IMSA’s WeatherTech series is going great, but where does it go next?

We speak to series boss Scott Atherton about the direction of the sport.

Cars race into the first turn at the start of the Sahlens Six Hours of the Glen IMSA WeatherTech Series race at Watkins Glen International on July 1, 2018 in Watkins Glen, New York.

Enlarge / DPi and LMP2 cars lead the grid at the start of the 2018 Sahlens Six Hours of the Glen at Watkins Glen in upstate New York. (credit: Brian Cleary/Getty Images)

You don't have to follow sports car racing for too long before noticing its a rather cyclical sport. For a few years, everything will be totally awesome with cool cars and great racing. Then it all goes wrong; a bad economy sucks racing budgets dry, a rules change sends competitors elsewhere, or one of any number of other problems arises and interest and excitement evaporate. CanAm, Group C, GTP, and the American Le Mans Series (ALMS) each blossomed for a while before circumstances conspired against them. We saw it most recently with the World Endurance Championship. For a few brief years it was the best thing in racing, with 1,000hp hybrid prototypes from Audi, Porsche, and Toyota—now in 2018 it's a mere shadow of where things were just two seasons ago.

Meanwhile, here in the US IMSA's WeatherTech Sportscar Championship appears to be in rude health, attracting a healthy mix of factory-backed cars in the DPi and GTLM class was well as pro-am teams running DPi, LMP2, and GTD cars. We've checked in with the IMSA series a couple of times this year—at the season opening Rolex 24 as well as at the Detroit Grand Prix—and we took a look behind the scenes with Mazda and Multimatic. But at Watkins Glen earlier this summer I caught up with IMSA's president Scott Atherton to talk about where American sports car racing is headed.

Atherton's been involved in the sport for several decades, running several different racetracks before heading up the ALMS in 2000. The ALMS' heyday was probably in the late 2000s, but by 2012 it was in a bit of trouble. NASCAR stepped in to buy it, merged the ALMS with its GrandAm series (which always put on a great show but struggled to attract the fans, mainly due to its low-tech and rather ugly Daytona Prototype cars). I put it to Atherton that his series is now very reminiscent of ALMS' glory days.

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YouTube Takes Down Music Prof’s Public Domain Beethoven and Wagner Uploads

YouTube’s Content ID system aims to protect copyright holders but in some cases works against the public interest. After German music professor Dr. Ulrich Kaiser had one of his educational videos pulled down, he ran a test which shows that public domain performances of Beethoven, Wagner, and other long deceased composers, are not safe from YouTube’s upload filters.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

To protect copyright holders, YouTube uses an advanced piracy recognition system that flags and disables videos which are used without permission.

This system, known as Content ID, works well most of the time, but it is far from perfect.

It’s not well equipped to determine whether certain uploads are in the public domain or protected under ‘fair use.’ While mistakes are bound to happen with automated processes, it becomes problematic when there’s a clear pattern. Especially when it clearly interferes with the public interest.

This issue was highlighted once again by German music professor Dr. Ulrich Kaiser. In an article written for Wikimedia, republished by Ars Technica, he explains how one of his educational videos was flagged as copyrighted content by YouTube.

“In this video, I explained my project, while examples of the music played in the background. Less than three minutes after uploading, I received a notification that there was a ContentID claim against my video,” Kaiser writes.

The music used in the video wasn’t infringing, however. The performance of a 17th century Biber composition was first published in 1962 and therefore in the public domain, according to German law. When the professor contested the claim the video was swiftly restored, but that wasn’t the end of the matter.

Curious about the accuracy of the Content ID process, Kaiser created a test account to find out whether this was a one-off or not.

“I decided to open a different YouTube account “Labeltest” to share additional excerpts of copyright-free music. I quickly received ContentID notifications for copyright-free music by Bartok, Schubert, Puccini and Wagner.

