Linux-Dateisysteme: Nova soll Zugriffe auf NVDIMMs optimieren

Die künftigen persistenten NVDIMM-Speichermodule wie 3D-XPoint werden durch herkömmliche Dateisysteme ausgebremst. Nova für Linux will hingegen Zugriffe auf den neuen Speicher optimieren. (Dateisystem, Prozessor)

Die künftigen persistenten NVDIMM-Speichermodule wie 3D-XPoint werden durch herkömmliche Dateisysteme ausgebremst. Nova für Linux will hingegen Zugriffe auf den neuen Speicher optimieren. (Dateisystem, Prozessor)

Toll Collect: Daimler will bei Lkw-Mautsystem aussteigen

An der Ausschreibung für den Betrieb des deutschen Lkw-Mautsystems will sich Daimler laut einem Medienbericht nicht nicht mehr beteiligen. Die Deutsche Telekom soll derweil weiterhin Interesse zeigen. (Maut, Datenschutz)

An der Ausschreibung für den Betrieb des deutschen Lkw-Mautsystems will sich Daimler laut einem Medienbericht nicht nicht mehr beteiligen. Die Deutsche Telekom soll derweil weiterhin Interesse zeigen. (Maut, Datenschutz)

After a month off, SpaceX makes a triumphant return to flight [Updated]

The rocket and Dragon went up, and 10 minutes later the booster safely returned.

Trevor Mahlmann

12:45pm Monday Update: With near perfect weather conditions for a launch, SpaceX's Falcon 9 rocket soared into space on Monday, delivering its Dragon spacecraft into orbit. The supply ship will rendezvous with the International Space Station later this week. Meanwhile, the Falcon 9's first stage fell back to its landing pad on the Florida coast, marking the 14th time SpaceX has successfully returned a booster to Earth.

Original post: After standing down for a month due to Air Force maintenance on the launch range along the US East Coast, SpaceX will attempt to return to flight on Monday. Provided the weather and spacecraft cooperate, the company will launch a Dragon carrying about 3 tons of cargo to the International Space Station. Launch time is set for 12:31pm ET, and there is n 80-percent chance of "go" conditions for the instantaneous launch window.

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MPAA Revenue Stabilizes, Chris Dodd Earns $3.5 Million

The latest MPAA tax filing shows that the revenue generated by the anti-piracy group has stabilized after a few rocky years. The group’s main income sources are major Hollywood studios, which contribute $65 million a year. The filing further reveals that MPAA boss and former Senator Chris Dodd earned an income of more than $3.5 million.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Protecting the interests of Hollywood, the MPAA has been heavily involved in numerous anti-piracy efforts around the world in recent years.

Through its involvement in the shutdowns of Popcorn Time, YIFY, isoHunt, Hotfile, Megaupload and several other platforms, the MPAA has worked hard to target piracy around the globe.

Perhaps just as importantly, the group lobbies lawmakers globally while managing anti-piracy campaigns both in and outside the US, including the Creative Content UK program.

All this work doesn’t come for free, obviously, so the MPAA relies on six major movie studios for financial support. After its revenues plummeted a few years ago, they have steadily recovered and according to its latest tax filing, the MPAA’s total income is now over $72 million.

The IRS filing, covering the fiscal year 2015, reveals that the movie studios contributed $65 million, the same as a year earlier. Overall revenue has stabilized as well, after a few years of modest growth.

Going over the numbers, we see that salaries make up a large chunk of the expenses. Former Senator Chris Dodd, the MPAA’s Chairman and CEO, is the highest paid employee with a total income of more than $3.5 million, including a $250,000 bonus.

It was recently announced that Dodd will leave the MPAA next month. He will be replaced by Charles Rivkin, another political heavyweight. Rivkin previously served as Assistant Secretary of State for Economic and Business Affairs in the Obama administration.

In addition to Dodd, there are two other employees who made over a million in 2015, Global General Counsel Steve Fabrizio and Diane Strahan, the MPAA’s Chief Operating Officer.

Looking at some of the other expenses we see that the MPAA’s lobbying budget remained stable at $4.2 million. Another $4.4 million went to various grants, while legal costs totaled $7.2 million that year.

