Mini-review: 24 hours with Dell’s fanciest Chromebook yet

At $599 and 3.9 pounds, this Chrome OS convertible has clear pros and cons.

Mini-review: 24 hours with Dell’s fanciest Chromebook yet

Enlarge (credit: Valentina Palladino)

Dell is no stranger to Chromebooks. In fact, the Dell Chromebook 11 is our current favorite Chromebook for students with its simple, durable black frame and attractive price tag. Most of Dell's Chrome OS notebooks share those useful traits, so when the company stepped out of the box and debuted its $599 Inspiron Chromebook 14 at the end of last year, my interested was piqued.

This device isn't the penny-pinching plastic laptop that so many think of when they hear "Chromebook." Instead, it follows the new trend of high-end Chrome OS devices designed to offer alternatives to Google's own $999 Pixelbook. Since Dell already makes numerous Chromebooks that are generally solid, I was curious to see how the company would fare making a premium Chromebook. These are niche devices that have to tick certain boxes to even come within the same range as Google's own Chrome OS devices, so I spent one day with the Inspiron Chromebook 14 to see just how premium the convertible actually is and if it's worth the extra money.

Design

The heft of the Inspiron Chromebook 14 surprised me when I first heaved it out of the box. It weighs just about four pounds, making it noticeably heavy when compared to other Chromebooks. Even our current favorite premium Chromebook, the Acer Chromebook Spin 13, doesn't weigh that much. Chrome OS is a "light" operating system that's designed to run nimbly on scant hardware, so I question why any Chromebook would be so heavy.

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Infinite Detail review: The dystopia that awaits when the Internet goes out

Tim Maughan’s debut novel is full of cyberterrorism, surveillance, and lots of smart glasses.

Warning: Mild spoilers ahead.

Cranky. Irritable. Anxious. That's how I feel when my home security-camera livestream goes black, when my bank's website goes down and sequesters my money, or when my Twitter feed doesn't refresh automatically. Maybe you feel the same way, maybe you don't. But it's undeniable that most things we interact with today live and die by the Internet and a connection to it. If those connections were to vanish—if the Internet everywhere crashed—life as we know it would come to a standstill. What happens after that is a potentially horrifying mystery that Tim Maughan explores in his new novel Infinite Detail, in which an act of cyberterrorism effectively cancels the Internet.

Maughan divides the story into "before" and "after chapters, which is a popular structure among recent novels that center on a single significant event."after chapters. In "before," we learn about a futuristic world that's not too far off from our reality. Everything is connected, and big tech companies trade comfort, convenience, and complacency for data. Everything from messages to trash is tracked, and a pair of "spex" is the most popular (arguably necessary) device.

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Why vinyl records survive in the digital age

Don’t underestimate ritual and tactility.

Why vinyl records survive in the digital age

(credit: Sony)

Ask a record-collecting audiophile why vinyl is back and you may hear a common refrain: "Of course vinyl's back! It's a more accurate reproduction of the original! It just sounds better than digital!"

To this I reply, "Does it really, though? Or is it just EQ'd better? And since when did we start caring so much about the perfect fidelity of our recordings? I grew up—as did many of you—listening to cassette tapes on a boom box. They sounded horrible, and we loved them."

I think the real reason for vinyl's return goes much deeper than questions of sound quality. As media analyst Marshall McLuhan famously wrote, "The medium is the message." In other words, "the form of a medium embeds itself in any message it would transmit or convey, creating a symbiotic relationship by which the medium influences how the message is perceived." Nowhere does this hold truer than in the world of recorded sound.

Read 14 remaining paragraphs | Comments

Why vinyl records survive in the digital age

Don’t underestimate ritual and tactility.

Why vinyl records survive in the digital age

(credit: Sony)

Ask a record-collecting audiophile why vinyl is back and you may hear a common refrain: "Of course vinyl's back! It's a more accurate reproduction of the original! It just sounds better than digital!"

To this I reply, "Does it really, though? Or is it just EQ'd better? And since when did we start caring so much about the perfect fidelity of our recordings? I grew up—as did many of you—listening to cassette tapes on a boom box. They sounded horrible, and we loved them."

