Amazon soll in Deutschland seine Marktmacht einbüßen, indem die Verknüpfung Amazon Prime mit bestimmten Filmen oder attraktiven Serien beendet wird. Das schlug der Vorsitzende der Monopolkommission, Achim Wambach, vor. (Prime Video, Onlineshop)
Amazon soll in Deutschland seine Marktmacht einbüßen, indem die Verknüpfung Amazon Prime mit bestimmten Filmen oder attraktiven Serien beendet wird. Das schlug der Vorsitzende der Monopolkommission, Achim Wambach, vor. (Prime Video, Onlineshop)
A test given to students in multiple countries shows that the US does quite well.
There's a steady flow of reports regarding the failures of the US education system. Read the right things and you'll come away convinced that early grades fail to teach basic skills, later grades fail to prepare students for college, and colleges students fail so much that they can't cope with the world outside the campus walls. But this week brought a bit of good news for one particular area: college-level computer science programs appear to be graduating some very competitive students.
This comes despite the fact that US students enter colleges behind their peers in other countries.
The work, done by an international team of researchers, compares US college seniors to those of three countries where US companies have outsourced some of their work: China, India, and Russia. All of these countries have a reputation for first-rate computing talent, with India and China developing large internal markets as well. Many students from these countries also come to study in the US, while Russia and China have been involved in cyber attacks against the United States and/or companies based here.
A new report from piracy tracking outfit MUSO shows that visits to pirate sites dipped slightly last year. The company recorded a total of 190 billion visits in 2018. TV and movie streaming portals are by far the most popular, while the United States remains the top source for these sites.
U.S music and movie industry companies have exported their pirate site blocking scheme to countries all over the globe.
These efforts have been quite successful and decreased the number of visits to pirate sites, according to the MPAA.
On Hollywood’s home turf, however, pirate sites remain freely accessible. This is peculiar, not least because the United States remains the prime traffic source for many of these sites.
New research released by piracy tracking outfit MUSO confirms this once again. Drawing on data from tens of thousands of the largest global piracy sites, the company found that the United States is the country that sends most visitors to pirate sites.
With well over 17 billion ‘visits’ the U.S. takes the lead ahead of Russia, Brazil, India, France, and Turkey. The top ten is completed by Ukraine, Indonesia, the UK, and Germany.
That the U.S. is the top source doesn’t come as a surprise. The country has one of the largest populations in the world and is relatively well-connected. Based on the number of visits per Internet user, the list would obviously be different.
Looking at the broader picture MUSO reveals that visits to pirate sites have dipped slightly, from over 206 billion in 2017 to less than 190 billion a year later. This downward trend applies across the board and affects torrent, streaming, download, and stream-ripping sites.
Streaming sites remain by far the most popular. More than half of all pirate site visits went to streaming platforms. Direct download sites come in second place with 22% and public torrent sites are in third, with around 13% of all visits.
Stream-ripping portals, which are generally seen as the most severe threat to the music industry, make up ‘only’ 4% of the total volume of pirate site traffic, which equates to 7.7 billion visits. It has to be noted though, that stream rippers, as well as the other sites, can have legal uses as well.
Looking at the various types of pirated content, TV remains the most popular. Close to half of all pirate site visits were related to TV content, followed at a distance by movies, music, publishing, and software respectively.
According to Andy Chatterley, MUSO’s CEO and co-founder, the fragmentation in the TV industry is one of the reasons why piracy remains relevant. People often need a variety of subscriptions to see all the shows they want.
“Digital piracy is still prevalent globally. Television is the most popular content for piracy and given the fragmentation of content across multiple streaming services perhaps this isn’t surprising,” Chatterley says.
MUSO sees the massive pirate audience as an opportunity for rightsholders, instead of it being just a threat. Understanding when and what people pirate can help the entertainment industry to convert pirates into paying customers.
“Whilst it’s important to restrict the distribution of unlicensed content, there is a wealth of insight to be garnered from piracy audience data that gives a comprehensive view of global content consumption.”
One final data point that’s worth mentioning relates to search engines. MUSO notes that, compared to the year before, more people bypass search engines and visited pirate sites directly in 2018.
Fewer search engine referrals may be a sign that takedown notices are working, perhaps in combination with Google’s downranking strategy. However, people can still find their way to pirate sites.
“Simply focussing on take-downs is clearly a whack-a-mole approach and, while an essential part of any content protection strategy, it needs to be paired with more progressive thinking. With the right mindsight, piracy audiences can offer huge value to rights holders,” Chatterley notes.
While the data offers an intriguing insight into the piracy landscape, it only covers part of it. Many people use streaming boxes or mobile apps nowadays. These are not included in MUSO’s dataset, which relies on data provided by SimilarWeb, among other sources.
MUSO’s dataset covers visits to pirate sites only, which isn’t an exact science it appears.
Last year the company reported that there were roughly 300 billion pirate site visits in 2017. This number has now been readjusted to 206 billion. According to MUSO, this is because one of their data providers significantly scaled down mobile visit estimations.
In any case, the relative comparisons and broader trends remain the same, and the United States still has more pirate site visits than any other country in the world.
