Music Industry Lawyer Calls For Criminal Investigation Over Article 13 Vote

A high-profile defender of artists’ rights is calling for a “full-blown criminal investigation” into what happened during the Article 13 ‘copyright filters’ vote earlier this month. Lawyer Chris Castle, who has an impressive music industry track record with various labels and groups, says that Google backed an “attack” on the European Parliament “for the purpose of policy intimidation”.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

With YouTube now a major force when it comes to online music distribution, recording labels and artists are striving for a better deal.

While YouTube compensates labels for views of authorized content, the labels say the existence of unlicensed content uploaded by users means that the Google-owned video giant gains an unfair negotiating position.

In an effort to tighten the noose on YouTube and owners Google, the music industry lobbied hard for new EU legislation (Article 13) that would see user-uploaded content platforms compelled to install filters to detect infringing content before it gets made available to the public.

Earlier this month and after much heated debate, the wind was taken out of the music industry’s sails when the European Parliament said “no” to the Copyright Directive mandate.

The debate leading up to the vote was messy, with extremist claims on both sides doing little for the quality of the discussion, particularly on social media. As the vote neared, however, claims that somehow the campaign wasn’t being fought fairly came to the fore.

Two days before the vote, UK Music CEO Michael Dugher launched a scathing attack, describing Google as a “corporate vulture feeding off the creators and investors” while claiming the search giant had pumped €31 million into lobbying against the legislation.

“These new figures expose the fact that Google is acting like a monolithic mega-corp trying to submerge the truth under a tsunami of misinformation and scare stories pedaled by its multi-million propaganda machine,” Dugher said.

“Instead of mounting a cynical campaign, motivated entirely out of its self-interested desire to protect its huge profits, Google should be making a positive contribution to those who create and invest in the music. MEPs should ignore the big money lobbying from big tech and back fair rewards for creators.”

Whether Google’s lobbying efforts amounted to unfair practice will be for history to decide but if music industry veteran Chris Castle has his way, no stone should be left unturned in establishing the facts.

Castle is probably best known online for editing the MusicTechPolicy blog but he’s also the founder of his own law firm and has held lofty positions at Sony and A&M. This busy industry man has little time for Google and its practices.

“[T]here have been incredible and probably illegal uses of the Internet to overwhelm elected officials with faux communications that reek of Google-style misinformation and central planning in the hive mind of the Googleplex,” he writes.

“We saw this again with the Article 13 vote in Europe last week with what clearly seems to be a Google-backed attack on the European Parliament for the purpose of policy intimidation.

“That’s right – an American-based multinational corporation is trying to intimidate the very same European government that is currently investigating them for anticompetitive behavior and is staring down a multi-billion dollar fine. Vindictive much?”

Last week the EU Commission did indeed fine Google €4.34 billion regarding the use of Android mobile devices to strengthen dominance of its search engine (a matter it reportedly tried to settle), but what about this attack on the EU Parliament?

Castle doesn’t go into much detail on the precise mechanics of what Google is supposed to have done but he describes the company as engineering “DDOS-type stunts capitalizing on what seems to be the element of surprise.”

This appears to be a reference to the numerous automated web-based forms that were made available online by various organizations, which enabled the public to make their voices heard by the decision makers about to tackle Article 13.

The forms were used, apparently a lot, to send messages to MEPs but whether this was simply a passionate and genuine response or more cynical organized chaos will be a matter for the parties to argue over.

In the meantime, Castle strongly feels there is a case to answer. The lawyer believes that Google is using its dominant position online to gain an unfair advantage in what should be a democratic process.

“[T]he most important thing for the European Commission to take into account is that a company that is the target of multiple investigations is using the very market place monopoly that caused the competition investigations to intimidate the European government into bending to its will on Article 13,” he writes.

“The European Commission needs to launch a full-blown criminal investigation into exactly what happened on Article 13, particularly since there is another vote on the same subject coming in September. Properly authorized law enforcement acting swiftly can set sufficient digital snares to track the next attack which surely is coming while they forensically try to figure out what happened.”