I think the real reason for vinyl's return goes much deeper than questions of sound quality. As media analyst Marshall McLuhan famously wrote, "The medium is the message." In other words, "the form of a medium embeds itself in any message it would transmit or convey, creating a symbiotic relationship by which the medium influences how the message is perceived." Nowhere does this hold truer than in the world of recorded sound.

Read 14 remaining paragraphs | Comments

Believe it or not, Ripley has made it safely to the space station

Docking required a number of things to go right, and they did.

Right on schedule, the Crew Dragon spacecraft fired its Draco thrusters early on Sunday morning and docked safely with the International Space Station. A "soft" capture came at 5:51am ET, when the station was 418km above New Zealand. "Hard" capture, when 12 additional latches secured the spacecraft to the station, occurred 10 minutes later.

This marked the completion of a major milestone for SpaceX and NASA—the autonomous docking of a Dragon spacecraft with neither the assistance of crew on board the station nor the robotic arm used to grab and guide the cargo version of the Dragon spacecraft during supply missions.

Speaking on the space agency's webcast shortly after the capture, NASA astronaut Bob Behnken noted the smoothness of the operation. "It’s one more milestone that gets us ready for flight," he said. Behnken, along with fellow astronaut Doug Hurley, will fly the first crewed mission of the Dragon spacecraft later this year (or early in 2020).

Read 8 remaining paragraphs | Comments

Believe it or not, Ripley has made it safely to the space station

Docking required a number of things to go right, and they did.

Right on schedule, the Crew Dragon spacecraft fired its Draco thrusters early on Sunday morning and docked safely with the International Space Station. A "soft" capture came at 5:51am ET, when the station was 418km above New Zealand. "Hard" capture, when 12 additional latches secured the spacecraft to the station, occurred 10 minutes later.

This marked the completion of a major milestone for SpaceX and NASA—the autonomous docking of a Dragon spacecraft with neither the assistance of crew on board the station nor the robotic arm used to grab and guide the cargo version of the Dragon spacecraft during supply missions.

Speaking on the space agency's webcast shortly after the capture, NASA astronaut Bob Behnken noted the smoothness of the operation. "It’s one more milestone that gets us ready for flight," he said. Behnken, along with fellow astronaut Doug Hurley, will fly the first crewed mission of the Dragon spacecraft later this year (or early in 2020).

Read 8 remaining paragraphs | Comments

Sony: Das Ende der Playstation Vita naht

Die letzten zwei Modelle der Playstation Vita werden in Japan nicht mehr ausgeliefert. Vor allem in Ostasien unterstützte Sony die Konsole noch mit teils schönen Sondermodellen weiter. Doch neue gibt es nicht mehr. (PS Vita, Sony)

Die letzten zwei Modelle der Playstation Vita werden in Japan nicht mehr ausgeliefert. Vor allem in Ostasien unterstützte Sony die Konsole noch mit teils schönen Sondermodellen weiter. Doch neue gibt es nicht mehr. (PS Vita, Sony)

The Interesting Double Standards in the Piracy World

It’s a commonly held belief among many pirates that all premium content should be available for free. However, when pirates ‘steal’ or take credit for releases made by other pirates, many find this completely unacceptable. It’s an interesting double standard that appears to defy logic but has its roots in earned respect. Content companies might do well to consider such loyalties.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

There are hundreds of millions of pirates online every month, each with their own reasons for obtaining content without paying for it.

For this reason alone, attempting to generalize the feelings and motivations of these vast swathes of individuals into a convenient soundbite is a somewhat futile exercise. Quite literally, every single pirate is an individual, with their own personal reasons for doing what they do.

Calling all pirates ‘thieves’, for example, discredits the large volumes of money spent by many ‘part-time’ pirates on services such as Netflix, Spotify, iTunes, and even their home TV packages. On the other hand, there are plenty of pirates who won’t pay a single penny for any media, for reasons as diverse as restrictive DRM, poor content availability, or simply not having the funds to do so.

That being said, there are still some interesting observations to be made, including the tendency among more experienced pirates to treat their activities as a serious hobby, one that is governed by written and unwritten rules and regulations that have developed organically over the years.

