
250 MBit/s: Telekom schaltet Super-Vectoring für 2,9 Millionen frei
Die Telekom hat wieder eine große Menge Anschlüsse mit Super-Vectoring und Vectoring verbessert. Damit steigt die Datenrate an über 3,3 Millionen Anschlüssen. (Vectoring, DSL)
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Die Telekom hat wieder eine große Menge Anschlüsse mit Super-Vectoring und Vectoring verbessert. Damit steigt die Datenrate an über 3,3 Millionen Anschlüssen. (Vectoring, DSL)
Der chinesische Hersteller Nubia hat mit dem Nubia Z18 ein Smartphone der Oberklasse präsentiert, das mit einem Snapdragon 845, einer Dualkamera und einem Display mit kleiner Notch und sehr schmalen Rändern ausgestattet ist. Der Preis beginnt umgerechn…
Wie eine Kettenreaktion: Ein Sturm nahe eines in Texas liegenden Cloud-Rechenzentrums sorgte für den Ausfall eines Großteils von Microsoft Azure in der Region. Das hatte allerdings wohl auch Auswirkungen auf Kunden in der ganzen Welt. (Azure, Microsoft…
Das kleine und chronisch unterfinanzierte Entwicklerteam des Gimp-Projekts hat eine seltene Großspende über 100.000 US-Dollar erhalten. Genutzt werden soll das Geld für neue Hardware und Team-Treffen. Es stammt von dem Handshake- und Gnome-Projekt. (Gi…
YouTube’s Chief Business Officer has weighed in on the EU’s proposed Article 13 legislation, which critics say could force platforms like YouTube to implement filtering regimes in the face of increased liability for infringing content. Robert Kyncl says the proposal potentially undermines the creative economy by discouraging or even preventing platforms from hosting user-generated content.
Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.
Next week, MEPs will again vote on the controversial copyright proposals of Article 13.
Critics say the proposed legislation would see platforms such as YouTube compelled to introduce strict upload filters, to prevent unlicensed content being offered to the public. These systems, they say, would stifle creativity and lack the ability to differentiate in situations of fair use.
Those in favor say that YouTube has enjoyed the free ride long enough and must now play fair with other people’s content.
The theory in the music industry is that the enhanced liability regime of Article 13 will force YouTube, their main target, to properly license the music it hosts, at rates more in line with those being charged elsewhere in the industry. Removing safe harbors, insiders say, is the only way YouTube can be forced to compensate artists fairly.
The debate has raged for months – years even – with the music industry on one side and tech companies and proponents of Internet freedom on the other. However, YouTube and owners Google have remained relatively quiet, a little unusual given that they’re the prime targets of the legislation.
Now, however, YouTube Chief Business Officer Robert Kyncl has weighed in on the proposals, warning of a new, more restrictive creative environment should Article 13 pass into law.
“The open internet eliminated the barriers of traditional media gatekeepers and ignited a new global creative economy for creators and artists. It has given anyone with an idea the ability to share their passion, find fans all over the world and build a business,” Kyncl writes on the YouTube Creator Blog.
“Despite best intentions, I believe this may now be at risk as European policymakers prepare to vote on a new European Copyright Directive on September 12. In fact, some parts of the proposal under consideration – and in particular the part known as ‘Article 13’ — potentially undermine this creative economy, discouraging or even prohibiting platforms from hosting user-generated content.”
Kyncl warns that passing the controversial proposal would lead to a stifling of creativity and a negative effect on YouTube users of all kinds.
YouTube creators, in particular, could find their revenues at risk, if the platform is held to higher standards of liability. Critics have long warned that erring on the side of caution would become the standard for sites like YouTube, potentially leading to censorship (filtering) of difficult or questionable content.
YouTube’s Chief Business Officer reiterates once again that his platform has invested in several technologies designed to assist copyright owners. Its Content ID and more recent Content Match systems can identify content for monetization purposes or remove it, at copyright holders’ request.
“Copyright holders have control over their content: they can use our tools to block or remove their works, or they can keep them on YouTube and earn advertising revenue. In over 90% of cases, they choose to leave the content up,” he writes.
“Enabling this new form of creativity and engagement with fans can lead to mass global promotion and even more revenue for the artist. For instance, a growing list of global artists have seen their songs go viral in fan-made dance videos, such as Drake’s ‘In My Feelings’ and Maître Gims’ Sapés Comme Jamais. Dua Lipa got her start singing covers and Alan Walker allowed his track Fade to be used in user generated content and video games, which helped him build a massive global fanbase.”
In informal discussions with music industry insiders this week, TF also questioned why tools like Content ID and Content Match aren’t able to solve the problem of infringing music content being made available on YouTube. We were told that while these systems have their uses, only the enhanced liabilities offered by Article 13 can address the undervaluation of content and ensure that YouTube pays a fair licensing rate for the content it offers.
But while the music industry seeks to render YouTube ineligible for safe harbor protections under the e-Commerce Directive, YouTube is warning that the effects of Article 13 will be felt far beyond the Internet’s most popular video site.