It remains to be seen whether these strong words from Chris Castle and those who share his sentiments will have any effect on the ground but the fact that these accusations are now being made openly is likely to throw more fuel on an already super-heated debate.

Finally, it’s perhaps worth noting that the companies and groups in the image below, which together claim to “represent 4.5% of EU GDP and 12 million European jobs” (and were in favor of Article 13), were apparently outgunned by Google.

Or, perhaps they were simply outgunned by people who just didn’t like the idea of Article 13? Only a couple of months left for round two – it could be a bumpy ride.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Music Industry Lawyer Calls For Criminal Investigation Over Article 13 Vote

A high-profile defender of artists’ rights is calling for a “full-blown criminal investigation” into what happened during the Article 13 ‘copyright filters’ vote earlier this month. Lawyer Chris Castle, who has an impressive music industry track record with various labels and groups, says that Google backed an “attack” on the European Parliament “for the purpose of policy intimidation”.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

With YouTube now a major force when it comes to online music distribution, recording labels and artists are striving for a better deal.

While YouTube compensates labels for views of authorized content, the labels say the existence of unlicensed content uploaded by users means that the Google-owned video giant gains an unfair negotiating position.

In an effort to tighten the noose on YouTube and owners Google, the music industry lobbied hard for new EU legislation (Article 13) that would see user-uploaded content platforms compelled to install filters to detect infringing content before it gets made available to the public.

Earlier this month and after much heated debate, the wind was taken out of the music industry’s sails when the European Parliament said “no” to the Copyright Directive mandate.

The debate leading up to the vote was messy, with extremist claims on both sides doing little for the quality of the discussion, particularly on social media. As the vote neared, however, claims that somehow the campaign wasn’t being fought fairly came to the fore.

Two days before the vote, UK Music CEO Michael Dugher launched a scathing attack, describing Google as a “corporate vulture feeding off the creators and investors” while claiming the search giant had pumped €31 million into lobbying against the legislation.

“These new figures expose the fact that Google is acting like a monolithic mega-corp trying to submerge the truth under a tsunami of misinformation and scare stories pedaled by its multi-million propaganda machine,” Dugher said.

“Instead of mounting a cynical campaign, motivated entirely out of its self-interested desire to protect its huge profits, Google should be making a positive contribution to those who create and invest in the music. MEPs should ignore the big money lobbying from big tech and back fair rewards for creators.”

Whether Google’s lobbying efforts amounted to unfair practice will be for history to decide but if music industry veteran Chris Castle has his way, no stone should be left unturned in establishing the facts.

Castle is probably best known online for editing the MusicTechPolicy blog but he’s also the founder of his own law firm and has held lofty positions at Sony and A&M. This busy industry man has little time for Google and its practices.

“[T]here have been incredible and probably illegal uses of the Internet to overwhelm elected officials with faux communications that reek of Google-style misinformation and central planning in the hive mind of the Googleplex,” he writes.

“We saw this again with the Article 13 vote in Europe last week with what clearly seems to be a Google-backed attack on the European Parliament for the purpose of policy intimidation.

“That’s right – an American-based multinational corporation is trying to intimidate the very same European government that is currently investigating them for anticompetitive behavior and is staring down a multi-billion dollar fine. Vindictive much?”

Last week the EU Commission did indeed fine Google €4.34 billion regarding the use of Android mobile devices to strengthen dominance of its search engine (a matter it reportedly tried to settle), but what about this attack on the EU Parliament?

Castle doesn’t go into much detail on the precise mechanics of what Google is supposed to have done but he describes the company as engineering “DDOS-type stunts capitalizing on what seems to be the element of surprise.”

This appears to be a reference to the numerous automated web-based forms that were made available online by various organizations, which enabled the public to make their voices heard by the decision makers about to tackle Article 13.

The forms were used, apparently a lot, to send messages to MEPs but whether this was simply a passionate and genuine response or more cynical organized chaos will be a matter for the parties to argue over.

In the meantime, Castle strongly feels there is a case to answer. The lawyer believes that Google is using its dominant position online to gain an unfair advantage in what should be a democratic process.

