For 5G, AT&T and T-Mobile buy $1.8 billion worth of 24GHz spectrum across US

Verizon, US Cellular, and Starry also bought plenty in FCC’s 5G auctions.

The AT&T logo displayed on a smartphone screen.

Enlarge (credit: Getty Images | SOPA Images)

AT&T and T-Mobile committed to spend nearly $1.8 billion, combined, on high-frequency spectrum for their 5G networks in a Federal Communications Commission auction that sold airwave licenses covering the whole US. Verizon committed to spend $506 million in a separate 5G auction.

AT&T's winning bids in the 24GHz auction totaled $982.5 million for 831 licenses in 383 Partial Economic Areas (PEAs). That should cover most of the US, as the FCC divides the country into 416 PEAs for purposes of the auction. This spectrum will be used for AT&T's real 5G network, not the 4G network that AT&T misleadingly calls "5G E."

T-Mobile's winning bids totaled $803.2 million for 1,346 licenses in 400 PEAs.

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Terminating Subscribers Doesn’t Stop Pirates, Charter Argues

Charter Communications has responded to the piracy liability lawsuit filed by a group of prominent record labels. The ISP filed a motion at a Colorado federal court, asking it to dismiss the vicarious liability claims. Charter argues that it doesn’t directly profit from copyright-infringing subscribers, nor does it have the ability to control them.

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Regular Internet providers are being put under increasing pressure for not doing enough to curb copyright infringement.

Music rights company BMG got the ball rolling a few years ago when it won its piracy liability lawsuit against Cox.

Following on the heels of this case, several major record labels including Capitol Records, Warner Bros, and Sony Music, hopped onto the bandwagon. Helped by the RIAA, they went after ISP Grande Communications and, more recently, Charter Communications.

The labels accuse Charter of deliberately turning a blind eye to its pirating subscribers. They argue that the ISP failed to terminate or otherwise take meaningful action against the accounts of repeat infringers, even though it was well aware of them.

A few days ago Charter responded to these allegations. The company denies that it plays an active role in any infringing activities and believes the labels’ arguments are flawed.

“This suit is the latest effort in the music industry’s campaign to hold Internet Service Providers (‘ISPs’) liable for copyright infringement, allegedly carried out by internet subscribers, for merely providing internet access,” Charter states. 

The labels sued the ISP for two types of secondary liability for copyright infringement; contributory infringement and vicarious liability. While Charter believes that both claims will fail, it has submitted a motion to dismiss only the latter.

In its motion Charter notes that, in order for a vicarious liability claim to succeed, the labels must show that the ISP profited directly from copyright infringements that it had both a right and ability to control. This is not the case, the ISP notes. 

“Plaintiffs fail to allege a plausible causal connection between any alleged
direct infringement and the subscription fees received by Charter,” the motion reads

“For example, Plaintiffs do not allege that infringers specifically chose Charter over other providers so they could infringe Plaintiffs’ copyrights, or that other ISPs were terminating subscribers, leading them to seek out Charter as a safe haven.”

In addition, the ISP points out that it doesn’t operate a file-sharing service, nor does it promote BitTorrent, or receive compensation for any file-sharing services. Instead, it merely charges a flat fee from its subscribers for which it provides Internet access.

The labels argued that the ISP offers a tiered pricing structure, charging higher fees for higher downloading speeds. However, Charter notes that this isn’t in any way catered to pirates. People who consume legal media also benefit from higher speeds, after all.

“Plaintiffs do not, and cannot, allege that those who illegally download music want faster speeds than those who do so legally, much less than those who download considerably larger movie or other files,” Charter writes.

“Such allegations would be implausible, as subscribers paying for higher tiers of service for lawful uses want to download content just as fast as those doing so illegally.”

Charter stresses that there is no evidence that it directly profits from copyright infringement. In addition, it doesn’t have a right and ability to control any infringements either, which negates another element of vicarious liability.

The labels argued that the ISP has control over the infringements, as it can terminate the Internet accounts of repeat infringers. However, Charter counters that this doesn’t prevent subscribers from continuing to pirate elsewhere.

“Charter cannot monitor and control its subscribers’ use of the internet, and its ability to terminate subscribers altogether does not prevent them from committing acts of infringement from other connections,” Charter notes.

