Medienstaatsvertrag: Droht wirklich das Ende des Urheberrechts?

Dürfen Suchmaschinen wie Google Verlagsinhalte künftig komplett ausblenden, wenn deren Nutzung nach dem Leistungsschutzrecht lizenzpflichtig ist? Ein Passus in der Begründung des Medienstaatsvertrags versetzt die VG Media in Alarmstimmung. Eine Analyse…

Dürfen Suchmaschinen wie Google Verlagsinhalte künftig komplett ausblenden, wenn deren Nutzung nach dem Leistungsschutzrecht lizenzpflichtig ist? Ein Passus in der Begründung des Medienstaatsvertrags versetzt die VG Media in Alarmstimmung. Eine Analyse von Friedhelm Greis (Leistungsschutzrecht, Urheberrecht)

Blu-ray, Ultra HD Blu-ray sales stats for the week ending February 22, 2020

The results and analysis for DVD, Blu-ray and Ultra HD Blu-ray sales for the week ending February 22, 2020, are in. This World War II battle epic is the week’s top seller. Find out what movie it was in our weekly DVD, Blu-ray and Ultra HD Blu-ray sales…



The results and analysis for DVD, Blu-ray and Ultra HD Blu-ray sales for the week ending February 22, 2020, are in. This World War II battle epic is the week's top seller. Find out what movie it was in our weekly DVD, Blu-ray and Ultra HD Blu-ray sales stats and analysis feature.

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Neil Gaiman confirms celeb cast, July launch for Sandman audio drama [Updated]

It’s directed by Dirk Maggs, who also directed audio dramas for Good Omens, Anansi Boys.

Update, May 13: Neil Gaiman has confirmed more tantalizing details about the first-ever adaptation of Sandman outside of comic pages, including the all-important release date: July 15, exclusively on Audible. Fans can pre-order the collection as a standalone $35 purchase or receive the whole thing as part of a paid, ongoing Audible subscription.

While no audio samples have yet been released, Gaiman took the opportunity to confirm the cast's principal players, with Gaiman making an unsurprising turn as the story's narrator. The massive cast reveal begins with celebrities such as Riz Ahmed (Venom, Rogue One), Kat Dennings (2 Broke Girls), Taron Egerton (Rocketman, Kingsman series), Andy Serkis, and Michael Sheen, with James McAvoy in the middle of it all as Morpheus. The full announced cast is embedded in the above gallery, and you can learn more about the comic's unique audiobook adaptation below.

Original story:

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Project Sandcastle brings Android to the iPhone 7 and iPhone 7+

Sure, you’ve known (since this morning) that you could jailbreak an iPhone with an Android phone. But what about turning an iPhone into an Android phone? For years there was no good way to do that. But now there is. Sort of. The folks at Project …

Sure, you’ve known (since this morning) that you could jailbreak an iPhone with an Android phone. But what about turning an iPhone into an Android phone? For years there was no good way to do that. But now there is. Sort of. The folks at Project Sandcastle have released a tool for loading Android onto a […]

The post Project Sandcastle brings Android to the iPhone 7 and iPhone 7+ appeared first on Liliputing.

Data shows who was reading “fake news” before 2016 US election

Study tracked browser history of 2,500 Americans.

Stock photo of a gloriously bearded man reading a newspaper that's on fire.

Enlarge (credit: Getty Images)

Partisan misinformation online is at least in part a bit of a chicken-and-egg problem. There’s the supply on one side, coming in part from politically motivated websites indistinguishable from propaganda but also from some who are just trying to make a buck bringing in clicks with fake headlines. But there’s also the demand to consider—those people voraciously surfing to sate their hunger for bias-confirming outrage. To understand the extent of the problem, it helps to look at both sides of this relationship. What misinformation is floating around, and who is consuming it?

In a new study, Andy Guess, Brendan Nyhan, and Jason Reifler took advantage of survey data tracking the Web histories of around 2,500 people in the month before the 2016 US election. Combined with some demographic survey data on things like their preferred candidate for president, the researchers were able to break down who was reading which articles.

Who publishes what

The researchers relied on a previous study’s list of “untrustworthy” sites. This included several hundred that could be fairly described as fake but also over a hundred that run afoul of fact-checkers and were determined to lack editorial standards. Among that list are conspiracy-spreading sites like InfoWars and Natural News, hyperpartisan sites like Ben Shapiro’s Daily Wire, and even some tabloids like The Express.

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How Facebook is trying to keep AI one step ahead of spammers and scammers

Facebook hopes “deep features” keep it ahead in its arms race with abusive accounts.