“Again and again, YouTube told me that I was violating the copyright of these long-dead composers, despite all of my uploads existing in the public domain.”

Kaiser contested all the claims stressing that the recordings of these old composers were not copyright-infringing. The creators have been dead for years, and the recordings were all pre-1963, so in the public domain under German law.

Undeterred, YouTube’s Content ID system went after Beethoven, although that recording could stay online without ads.

“I only received more notices, this time about a recording of Beethoven’s Symphony No.5, which was accompanied by the message: ‘Copyrighted content was found in your video. The claimant allows its content to be used in your YouTube video. However, advertisements may be displayed’.”

In the end, Kaiser managed to restore much of the public domain content. However, he notes that even when the claims were released, the videos were not converted to a free license, which he intended. This makes it harder for others to share the works, which was the goal all along.

All in all, the professor concludes that upload filters such as Content ID can seriously harm the distribution of cultural and educational content.

“Filters like ContentID can be useful for platforms that host large amounts of user-generated content, but as my story exposes, they have significant flaws which can lead to the diminishment of educational and cultural resources online,” Kaiser says.

The professor cautions lawmakers to keep this in mind before they mandate broad upload filters. And with the EU’s upload filter vote just a few days away, this message will be music to the ears of Article 13 opponents.

While it’s easy to blame YouTube, the real problem, in this case, is that some publishers have apparently claimed public domain works. Perhaps YouTube may want to come up with a strike system for false claims too?

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

New system shows the earliest life could cooperate despite “cheaters”

Work confirms some ideas for how the first life managed to grow in complexity.

Article intro image

Enlarge / Populations of RNAs, as in this cartoon, may have helped the first life overcome some limits on complexity. (credit: NASA)

Physics is filled with papers where the authors don't actually do anything—at least not anything empirical. Instead, they explore the math behind a topic and try to gain new theoretical insights, leaving it to someone else to find out whether their insights are actually reflected in the behavior of the real world.

But physics doesn't have a monopoly on this, and there have been plenty of papers in biology that are filled with math and explore how a theoretical population would behave. One area where that's had a big impact on thinking has been in studying the origin of life, where researchers have been struggling to understand how a set of simple self-copying molecules could make their way towards something that looks more like a cell. Now, two Japanese researchers have taken some of these theoretical ideas and shown they can hold in an actual biochemical system.

Overcoming selfishness

We'll go through the theoretical background first. The work focuses on a challenge faced by the Earth's first self-replicating RNA molecules, namely that they probably weren't that great at self-replicating. Modern cells have multiple systems composed of collections of proteins that identify and repair errors in DNA. The earliest self-replicating molecules had none of that, and probably picked up lots of errors that could disable them. This problem gets worse as the self-replicating molecule grows in complexity, since a longer molecule would mean an increased chance for things to go wrong.

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Daily Deals (9-03-2018)

Lenovo is running a Labor Day sale on a bunch of laptops and PC accessories… but some Lenovo laptops are even cheaper at Best Buy, which is running its own Labor Day sale. Here are some of the day’s best deals. Laptops Lenovo Labor Day Lapt…

Lenovo is running a Labor Day sale on a bunch of laptops and PC accessories… but some Lenovo laptops are even cheaper at Best Buy, which is running its own Labor Day sale. Here are some of the day’s best deals. Laptops Lenovo Labor Day Laptop deals – Lenovo Lenovo IdeaPad 720s 13″ lapotp w/Ryzen […]

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Whose name should be on the laws of physics for an expanding universe?

Astronomers are engaged in a lively debate over plans to rename one of the laws of physics.

A monument in Belgium to Georges Lemaitre

Enlarge / A monument in Belgium to Georges Lemaitre that shows his idea of an expanding universe. (credit: Wikimedia/EmDee, CC BY-SA)

Astronomers are engaged in a lively debate over plans to rename one of the laws of physics.