“The Copyright Directive won’t just affect creators and artists on YouTube. It will also apply to many forms of user generated content across the Internet. And that’s why so many other people are raising concerns too,” Kyncl writes.
“Individuals, organizations (like European Digital Rights and the Internet Archive), companies (like Patreon, WordPress, and Medium), the Internet’s original architects and pioneers (like Sir Tim Berners Lee), and the UN Special Rapporteur for free expression have spoken out. Creators across the Internet are standing up for their right to create and express themselves, including Phil DeFranco, LeFloid, and TO JUZ Jutro.”
With that, Kyncl signs off by urging opponents of Article 13 to air their opinions on social media (#SaveYourInternet) and with policymakers via ChangeCopyright.org. The all-important EU vote is set to take place September 12, so expect a crescendo of often acidic debate over the next few days.
Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.
Wer eine Babycam kaufen will, steht vor der Qual der Wahl und kann dabei viel Geld ausgeben. Wir zeigen, wie mit überschaubarem Aufwand auch Raspberry-Pi-Einsteiger selbst eine bauen können. Nebenbei wird gekocht. Von Christopher Bichl (Anleitung, Serv…
Huawei hat endlich erklärt, wie der GPU Turbo für die eigenen Smartphones funktioniert: Der Hersteller lädt je Spiel ein trainiertes neuronales Netz auf die Geräte, um Takt und Spannung der Kirin-Chips zu optimieren. (Kirin, Smartphone)
The astronomer was famously excluded from the 1974 Nobel Prize in Physics.
Enlarge / Pulsars are spinning neutron stars, the relics of massive stars gone supernova. (credit: NASA's Goddard Space Flight Center)
When the Nobel Prizes roll around each year, inevitably there is chatter not just about who will win, but about those in the past who should have won, but didn't, particularly women scientists. Jocelyn Bell Burnell, who discovered pulsars in the 1960s, is one of the names most commonly invoked. Now 75, she's just been awarded something arguably better: a $3 million Special Breakthrough Prize in Fundamental Physics.
Originally founded in 2012, the Breakthrough Prizes are intended to be the "Oscars of Science." In addition to the regular awards, the selection committee is also free to award a Special Breakthrough Prize in Fundamental Physics any time it wishes, and the honor need not be for recent discoveries. Bell Burnell is being honored "for fundamental contributions to the discovery of pulsars, and a lifetime of inspiring leadership in the scientific community."
Bell Burnell was born in Northern Ireland in 1943. Her father, an architect, often took her to visit the Armagh Planetarium, which he helped design, and the staff there encouraged her to pursue astronomy. The family were Quakers, a religious sect that traditionally supports women's education. There was just one problem: girls weren't allowed to study science at the local school.
The long-awaited zombie Christmas musical arrives in select theaters November 30
Enlarge / Anna and her fellow high school students battle zombies while singing a jaunty tune in Anna and the Apocalypse. (credit: Orion Pictures)
Part Zombieland, part High School Musical, the much-anticipated horror-musical-comedy Anna and the Apocalypse has a new trailer filled with merry undead mayhem. It lands in select theaters November 30, expanding nationwide on December 7, just in time to bring a taste of cheeky carnage to the holiday season.
Anna (Ella Hunt, Our Robot Overlords) is a typical high school senior in a town called Little Haven. She's working part-time in a bowling alley, fretting about college, and rehearsing for the school Christmas pageant with her friends—except cast members are falling victim to a mysterious illness at an alarming rate. When Anna wakes up the next morning, the zombie apocalypse is in full force, and senior year becomes one long, bloody battle for survival. (We learn from the trailer that Justin Bieber is definitely a zombie. As for Ryan Gosling, "Alive or dead, he's still cool.")
The late videographer Ryan McHenry—best known as the creator of the "Ryan Gosling won't eat his cereal" meme—first came up with the genre-busting idea and made a short film a few years ago. Cancer claimed him before he could produce the full-length version; that task fell to director John McPhail. The film made its world premiere last fall at the Fantastic Fest in Austin, Texas, and quickly gained a devoted fan base charmed by its wacky pop culture mashup hijinks. Orion Pictures picked up the distribution rights earlier this year.
Meanwhile, Trump notes: “Maybe I did a better job because I’m good with the Twitter.”
Enlarge / Facebook chief operating officer Sheryl Sandberg (left) and Twitter chief executive officer Jack Dorsey testify during a Senate Intelligence Committee hearing concerning foreign influence operations' use of social media platforms, on Capitol Hill, September 5, 2018 in Washington, DC. (credit: Drew Angerer/Getty Images)
In the wake of testimony before a Senate committee hearing in which top officials from Facebook and Twitter testified, the Department of Justice issued a statement saying that it would be investigating social media firms.
"We listened to today’s Senate Select Committee on Intelligence hearing on Foreign Influence Operations’ Use of Social Media Platforms closely," Devin O'Malley, a DOJ spokesman, said in a statement released to reporters on Wednesday morning.
"The Attorney General has convened a meeting with a number of state attorneys general this month to discuss a growing concern that these companies may be hurting competition and intentionally stifling the free exchange of ideas on their platforms."
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