for watermarks. If a match is found, the account that matches the ID found in the watermark can be held accountable and, if necessary, disabled,” the patent description reads.

The use of watermarks is not new and piracy groups have become very skilled at removing unique identifiers. However, Screening Room notes that its watermarks are pretty much tamper-proof.

“The watermark is persistent, invisible to the naked eye and irremovable without the destruction of the underlying image. A watermark thus operates as a digital beacon stitched into the fabric of the film,” the patent reads.

Polluting P2P Networks with Corrupt Files

The anti-piracy measures don’t stop there. With or without a watermark, a movie can still spread to millions of people. Screening Room has considered this as well and will use a “P2P polluter” to overwhelm pirate sites and services with corrupted copies.

“Once [a watermark] is detected outside of the content distribution network, the movie distribution system distributes corrupted files of the same film at a ratio of 1,000 to 1 via peer-based distribution. Therefore, immediately ‘diluting’ the infringement to a rate that would be extraordinarily frustrating, if not impossible, for further piracy of that copy to take place.”

The stringent anti-piracy tools may be a response to early critique from movie theaters, which claimed that Screening Room’s plans would fuel pirate sites.

P2P pollution is far from new and dates back to the days of Napster itself. While it can be effective, it does little to stop distribution through pirate streaming sites, which are much more popular today.

Future Plans?

Screening Room’s plans are not completely new. In fact, the patent is a continuation of a similar filing that was submitted a few years ago, which focused on “sonic signals.” However, if anything, it shows that Screening Room is still planning to go ahead with its new movie distribution plans.

What these plans entail remains a mystery. When Variety questioned the company a few weeks ago it only revealed that it has over two dozen patents related to “innovative secure delivery architecture.” This week, they added yet another one to their list.

Screening Room plans to help the movie industry move forward and seeks cooperation. This was also reiterated by Parker, who highlighted that the industry has been hurt by the COVID-19 crisis while adding that “this too shall pass.”

“In the face of existential threats, it is only by summoning our greatest abilities — our collective creativity and innovative capacities — that we have not only survived, but also prospered,” Parker said.

“We need to work together to preserve the cinematic experience, not only for writers and filmmakers, but also for the moviegoing public, and for the benefit of future generations who have yet to experience the magic of cinema themselves.”

From: TF, for the latest news on copyright battles, piracy and more.

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