Many pirates have invested years learning the technology, nurturing connections and developing friendships within pirate communities, all while observing the etiquette of their own subculture. However, interesting complications can arise when adhering to those rules presents a clash with similar standards laid down in civil and criminal law.

For example, piracy release groups like to take credit for leaking or releasing movies, TV shows, or software by adding their own text (or tag) to a release name to identify them as the source. For decades, this has been seen as a badge of honor and it ensures recognition among peer groups for putting the content online. The more quality releases under a certain group name, the greater the respect received from fellow pirates.

However, hundreds of conversations over the years have centered on the cardinal sin of torrent site release groups relabeling releases first made by other groups by adding their own ‘tag’ to those releases. While some pirates are oblivious that this even happens, the act is considered the height of bad manners in many piracy circles and something that flies in the face of the unwritten and often complex etiquette observed by countless purists.

Many commenters vigorously attack such relabeling of pirate releases, painting it as an unforgivable insult to the original release groups who put “so much time and effort” into placing the content online. While completely understandable to most piracy veterans, it is not hard to spot the glaring double standard here.

If we take a step back just for a moment, it appears that while it’s never acceptable for pirates to plagiarize or wrongfully claim the work of other pirates, there doesn’t appear to be a problem with copying, sharing, distributing or otherwise handling copyrighted content created by entertainment companies. This is content that’s protected under official law, no less, rather than the largely unwritten ‘regulations’ of the piracy subculture.

As highlighted earlier, it can be difficult to explain why one set of people find relabeling more offensive than breaking copyright law, since there is likely to be as many combinations of reasons as there are users. However, it cannot be denied that many piracy groups have become heroes in their own right, with many seen as doing more for the regular Joe than the majority of “greedy entertainment companies” who “place profits over respect for their customers”.

It could be argued, therefore, that the anger at those taking credit for another group’s releases is based in the perception that this is a direct insult to the reputation of people who are highly respected in piracy circles. Everyone has their own heroes and some are completely off-limits, it seems.

A similar conversation was spotted recently in a Kodi add-on community forum, which centered on the heavy criticism of an add-on distributor that had been spreading add-ons without obtaining the proper permission from their respective developers.

It was interesting to note that the add-ons in question seemed designed for the purposes of providing access to copyright-infringing content, which of course is distributed online without the proper permission of copyright holders. There’s the apparent double standard once again, but that’s not really a surprise.

Through seemingly endless litigation (against both users and sites) and restrictions such as web-blocking and filtering (Article 13, for example) a strong culture of “them and us” has been brewing online for many years. As a result, pirates often feel like an oppressed group that should be seen to stand together, in order to show a united front against perceived oppression.

In other words, by sticking together and not committing ‘wrongs’ against each other, pirates are able to maintain some sort of order in respect of things they have some control over. When certain groups breach those rules or display a lack of respect for accepted etiquette or trusted releasers, another ‘enemy’ appears from within to undermine the cause.

This muddying of the battle lines is typical of certain aspects of regular culture, where it’s somewhat frictionless for many to commit a wrong against a stranger but absolutely taboo to do the same to a close friend or relative. Again, this is also a type of double standard but when viewed through the prism of close alliances and human nature, it’s one that’s entirely understandable.

Perhaps the big take-home message for content companies from this type of internal conflict is to become much closer to their customers, so that pirate consumers end up feeling a similar kind of loyalty towards them as they do pirate release groups, app makers, add-on developers, and site operators.

It may take years to do so but underneath everything is a genuine will among all people (hardcore pirates included) to stand up for those who have really earned their respect. Once that is achieved, a big part of the puzzle is in place.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

The Interesting Double Standards in the Piracy World

It’s a commonly held belief among many pirates that all premium content should be available for free. However, when pirates ‘steal’ or take credit for releases made by other pirates, many find this completely unacceptable. It’s an interesting double standard that appears to defy logic but has its roots in earned respect. Content companies might do well to consider such loyalties.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

There are hundreds of millions of pirates online every month, each with their own reasons for obtaining content without paying for it.

For this reason alone, attempting to generalize the feelings and motivations of these vast swathes of individuals into a convenient soundbite is a somewhat futile exercise. Quite literally, every single pirate is an individual, with their own personal reasons for doing what they do.