“[T]he most important thing for the European Commission to take into account is that a company that is the target of multiple investigations is using the very market place monopoly that caused the competition investigations to intimidate the European government into bending to its will on Article 13,” he writes.

“The European Commission needs to launch a full-blown criminal investigation into exactly what happened on Article 13, particularly since there is another vote on the same subject coming in September. Properly authorized law enforcement acting swiftly can set sufficient digital snares to track the next attack which surely is coming while they forensically try to figure out what happened.”

It remains to be seen whether these strong words from Chris Castle and those who share his sentiments will have any effect on the ground but the fact that these accusations are now being made openly is likely to throw more fuel on an already super-heated debate.

Finally, it’s perhaps worth noting that the companies and groups in the image below, which together claim to “represent 4.5% of EU GDP and 12 million European jobs” (and were in favor of Article 13), were apparently outgunned by Google.

Or, perhaps they were simply outgunned by people who just didn’t like the idea of Article 13? Only a couple of months left for round two – it could be a bumpy ride.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Student engineers build hyperloop test pods with commercial-class top speeds

Though only two pods got vacuum tube time, lots of impressive pods were on display.

Enlarge / All the action happened at this end of the 3/4 mile low-pressure test track. A pyramid and an obelisk of Boring Company bricks and EPFLoop's pod cover can be seen beside it. (credit: Megan Geuss)

HAWTHORNE, CA—On a sweltering day in Southern California, 20 groups of student engineers gathered on a side street near the SpaceX headquarters to show off the Hyperloop pods that they had spent the better part of a year putting together.

The teams had spent the previous days showing SpaceX engineers their designs and testing them in vacuum chambers and on open-air tracks. The SpaceX engineers voted on their favorite teams, and the top three were awarded time on the three-quarter-mile low-pressure test track that SpaceX has built next to its headquarters. Delft University of Technology, École Polytechnique Fédérale de Lausanne (EPF), and WARR (a student group within Munich Technical University) were the three teams to win the coveted tube time.

WARR defended its two previous wins again: this time with an average speed of 284 miles per hour and a top speed of 290mph, according to SpaceX announcements during the competition.

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Deals of the Day (7-23-2018)

Lenovo’s IdeaPad 720s line of laptops feature thin and light designs, 13.3 inch displays, and decent specs with prices that often hover at around $1,000 or less. Right now Lenovo is offering a great deal on a model with an AMD Ryzen 7 2700U proce…

Lenovo’s IdeaPad 720s line of laptops feature thin and light designs, 13.3 inch displays, and decent specs with prices that often hover at around $1,000 or less. Right now Lenovo is offering a great deal on a model with an AMD Ryzen 7 2700U processor, a full HD IPS display, 8GB of RAM, and 512GB […]

The post Deals of the Day (7-23-2018) appeared first on Liliputing.

Venmo’s terrible idea

Op-ed: Do we really want our financial history public by default?

Enlarge (credit: Andrew Harrer/Bloomberg via Getty Images)

I’m a regular Venmo user. I used the service a month ago to receive $30 from my sister-in-law. I used it again two weeks ago to reimburse my brother after we threw our father a surprise birthday party. It’s a perfectly useful service.

But unlike most Venmo users, I have my transactions set to "private"—and I've never understood why the default setting was "public."

Why would I want the world, even my Internet friends, to know when I settle bar bills? I know of no mainstream payment system that makes its transactions public. PayPal, Venmo’s parent company, doesn’t even do this. After new scrutiny last week, Venmo still will not explain fully why the public default is useful.