The Facebook app displayed on the screen of an iPhone.

Enlarge / The Facebook app displayed on the screen of an iPhone. (credit: Fabian Sommer | picture alliance | Getty Images)

A lot of neural networks are black boxes. We know they can successfully categorize things—images with cats, X-rays with cancer, and so on—but for many of them, we can't understand what they use to reach that conclusion. But that doesn't mean that people can't infer the rules they use to fit things into different categories. And that creates a problem for companies like Facebook, which hopes to use AI to get rid of accounts that abuse its terms of service.

Most spammers and scammers create accounts in bulk, and they can easily look for differences between the ones that get banned and the ones that slip under the radar. Those differences can allow them to evade automated algorithms by structuring new accounts to avoid the features that trigger bans. The end result is an arms race between algorithms and spammers and scammers who try to guess their rules.

Facebook thinks it's found a way to avoid getting involved in this arms race while still using automated tools to police its users, and this week, it decided to tell the press about it. The result was an interesting window into how to keep AI-based moderation useful in the face of adversarial behavior, an approach that could be applicable well beyond Facebook.

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Review: Jodie Whittaker’s Time Lord returns to classic Doctor Who form

Showrunner Chris Chibnall revived an old nemesis, a former ally, and a classic monster

After taking pains to set Jodie Whittaker's 13th Doctor apart in his first stint as Doctor Who showrunner, Chris Chibnall took a different tack with series 12, upping the stakes and giving us more of the classic tropes that have made this long-running series so enduringly appealing. The season included the revival of a well-known nemesis and a classic monster, plus an entertaining cameo by a former ally. And the finale dove deep into Whovian lore to give us a pretty big final twist.

(Mild spoilers below until the second gallery; some major spoilers after. We'll give you a heads-up when we get there.)

Last season, the Doctor landed in Sheffield, sans TARDIS, right after regenerating. She teamed up with some locals as her new companions (aka her "fam"): Graham O'Brien (Bradley Walsh, Coronation Street); his grown stepson Ryan Sinclair (Tosin Cole, Hollyoaks); and Ryan's old school chum, Yasmin "Yaz" Khan (Mandip Gill, also from Hollyoaks), a rookie police officer eager to prove herself.

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Windows 10 Live Tiles are here to stay (for the foreseeable future)

When I asked y’all last week if you would miss Windows 10’s Live Tiles if Microsoft decided to do away with them in a future release, more than 60-percent of you said you would not. But it turns out that Microsoft has no plans to get rid of…

When I asked y’all last week if you would miss Windows 10’s Live Tiles if Microsoft decided to do away with them in a future release, more than 60-percent of you said you would not. But it turns out that Microsoft has no plans to get rid of Live Tiles. During a recent webcast, Microsoft’s […]

The post Windows 10 Live Tiles are here to stay (for the foreseeable future) appeared first on Liliputing.

General Motors announces new battery platform, claims $100/kWh soon

GM again promises a raft of 22 new US-bound EVs—but only by 2023.

On Wednesday afternoon in Warren, Michigan, General Motors announced it has developed a new, third-generation battery electric vehicle platform (called BEV3) and a new flexible battery architecture—called Ultium—that will underpin a wide range of new BEVs across the Chevrolet, Cadillac, Buick, and GMC brands. It's the latest in a series of recent announcements by GM regarding its electrified future; in December 2019, the carmaker revealed a $2.3 billion joint venture with LG Chem to build a battery factory in Lordstown, Ohio, then followed that in January with plans to spend $2.2 billion refitting its Detroit-Hamtramck factory to exclusively build BEVs.

Breaking the $100/kWh barrier

GM has gone for a pouch cell design for the Ultium batteries, which can be configured in different ways depending on the vehicle and its needs. For a big pickup or SUV, that means pouches arranged vertically in the modules (i.e., with their second-longest edge vertically), which GM says is best for energy density, but at the tradeoff of a taller pack. For cars that need something a little lower profile, the pouches can be stacked on top of each other in a module. GM says that a car would use between six and 12 modules in a pack, with up to 24 in a 200kWh, 800V double-layer battery pack for something like the 1,000hp electric GMC Hummer that was trailed at this year's Super Bowl. (The smallest six-module packs would be 50kWh units.)

The battery modules also include their own battery-management electronics. That has cut the amount of wiring in a pack by 88 percent over the current Chevrolet Bolt EV battery pack. GM says that if you have to replace an individual module within a battery pack, the electronics can talk to each other and recalibrate the pack easily. That's because each module knows what kind of chemistry its cells use.

