Month: March 2018

Die Käufer des UKW-Sendenetzes können sich mit den Radiosendern nicht über einen neuen Preis einigen. Erst einmal soll der Sendebetrieb weiterlaufen, gesichert ist das aber noch nicht. (ARD, Freenet)

For millions of people around the world, subtitles are the only way to enjoy media in languages other than that in the original production. For the deaf and hard of hearing, they are absolutely essential.

Movie and TV show companies tend to be quiet good at providing subtitles eventually but in line with other restrictive practices associated with their industry, it can often mean a long wait for the consumer, particularly in overseas territories.

For this reason, fan-made subtitles have become somewhat of a cottage industry in recent years. Where companies fail to provide subtitles quickly enough, fans step in and create them by hand. This has led to the rise of a number of subtitling platforms, including the now widely recognized Undertexter.se in Sweden.

The platform had its roots back in 2003 but first hit the headlines in 2013 when Swedish police caused an uproar by raiding the site and seizing its servers.

“The people who work on the site don’t consider their own interpretation of dialog to be something illegal, especially when we’re handing out these interpretations for free,” site founder Eugen Archy said at the time.

Vowing to never give up in the face of pressure from the authorities, anti-piracy outfit Rättighetsalliansen (Rights Alliance), and companies including Nordisk Film, Paramount, Universal, Sony and Warner, Archy said that the battle over what began as a high school project would continue.

“No Hollywood, you played the wrong card here. We will never give up, we live in a free country and Swedish people have every right to publish their own interpretations of a movie or TV show,” he said.

It took four more years but in 2017 the Undertexter founder was prosecuted for distributing copyright-infringing subtitles while facing a potential prison sentence.

Things didn’t go well and last September the Attunda District Court found him guilty and sentenced the then 32-year-old operator to probation. In addition, he was told to pay 217,000 Swedish krona ($26,400) to be taken from advertising and donation revenues collected through the site.

Eugen Archy took the case to appeal, arguing that the Svea Hovrätt (Svea Court of Appeal) should acquit him of all the charges and dismiss or at least reduce the amount he was ordered to pay by the lower court. Needless to say, this was challenged by the prosecution.

On appeal, Archy agreed that he was the person behind Undertexter but disputed that the subtitle files uploaded to his site infringed on the plaintiffs’ copyrights, arguing they were creative works in their own right.

While to an extent that may have been the case, the Court found that the translations themselves depended on the rights connected to the original work, which were entirely held by the relevant copyright holders. While paraphrasing and parody might be allowed, pure translations are completely covered by the rights in the original and cannot be seen as new and independent works, the Court found.

The Svea Hovrätt also found that Archy acted intentionally, noting that in addition to administering the site and doing some translating work himself, it was “inconceivable” that he did not know that the subtitles made available related to copyrighted dialog found in movies.

In conclusion, the Court of Appeal upheld Archy’s copyright infringement conviction (pdf, Swedish) and sentenced him to probation, as previously determined by the Attunda District Court.

Last year, the legal status of user-created subtitles was also tested in the Netherlands. In response to local anti-piracy outfit BREIN forcing several subtitling groups into retreat, a group of fansubbers decided to fight back.

After raising their own funds, in 2016 the “Free Subtitles Foundation” (Stichting Laat Ondertitels Vrij – SLOV) took the decision to sue BREIN with the hope of obtaining a favorable legal ruling.

In 2017 it all fell apart when the Amsterdam District Court handed down its decision and sided with BREIN on each count.

The Court found that subtitles can only be created and distributed after permission has been obtained from copyright holders. Doing so outside these parameters amounts to copyright infringement.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

In January, a coalition of Canadian companies called on the local telecom regulator CRTC to establish a local pirate site blocking program, which would be the first of its kind in North America.

The Canadian deal is supported by Fairplay Canada, a coalition of both copyright holders and major players in the telco industry, such as Bell and Rogers, which also have media companies of their own.

Before making a decision on the proposal, the CTRC has launched a public consultation asking Canadians for their opinion on the matter. In recent weeks this has resulted in thousands of submissions, with the majority coming from ordinary citizens.