It emerged overnight at the 30th Meeting of the International Astronomical Union (IAU), in Vienna, where members of the general assembly considered a resolution on amending the name of the Hubble Law to the Hubble-Lemaître Law.

The resolution aims to credit the work of the Belgian astronomer Georges Lemaître and his contribution—along with the American astronomer Edwin Hubble—to our understanding of the expansion of the universe.

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Pie: Android 9 als OxygenOS-Beta für Oneplus 6 veröffentlicht

Gut einen Monat nach der Veröffentlichung von Android 9 hat Oneplus die erste öffentliche Beta von OxygenOS für das Oneplus 6 veröffentlicht. Anders als Googles Originalversion von Pie ist die Version von Oneplus noch nicht final, weswegen es einige be…

Gut einen Monat nach der Veröffentlichung von Android 9 hat Oneplus die erste öffentliche Beta von OxygenOS für das Oneplus 6 veröffentlicht. Anders als Googles Originalversion von Pie ist die Version von Oneplus noch nicht final, weswegen es einige bekannte Probleme gibt. (Oneplus, Android)

Azure: Microsofts deutsche Cloud wird eingestellt

Es hatte sich angekündigt: 2019 wird es die deutsche Cloud für Neukunden nicht mehr geben. Bestehende Nutzer können das Angebot weiterhin nutzen, allerdings ist fraglich, in welchem Umfang es unterstützt wird. Microsoft versichert, dass Azure auch der …

Es hatte sich angekündigt: 2019 wird es die deutsche Cloud für Neukunden nicht mehr geben. Bestehende Nutzer können das Angebot weiterhin nutzen, allerdings ist fraglich, in welchem Umfang es unterstützt wird. Microsoft versichert, dass Azure auch der DSGVO entspricht. (DSGVO, Microsoft)

“How can they be so good?”: The strange story of Skype

As Skype turns ten, a look back at how six Europeans changed the world.

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From a company powerpoint, here's an artist’s impression of the moment when Skype's idea was fostered. (Zennström on the left, next to Friis.) (credit: Malthe Sigurdsson)

This story originally ran on September 2, 2013, when Skype's partnership with Microsoft was still new and before the Redmond company closed its London office. This was also well before a number of big changes to the Internet calling program were announced. Ars Staff, who are observing Labor Day this weekend, take time to remember Skype's birth story.

"I don't care about Skype!" millionaire Jaan Tallinn tells me, taking off his blue sunglasses and finding a seat at a cozy open-air restaurant in the old town of Tallinn, Estonia. "The technology is 10 years old—that's an eternity when it comes to the Internet Age. Besides, I have more important things going on now."

Tallinn has five children, and he calls Skype his sixth. So why does he no longer care about his creation?

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Google: Sorry professor, old Beethoven recordings on YouTube are copyrighted

Op-ed: How one German professor had a bad experience with overly broad upload filters.

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Enlarge (credit: Ipsumpix/Corbis via Getty Images)

Dr. Ulrich Kaiser is Professor of Music Theory, Ombudsman for Good Scientific Practice and Head of the Multimedia Department for Teacher Education at the Munich University of Music and Theatre.

This article was originally published by the Wikimedia Foundation and is reprinted here with his permission.

Imagine you are a teacher at a public school and you want to use a free recording of Beethoven’s Fifth Symphony in your classroom. As an author of music textbooks and a music theory professor, I am always looking for creative ways to develop teaching materials as Open Educational Resources (oer-musik.de) so that everyone can share and learn from these important recordings. In an effort to develop a set of these materials, I recently began to digitize both my own records as well as records from my employer.

Under German law, the copyright term for recordings which were made prior to January 1, 1963 has expired, meaning they have entered the public domain. Recordings taken after that date were given extended protection in 2013 and thus cannot be digitized. Aware of this rule, I only undertook to upload recordings which were taken before the 1963 date in order to fully comply with the law. Despite that precaution, the process that followed presented a number of unexpected challenges.

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