Deutlich mehr Menschen als erwartet haben am Samstag in Deutschland und anderen EU-Staaten gegen die EU-Urheberrechtsreform demonstriert. Allein in München versammelten sich bis zu 50.000 Demonstranten. Nach Ansicht der CDU werden sie teilweise von US-…
Deutlich mehr Menschen als erwartet haben am Samstag in Deutschland und anderen EU-Staaten gegen die EU-Urheberrechtsreform demonstriert. Allein in München versammelten sich bis zu 50.000 Demonstranten. Nach Ansicht der CDU werden sie teilweise von US-Konzernen dafür bezahlt. (Urheberrecht, Leistungsschutzrecht)
Das erste 5G-Netz Österreichs wird kommenden Dienstag eingeschaltet – nur drei Wochen nach Versteigerung der ersten Frequenzen. Der Ausrüster Huawei ist dabei. (Long Term Evolution, Huawei)
Das erste 5G-Netz Österreichs wird kommenden Dienstag eingeschaltet - nur drei Wochen nach Versteigerung der ersten Frequenzen. Der Ausrüster Huawei ist dabei. (Long Term Evolution, Huawei)
You can visit the Hawaiian ranch where Kong: Skull Island, Krippendorf’s Tribe once filmed.
You see, it works on levels. [credit:
Nathan Mattise (with a 2014 Moto G) ]
KĀNEʻOHE, Hawaii—For a first time visitor driving up from Kailua along HI-83, it felt like that John Williams’ “Main Theme” should’ve been playing the entire time as we watched the Hawaiian landscape reveal itself. Then we arrived—and learned we had signed up to tour the actual Jurassic Park.
I have it on good authority that a certain Ars staffer may or may not have appeared in the background of park scenes in 2015’s Jurassic World. In reality, those particular sequences happened at an abandoned theme park outside of New Orleans on a production set. But it turns out the lush nature and endless greenery seen in both the original and the latest Jurassic Park iterations happens to be very genuine and very open to the public for those that can make it to Kualoa Ranch.
Located on the eastern coast of Oahu, Kualoa Ranch spans 4,000 acres of nature preserve. It boasts so many different microclimates and environments that it can rain in one portion of the place while being bone dry in another. It has such stunning scenery that a freaking Motorola phone from 2014 will take photos that look like movie stills at a glance. And because of those two factors—a private remote setting, effortless visual beauty—Kualoa has become a popular destination for big budget productions. Everything from Jurassic World to Battleship to Jumanji (2017) has worked here in recent years (and gems like The Karate Kid or Krippendorf's Tribe did in the past). Evidently Triple Frontier had just been at Kualoa filming one particular cliffside escape scene, utilizing an artificially created three-foot high cliff for safety.
A “lackluster” 2016 demo gradually evolved into successful blind comparison tests today.
SAN FRANCISCO—Back in 2016, when Google first approached id Software about bringing some games to a potential new streaming service, the game developer was skeptical to say the least. "The proposal immediately bumped against our main bias," id Senior Programmer Dustin Land said during a talk at this week's Game Developers Conference. "Streaming adds latency to the thing we desperately want to remove latency from."
Fast forward more than two years, and id was proudly on stage this week showing a version of Doom Eternal running on Google's newly announced Stadia streaming platform. But getting from that initial skepticism to that grand unveiling wasn't always an easy process, Land said.
Getting to yes
For years, Land said, Google had been watching their YouTube analytics, waiting for a big enough group of users to reach the point where their connections would be able to handle game streaming. By September of 2016, Google thought the broadband market was mature enough to give it a try, and the company approached id for some real-world help with game testing.
Welcome to Ars Cardboard, our weekend look at tabletop games! Check out our complete board gaming coverage at cardboard.arstechnica.com.
Our 16 games of Werewolf sprawled across 20 hours and two lengthy play sessions. They began well enough, with enthusiastic people enjoying each other's company, keen to backstab, betray, and devour their fellow participants. Villagers—and the occasional werewolf—were hanged, and each person’s hands were bloodied. Yes, this was the decade-old social deduction game we all knew well—but now with sealed boxes, fistfuls of stickers, and a huge leather tome for the moderator to scribble in.
Ultimate Werewolf Legacy takes an old concept and pairs it with newfangled “legacy” game mechanisms. This means components are permanently altered—mostly the moderator's diary—and decisions are made that impact future plays. In other words, it's a campaign game with irreversible decisions, promising all the drama that premise entails.
If the original Versa was overkill for you, the Versa Lite may be a better option.
The Versa Lite confused me at first. When Fitbit announced the new Inspire and Inspire HR fitness trackers, the company also debuted the new Versa Lite. This smartwatch looks identical to the original Versa, which came out last year, but it lacks a few features and costs $40 less. Considering the Versa was meant to be a cheaper, more accessible version of the $300 Fitbit Ionic, it was strange to see Fitbit come up with an even more affordable version of its already affordable smartwatch.
But Fitbit is positioning itself as the company with smartwatches for all kinds of people. Instead of making one flagship device with a bunch of features like Apple has done with the Apple Watch, Fitbit is investing in numerous devices with different feature sets at various price points. Now, the Versa family has three devices: the $159 Versa Lite, the $199 Versa, and the $229 Versa Special Edition. Choice provides more accessibility, but it can also breed confusion.
We tested out the Versa Lite to see how different it really is compared to the original Versa and if it's worth pocketing that extra $40.
Die öffentlich-rechtlichen Rundfunkanstalten müssen bis Ende April ihren Finanzbedarf anmelden. Es sieht so aus, als sei eine Erhöhung des Rundfunkbeitrags kaum noch abzuwenden. (Rundfunkbeitrag, Internet)
Die öffentlich-rechtlichen Rundfunkanstalten müssen bis Ende April ihren Finanzbedarf anmelden. Es sieht so aus, als sei eine Erhöhung des Rundfunkbeitrags kaum noch abzuwenden. (Rundfunkbeitrag, Internet)
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