The responses themselves range from an unequivocal “another push by Bell to control all forms of communication,” to very elaborate and rather well-documented arguments.

From the responses we’ve seen it’s clear that many individuals are worried that their Internet access will be censored. The term “slippery slope” is regularly mentioned, as well as the corporate interests that back the plan.

“I strongly oppose any attempt for internet censorship, especially any attempt brought forth by a commercial entity. The internet is and should remain a free flowing source of information that is not controlled by any individuals or groups political or corporate interests,” Shanon Durst writes in her comment.

“If there is concern for illegal activities taking place on the internet then those activities can be addressed in a court of law and the appropriate actions taken there,” she adds.

The same type of arguments also come back in the Electronic Frontier Foundation’s (EFF) submission.

“It is unsurprising that the entertainment industry would rather construct its own private body to bypass the court system in making decisions about website blocking,” the EFF writes.

“But if it is allowed to do this, will the newspaper industry be next to propose and fund a private body to make determinations about defamation? Will the adult entertainment industry propose establishing its own private court to determine the boundaries of the law of obscenity?”

While they appear to be in the minority, there are several commenters who back the proposal. Where most individual responses oppose the plans, it appears that many submissions from organizations are in favor.

A lot of these responses come from outfits that are concerned that piracy is negatively impacting their livelihoods, including Canada Basketball, The Association of Canadian Publishers, and Pier 21 Films.

“Canada’s current tools to combat piracy are not working. The FairPlay proposal is a proportionate response that reflects the modern realities of piracy,” Laszlo Barna, president of Pier 21 Films writes.

“As participants in the legal sports and entertainment market in Canada, this proposal will reduce the theft of content and support the ability to invest in, produce, and distribute the great content that our fans crave,” Canada Basketball concurs.

Drawing conclusions based on this limited sample of comments is hard, aside from the finding that it will be impossible to please everyone. Thankfully, research conducted by Reza Rajabiun and Fenwick McKelvey, with support from the Social Sciences and Humanities Research Council of Canada, provides additional insight.

The visualization below gives an overview of the most statistically significant concepts emphasized by respondents in their submissions, as well as the relationship among these concepts.

A visualization of significant comment concepts (image credit)

The quantitative content analysis is based on 4,000 submissions. While it requires some interpretation from the reader, many of the themes appear to be closely aligned with the opposition, the researchers write.

“According to their CRTC submissions, Canadians believe that the proposal is a ‘bad’ ‘idea’ because it enables ‘corporations’ and the ‘government’ to restrict ‘freedom’ of ‘speech’ and ‘flow’ of ‘information’ among ‘citizens.’ The fear of setting a bad ‘precedent’ is closely associated with the potential for ‘censorship’ in the future.”

Many of the same words can also be in a different context, of course, but the researchers see the themes as evidence that many members of the public are concerned about the negative consequences.

“Overall, it is easy to see that Canadians tend to view the proposed blocking regime not just in terms of its benefits for fighting ‘piracy’; they also perceive that setting up a national blocking regime may be a threat to their economic interests as ‘consumers’ of ‘legitimate’ ‘media’ and of their political ‘rights’ as ‘citizens’,” they write.

At the time of writing nearly 8,000 responses have been submitted. There is no easy way to determine what percentage is for or against the proposal. When the deadline passes on March 29, CRTC will review them manually.

When that’s done, it is up to the telecoms regulator to factor the different opinions into its final decision, which won’t be an easy feat.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

The SXSW music festival was one of the first major events to embrace BitTorrent.

In 2005, it used the then relatively new technology to share hundreds of DRM-free tracks from participating artists. It was a practical, fast, and cheap solution that worked well.

The official torrent releases continued for three years but since 2008 this task has been unofficially taken over by the public. SXSW still showcases music on their site, for sampling purposes, but no longer via torrents.

However, once it’s out on the Internet it only takes one person to make a torrent archive. For many years, the operator of SXSW Torrent has taken on this task and 2018 is no exception.

This year’s archive is released in two torrents, which consists of 1,276 tracks totaling 8.24 gigabytes of free music.