Charter adds that it can’t monitor and control its subscribers’ use of the Internet, while adding that peer-to-peer file sharing protocols can be used for both infringing and non-infringing purposes.

All in all the ISP sees terminations as an overbroad and imprecise measure.

“Plaintiffs’ termination remedy suffers from ‘imprecision and overbreadth’ based on the inability to confirm allegations in a notice, the extremity of the measure, and the failure to halt infringing activity from another source,” Charter adds.

Based on these and other arguments Charter asks the court to dismiss the vicarious liability claim. That would still leave the contributory infringement claim intact, but the ISP is confident that it can deal with this at a later stage.

In addition to the suit against Charter, the record labels also sued its subsidiary Bright House for the same alleged offenses in a Florida court. Bright House responded to this lawsuit with a near identical motion to dismiss.

Both motions are now with the respective courts, which will at a later stage decide whether to dismiss the claims or not.

A copy of Charter Communications’ motion to dismiss the claim for vicarious liability is available here (pdf).

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Android Q Beta 4 is out, brings finalized APIs

With final APIs, the Play Store is now accepting Android Q apps.

Android Q Beta 4 is out, brings finalized APIs

Enlarge (credit: Android)

The fourth version of the Android Q Beta is out. Google announced the release today for Pixel devices enrolled in the Android Q Beta program, and third-party devices should get the update whenever their manufacturer gets around to it. There are 12 third-party manufacturers involved in the Android Q beta this year, and at least one, Essential, is releasing Beta 4 today along with Google.

With Beta 4, Google is declaring the new Android Q developer APIs to be "final," giving them the official designation of "API 29" (the number goes up with each release of Android). With the final APIs, Android app developers are encouraged to make any Q-centric changes to their apps and upload them to Google Play, which is now accepting apps targeting the new OS. In Q, developers can add features like an official system-supported dark mode, support for foldable smartphone layouts, system-suggested smart replies and actions for notifications, and more.

We're getting late in the beta cycle now, and it doesn't seem like there are a ton of new user-facing features in this OS. We already installed the OS on a device, and after a quick check, it looks like there are only a few minor tweaks to things like the system icons in the status bar and lock screen. Previously, Android Q made major improvements to the new gesture navigation system, added a more modular component-update system called "Project Mainline," and begin revamping the way storage and permissions work to give users more control over their data privacy.

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Steal This Show S04E17: The Future of Power, with Cory Doctorow

Today we bring you the next episode of the Steal This Show podcast, discussing renegade media and the latest decentralization and file-sharing news. In this episode, we talk with with journalist, activist and author Cory Doctorow.

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In this episode author Cory Doctorow discusses three stories from his new collection, Radicalized. We discuss:

– The perils of DRM, and becoming dependent on manufacturers — from printers, to toasters and beyond — and how (or if) we can force control of our technological future.

– What lengths it’s permissible to go to when we’re trying to effect change against the systems which might very well end the world as we know it;

– If all of this fails, the ethical, philosophical and practical problems involved in waiting out the apocalypse in a high-tech, high-security bunker.

Grab Cory’s new book Radicalized — DRM and EULA free – at Craphound.com, or all the traditional online retailers.

Steal This Show aims to release bi-weekly episodes featuring insiders discussing crypto, privacy, copyright and file-sharing developments. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

Host: Jamie King

Guest: Cory Doctorow

If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

Produced by Jamie King
Edited & Mixed by Lucas Marston
Original Music by David Triana
Web Production by Eric Barch

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Following Schrödinger’s cat to its death and giving it a reprieve

Spotting a superposition state’s formation predicts oncoming random event.

Two-state cat.

Enlarge / Two-state cat. (credit: RBerteig on Flickr)

One thing I dislike about quantum mechanics is that it encourages journalists to overuse words like "mysterious" and "spooky." Given that we can model quantum systems to an accuracy that would make a god cry, where is the mystery?

I personally blame Schrödinger and his eponymous cat. That thought experiment, combined with an ever-increasing body of experimental results, shows just how subtle quantum mechanics is. Rather than admitting a lack of understanding, some journalists seem to use Schrödinger’s cat as a get-out-of-explaining-for-free card.

No doubt the words "mysterious" and "spooky" are going to turn up again regarding an experiment that, according to its press release, shows how to predict when Schrödinger’s cat is about to die. The experiment is really only tangentially related to Schrödinger’s cat; instead, it shows how no matter how well you understand quantum mechanics, there is always another layer to peel back and explore.