Calling all pirates ‘thieves’, for example, discredits the large volumes of money spent by many ‘part-time’ pirates on services such as Netflix, Spotify, iTunes, and even their home TV packages. On the other hand, there are plenty of pirates who won’t pay a single penny for any media, for reasons as diverse as restrictive DRM, poor content availability, or simply not having the funds to do so.

That being said, there are still some interesting observations to be made, including the tendency among more experienced pirates to treat their activities as a serious hobby, one that is governed by written and unwritten rules and regulations that have developed organically over the years.

Many pirates have invested years learning the technology, nurturing connections and developing friendships within pirate communities, all while observing the etiquette of their own subculture. However, interesting complications can arise when adhering to those rules presents a clash with similar standards laid down in civil and criminal law.

For example, piracy release groups like to take credit for leaking or releasing movies, TV shows, or software by adding their own text (or tag) to a release name to identify them as the source. For decades, this has been seen as a badge of honor and it ensures recognition among peer groups for putting the content online. The more quality releases under a certain group name, the greater the respect received from fellow pirates.

However, hundreds of conversations over the years have centered on the cardinal sin of torrent site release groups relabeling releases first made by other groups by adding their own ‘tag’ to those releases. While some pirates are oblivious that this even happens, the act is considered the height of bad manners in many piracy circles and something that flies in the face of the unwritten and often complex etiquette observed by countless purists.

Many commenters vigorously attack such relabeling of pirate releases, painting it as an unforgivable insult to the original release groups who put “so much time and effort” into placing the content online. While completely understandable to most piracy veterans, it is not hard to spot the glaring double standard here.

If we take a step back just for a moment, it appears that while it’s never acceptable for pirates to plagiarize or wrongfully claim the work of other pirates, there doesn’t appear to be a problem with copying, sharing, distributing or otherwise handling copyrighted content created by entertainment companies. This is content that’s protected under official law, no less, rather than the largely unwritten ‘regulations’ of the piracy subculture.

As highlighted earlier, it can be difficult to explain why one set of people find relabeling more offensive than breaking copyright law, since there is likely to be as many combinations of reasons as there are users. However, it cannot be denied that many piracy groups have become heroes in their own right, with many seen as doing more for the regular Joe than the majority of “greedy entertainment companies” who “place profits over respect for their customers”.

It could be argued, therefore, that the anger at those taking credit for another group’s releases is based in the perception that this is a direct insult to the reputation of people who are highly respected in piracy circles. Everyone has their own heroes and some are completely off-limits, it seems.

A similar conversation was spotted recently in a Kodi add-on community forum, which centered on the heavy criticism of an add-on distributor that had been spreading add-ons without obtaining the proper permission from their respective developers.

It was interesting to note that the add-ons in question seemed designed for the purposes of providing access to copyright-infringing content, which of course is distributed online without the proper permission of copyright holders. There’s the apparent double standard once again, but that’s not really a surprise.

Through seemingly endless litigation (against both users and sites) and restrictions such as web-blocking and filtering (Article 13, for example) a strong culture of “them and us” has been brewing online for many years. As a result, pirates often feel like an oppressed group that should be seen to stand together, in order to show a united front against perceived oppression.

In other words, by sticking together and not committing ‘wrongs’ against each other, pirates are able to maintain some sort of order in respect of things they have some control over. When certain groups breach those rules or display a lack of respect for accepted etiquette or trusted releasers, another ‘enemy’ appears from within to undermine the cause.

This muddying of the battle lines is typical of certain aspects of regular culture, where it’s somewhat frictionless for many to commit a wrong against a stranger but absolutely taboo to do the same to a close friend or relative. Again, this is also a type of double standard but when viewed through the prism of close alliances and human nature, it’s one that’s entirely understandable.

Perhaps the big take-home message for content companies from this type of internal conflict is to become much closer to their customers, so that pirate consumers end up feeling a similar kind of loyalty towards them as they do pirate release groups, app makers, add-on developers, and site operators.

It may take years to do so but underneath everything is a genuine will among all people (hardcore pirates included) to stand up for those who have really earned their respect. Once that is achieved, a big part of the puzzle is in place.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.