All the tracks released for the previous editions are also still available and most of these torrents remain well-seeded. The 2005 – 2018 archives now total more than 15,000 tracks and 85 gigabytes of data.

TorrentFreak spoke to the operator of SXSW Torrent who told us that it’s the tenth year in a row that the site has compiled the archive. His motivation is partly selfish, serving as preparation for his yearly SXSW Music trip, but also because many others are relying on it.

“Many people come back every year, so I can’t leave them hanging,” the SXSW Torrent operator previously told us.

Apparently, these people prefer to download everything in one go, as opposed to browsing through the SWSX site to sample the music.

It’s clear that these efforts are appreciated by the public. With tens of thousands of downloaders each year, the SXSW torrents attract quite a bit of traffic. For some, it almost makes up for not being able to attend the festival in person.

However, the term ‘free’ music has changed over time. While SXSW Torrent was never asked to take any files down, the torrents are not officially authorized. This means that some artists or rightsholders, may not like the idea of their music being shared this way

When SWSX released the torrent we happily encouraged people to download the tracks, but now that’s no longer the case.

The good news is that there are plenty other options out there. Aside from the showcases on the official website, SXSW has published official Spotify and YouTube playlists where people can enjoy the the music, without any concerns.

This year’s SXSW music festival is currently underway in Austin, Texas and ends on Sunday. The torrents, however, are expected to live on for as long as there are people sharing.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

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Nach Protesten aus der Community hatte Electronic Arts alle Kaufinhalte aus Star Wars Battlefront 2 entfernt, nun kommen sie zurück: Allerdings wird es nur kosmetische Extras gegen Geld geben - der Rest muss erspielt werden. (Star Wars Battlefront 2, Electronic Arts)

Nach Mainboards nun Grafikkarten: Asrock hat seinen ersten Pixelbeschleuniger für Spieler angekündigt. Dabei handelt es sich offenbar um ein Mittelklasse-Modell mit AMD-Chip. (Grafikhardware, PC-Hardware)

Streaming site Kinox has proven hugely problematic for German authorities and international rightsholders for many years.

Last year, following a three-year manhunt, one of the site’s alleged operators was detained in Kosovo. Despite this and other actions, the site remains online.

Given the profile of the platform and its popularity in Germany, it came as no surprise when Kinox became the guinea pig for site-blocking in the country. Last month following a complaint from local film production and distribution company Constantin Film, a district court in Munich handed down a provisional injunction against Internet provider Vodafone.

In common with many similar cases across the EU, the Court cited a 2017 ruling from the European Court of Justice which found that local authorities can indeed order blockades of copyright-infringing sites. The Court ordered Vodafone to prevent its subscribers from accessing the site and shortly after the provider complied, but not willingly it seems.

According to local news outlet Golem, last week Vodafone filed an appeal arguing that there is no legal basis in Germany for ordering the blockade.

“As an access provider, Vodafone provides only neutral access to the Internet, and we believe that under current law, Vodafone cannot be required to curb copyright infringement on the Internet,” a Vodafone spokesperson told the publication.

The ISP says that not only does the blocking injunction impact its business operations and network infrastructure, it also violates the rights of its customers. Vodafone believes that blocking measures can only be put in place with an explicit legal basis and argues that no such basis exists under German law.

Noting that blockades are easily bypassed by determined users, the ISP says that such measures can also block lots of legal content, making the whole process ineffective.

“[I]nternet blocking generally runs the risk of blocking non-infringing content, so we do not see it as an effective way to make accessing illegal offers more difficult,” Vodafone’s spokesperson said.

Indeed, it appears that the Kinox blockade is a simple DNS-only effort, which means that people can bypass it by simply changing to an alternative DNS provider such as Google DNS or OpenDNS.

Given all of the above, Vodafone is demanding clarification of the earlier decision from a higher court. Whether or not the final decision will go in the ISP’s favor isn’t clear but there is plenty of case law at the European level that suggests the balance of probabilities lies with Constantin Film.

When asked to balance consumer rights versus copyrights, courts have tended to side with the latter in recent years.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.