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Breitbandausbau: Bis Jahresende sollen überall die Bagger rollen

Die flächendeckende Versorgung mit mindestens 50 MBit/s bis Ende 2018 ist gescheitert. Doch die Verzögerung könnte sich als vorteilhaft für eine viel sinnvollere Verlegung der Glasfaser-Leitungen erweisen. (Glasfaser, Internet)

Die flächendeckende Versorgung mit mindestens 50 MBit/s bis Ende 2018 ist gescheitert. Doch die Verzögerung könnte sich als vorteilhaft für eine viel sinnvollere Verlegung der Glasfaser-Leitungen erweisen. (Glasfaser, Internet)

The first Chrome OS tablet is now available for $330 and up (From Newegg, Amazon, or CDW)

The Acer Chromebook Tab 10 is a 9.7 inch tablet with a 2048 x 1536 pixel display, a Rokchip OP1 processor, 4GB of RAM, and an active pen. It’s also the first Chrome OS tablet to ship without a keyboard. It features a new user interface that&#8217…

The Acer Chromebook Tab 10 is a 9.7 inch tablet with a 2048 x 1536 pixel display, a Rokchip OP1 processor, 4GB of RAM, and an active pen. It’s also the first Chrome OS tablet to ship without a keyboard. It features a new user interface that’s been optimized for touch devices and as I […]

The post The first Chrome OS tablet is now available for $330 and up (From Newegg, Amazon, or CDW) appeared first on Liliputing.

The GTC4Lusso T is a Ferrari you really could drive every day

This $256,000 wagon has style, pace, and cargo space—who needs an SUV?

Jonathan Gitlin

Spending a few days with a Ferrari is a treat, even if you get to drive as diverse an array of vehicles as we do here at Ars. As a small manufacturer with perhaps the best brand recognition in the auto industry, Ferrari doesn't really need to lend journalists its cars to sell them. And with a small press fleet and a big country to cover, the opportunity to drive one therefore remains rare. So it's perhaps not surprising that having recently scheduled such a loan, it's something I still look forward to immensely. That was certainly the case for this car, the $256,000 Ferrari GTC4Lusso T.

The new vehicle is the replacement for the Ferrari FF, and the prospect of four days with a Lusso T offered a chance to see how the legendary Italian automaker evolves and iterates its ideas. Ferrari's goal with the Lusso T was to build on the success of the FF, which sold well by the standards of four-seat Ferraris. The car maker wanted to create something that was both "sporty and versatile, as well as perfect for driving on a daily basis."

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Crowdfunding: Shenmue 3 erhält automatisches Kampfsystem

Die Community hat Shenmue 3 mehr als 7 Millionen US-Dollar bereitgestellt und damit ein weiteres Extra freigeschaltet: Wer mag, kann sich in den Kämpfen vom Computer helfen lassen – damit sollten auch Einsteiger durch die Prügeleien kommen. (Shenmue, S…

Die Community hat Shenmue 3 mehr als 7 Millionen US-Dollar bereitgestellt und damit ein weiteres Extra freigeschaltet: Wer mag, kann sich in den Kämpfen vom Computer helfen lassen - damit sollten auch Einsteiger durch die Prügeleien kommen. (Shenmue, Sega)

2018’s “Board Game of the Year” award goes to… Azul!

Die Quacksalber von Quedlinburg wins for “complex” game.

Enlarge

This past weekend, we looked at the shortlisted nominees for the Spiel des Jahres, board gaming's biggest annual award. This morning at a press conference in Berlin, the awards—complete with large wooden pawns for the winners—were handed out.

The main award, which traditionally goes to a lighter, family-style game, went to Azul, a gorgeous tile-laying game from designer Michael Kiesling. A second award for slightly more complex titles (the "Kennerspiel des Jahres") went to Die Quacksalber von Quedlinburg, Wolfgang Warsch's press-your-luck game about building dubious potions with ingredients drawn blindly from a bag. Both Kiesling and Warsch had multiple nominations on the two award shortlists; in the end, each designer went home with one of the coveted pawns.

Azul is one of those games that's so simple and elegant in its mechanics yet deep enough in its play that it feels like a "new classic." The Spiel des Jahres jury praised its "wonderful aesthetics," the quality of its bakelite game pieces, and the way "author Michael Kiesling managed to give a simple selection mechanism so much depth that it is almost endlessly replayable." (At least, that's what was said according to my translation, with help from Google Translate.) Unlike many modern boardgames, Azul is already widely available... and at a reasonable price of $35 or so. A sequel, about building stained glass windows, has already been announced.

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