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Google releases Android Q Beta 4 (with final APIs)

The next major version of Android is coming this fall, and Google’s latest Android Q beta should make life a little easier for developers working to ensure their apps are compatible. Android Q Beta 4, which is out today, includes the final APIs a…

The next major version of Android is coming this fall, and Google’s latest Android Q beta should make life a little easier for developers working to ensure their apps are compatible. Android Q Beta 4, which is out today, includes the final APIs and official SDK for Android Q. System images are available today for […]

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Daily Deals (6-05-2019)

Amazon’s sale on refurbished and used devices continues, with savings of up to 33 percent off the usual prices… and the company is also throwing in some additional 10-percent discount for Prime members. That means you can pick up a refurbis…

Amazon’s sale on refurbished and used devices continues, with savings of up to 33 percent off the usual prices… and the company is also throwing in some additional 10-percent discount for Prime members. That means you can pick up a refurbished Amazon Fire 7 tablet for $36 or a Fire HD 8 for $45, just […]

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Baltimore’s bill for ransomware: Over $18 million, so far

Mayor says Baltimore is “open for business,” but city has lost millions from slowed payments.

Baltimore City Hall, where the ransomware battle continues.

Enlarge / Baltimore City Hall, where the ransomware battle continues. (credit: Alex Wroblewski/Getty Images)

BALTIMORE—It has been a month since the City of Baltimore's networks were brought to a standstill by ransomware. On Tuesday, Mayor Bernard "Jack" Young and his cabinet briefed press on the status of the cleanup, which the city's director of finance has estimated will cost Baltimore $10 million—not including $8 million lost because of deferred or lost revenue while the city was unable to process payments. The recovery remains in its early stages, with less than a third of city employees issued new log-in credentials thus far and many city business functions restricted to paper-based workarounds.

"All city services remain open, and Baltimore is open for business," Mayor Young said at the briefing, listing off critical services that had continued to function during the network outage. City Finance Director Henry Raymond called the current state of systems "not ideal, but manageable"—some emails and phone services have been restored, and many systems have remained online, but payment processing systems and other tools used to handle transactions with the city remain in manual workaround mode. Department of Public Works director Rudy Chow warned residents to expect a larger-than-normal water bill in the future, as the city's smart meters and water billing system are still offline and bills cannot be generated.

Parking tickets and tickets generated by the city's speed and red light cameras can be paid in person if the ticket is in hand. The city has regained the data for all parking and camera-generated violations up to May 4, but it still lacks the ability to look up violations without the physical paper ticket or process payments electronically, city officials said. And the same is true for many other interactions with the city, which currently require mailing or hand-delivering paper documents and manual workarounds.

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War Stories: How Subnautica made players love being hunted by sea creatures

The trick was to give players a rich world and let them create their own motivations.

Directed by Sean Dacanay, edited by Jeremy Smolik. Transcript available shortly.

In the aftermath of the Sandy Hook school shooting, game designer Charlie Cleveland had a goal: he wanted to make a game that wasn't built around guns and combat. The underwater exploration game he and the folks at Unknown Worlds Entertainment eventually built is a sleeper masterpiece—a game that manages to evoke awe and wonder while also not really requiring you to kill anything.

But getting from prototype to release took years of iterating, including an Early Access period for pulling in lots of player feedback. Cleveland's core idea was to build a game focused on what he calls "the thrill of the unknown"—created by giving players a seemingly depthless underwater world to explore and by filling that world with wonder and mysteries and "creatures" rather than "monsters." Cleveland names fellow designer Jenova Chen (of Flower and Journey fame) as a source of inspiration for Subnautica's emotionally driven design, and those influences are definitely visible in the way the game calmly and cooly reveals its secrets to players.

“It wasn’t missing combat—it was missing excitement

It seems perhaps a little silly to not have any guns in a survival/crafting game where the player is shipwrecked on an alien world (and, indeed, there are some gun-like tools that the player can eventually wield, including a stasis rifle that freezes creatures), but making it work required building an engaging world that gave players plenty to do. Being engaged turned out to be a lot more important than being engaged in combat, and so as the game iterated through design and Early Access, the developers came up with tons of extra bits to keep players busy.

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