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Torrent Sites Help Game Developer to Share Free Copy of ‘Death and Taxes’

With help from some top torrent sites, Placeholder Gameworks has released a free copy of its new game Death and Taxes. The developer torrent has the same features as the $12.99 Steam release. While there’s no significant effect on sales, developer Oak, who once was a hardcore pirate himself, is convinced that the official torrent will help the game in the long run.

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.

In life, there are few things as certain as death and taxes. For many creators, piracy falls into this category too.

There are multiple ways people can respond to this threat. In Hollywood and the music industry, takedown notices and other anti-piracy efforts are preferred. Others simply do nothing.

There’s also a third option. Over the years a small subset of creators has actively embraced piracy. Not because they don’t want any income. Instead, they see it in part as a promotional vehicle.

This is also the case with Oak, the developer of the game named ‘Death and Taxes.’ The recently released 2D narrative-based game, where people can play the role of Grim Reaper, currently sells for $12.99 on Stream.

At the same time, however, the game is also available for free on many torrent sites. There is an official ‘pirate’ release from the group PLAZA but, in addition to that, the developer also shared his own torrent.

“I’d just like the inevitable release to be on my own terms, meaning that it’s the best possible version, that people can enjoy hassle-free, not a potentially janky release with shitty workarounds or other problems,” Oak from Placeholder Gameworks tells TorrentFreak.

The developer torrents are available on a variety of torrent sites. They come with a special message from Placeholder Gameworks, stating that they are ok with piracy and that they understand that some people can’t afford games, or want to try them before buying.

While major corporations may not understand this move, it makes total sense for the smaller indie developer. A game produced on a small budget can’t afford expensive marketing campaigns. They do want eyeballs, however, and that’s where torrent sites come in.

“It’s super difficult to stand out nowadays, especially for a game that has literally ZERO budget. I can just hope that having a free version out will help the game and its ideas reach a wider community than we would have been otherwise able to connect to.”

In his quest to release the torrent, the developer went a step further than some others. Oak actually reached out directly to some torrent sites, which gladly helped him. This explains why his official release is on a site such as RARBG, which generally isn’t open to public uploads.

“I received assistance from 1337x and RARBG. Both sites’ staffers were super helpful and helped me get up the release within minutes. Mad props to them! I literally couldn’t have done that without them,” Oak tells us, adding that Reddit’s Crackwatch admin team lent a helping hand as well.

These types of developer-sanctioned releases are not new. Just recently, we highlighted a similar move from the developer of the indie shooter game ‘Danger Gazers,’ who actually noticed a significant boost in sales afterward.

While that can happen, embracing torrent sites is by no means a magical ‘profit boost’ wand. In ‘Danger Gazers’ case, the announcement went viral and it was later picked up in the press, which made it a self-fulfilling prophecy to a certain degree.

Death and Taxes didn’t get this massive external boost and shows a much more natural sales pattern.

On February 20th, when it was first released on Steam, Death and Taxes was sold 4,282 times, followed by 4,017 and 2,915 copies the days after. This dropped to 2,770 a day later, when the torrent came out and continued to fall in the following days to 1,398 on Wednesday the 26th.

These numbers are quite typical for the release of a new game. There certainly no magic boost thanks to piracy, but sales didn’t fall beyond what was expected either. In the broader scheme, however, the developer thinks that the torrent will have a positive effect.

“It’s quite simple: more people will be playing our game. More people will be talking about it, more people will have opinions about it. That’s the best we could ever ask for,” Oak says.

What also plays a role is that the developer used to be a pretty hardcore pirate himself. As a young game fan, he simply couldn’t afford to pay for every release. That said, now that he has the means to do so, Oak is making up for it.

“If I counted the games that I torrented (and edonkeyd/emuled), I would die of old age. I didn’t grow up rich, and could only afford maybe a single game a year,” Oak says.

“I’ve now tried to buy all the games that I had pirated as a kid. Better late than never, right? And having access to that, I got enamored with games and really I generally try to buy everything now, since as a developer I feel honor-bound to buy my colleagues’ works.”

The developer torrent also includes a link to the official Steam release, where people can buy it if they want. Most importantly, however, Oak hopes that people will enjoy the game. Based on the responses thus far, that seems to be the case.

“People like the game, they enjoy what it offers, they seem to really like the art, writing, music and voice acting, which I also think are our strongest aspects. Could have always had better gameplay design, but we had limited time and I think we did pretty well,” Oak says.

‘Death and Taxes’ is available on Steam as well as many torrent sites near you. In the future, the source code will be made public as well.

Drom: TF, for the latest news on copyright battles, torrent sites and more. We also have an annual VPN review.