More than two million dollars worth of legal expenses were paid to the US law firm Jenner & Block, which represented the movie studios in various court cases. In addition, the MPAA paid more than $800,000 to the UK law firm Wiggin, which assisted the group in local site-blocking efforts.

Finally, it’s worth looking at the various gifts and grants the MPAA hands out. As reported last year, the group handsomely contributes to various research projects. This includes a recurring million dollar grant for Carnegie Mellon’s ‘Initiative for Digital Entertainment Analytics’ (IDEA), which researches various piracy related topics.

IDEA co-director Rahul Telang previously informed us that the gift is used to hire researchers and pay for research materials. It is not tied to a particular project.

We also see $70,000+ in donations for both the Democratic and Republican Attorneys General associations. The purpose of the grants is listed as “general support.” Interestingly, just recently over a dozen Attorneys General released a public service announcement warning the public to stay away from pirate sites.

These type of donations and grants are nothing new and are a regular part of business across many industries. Still, they are worth keeping in mind.

It will be interesting to see which direction the MPAA takes in the years to come. Under Chris Dodd it has booked a few notable successes, but there is still a long way to go before the piracy situation is somewhat under control.



MPAA’s full form 990 was published in Guidestar recently and a copy is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Why our brains lead us astray when we take things at face value

A new book looks at how we overestimate what we can tell from a first impression.

Enlarge / Faces. (credit: Anna Carol / Flickr)

The Industrial Revolution was a dizzying time. People were moving from small outposts to big cities; they were crossing borders and settling far from their roots. Society had been so much simpler for the past couple of million years, when everyone for the most part lived in tribal groups. These were essentially extended families in which you either knew or knew of anyone you could possibly encounter, and so you could easily discern their demeanor and intentions. Now, though, we have to quickly and reliably tell friend from foe, at a time when so many people look so different from you.

Hence the 19th century was the golden age of a pseudoscience known as physiognomy. “The physiognomists promised an easy way to solve the problem of understanding other people,” writes Alexander Todorov, a psychology Professor at Princeton. “Knowing them from their faces.” Physiognomists proposed and promoted rules about how facial features and structures revealed character traits and abilities.

Impressive

Professor Todorov’s new book, Face Value: The Irresistible Influence of First Impressions, is about much more than 19th-century pseudoscience. It’s about first impressions more generally. We all form them instantly—within 30-40 milliseconds, before we can consciously register even seeing a face. And we start exceptionally early on, probably at around seven months of age. We also seem to agree on these impressions, which makes the physiognomists’ promise so appealing.

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Tracking the spread of culture through folktales

Genomic, geographical, and cultural data join forces.

Enlarge (credit: Starz)

There’s a reason why the premise of American Gods is so alluring: the US is home to a wild and glorious mishmash of gods, folktales, and cultural heritage. One by one, groups from around the world picked up and landed on a new shore, bringing their stories with them.

The mere existence of certain tales can be revealing. They develop and mutate as they get passed from one group to the next, and the best stories are passed on more readily. Understanding the spread of folktales can help us understand cultural evolution more generally, and a paper in this week’s PNAS does just that by combining data on folktales with genetic, geographic, and linguistic information.

Researchers studying cultural evolution use biological evolution as a starting point for their ideas, but they also point out that clear and important differences separate the two types of evolution. The timescales, for instance, are often very different—cultural units can be transmitted between people of the same generation, while powerful ideas (like religions) can spread incredibly quickly and easily. A lot of work in cultural evolution is dedicated to trying to divine the mechanisms that underlie the spread of cultural ideas. How do people choose which ideas to adopt? And how does the spread of ideas compare to the spread of genes?

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Steal the Stars stakes its place in the podcast-drama resurgence

Office romance and aliens make for an odd but vividly descriptive blend in podcast.

(credit: Tor Labs)

If you’re not a regular podcast listener, you might have missed the booming resurgence of audio dramas over the past few years. Once the purview of terrestrial radio—and all but dead in the United States—iTunes has given the narration-driven medium a brand-new outlet. Welcome to Night Vale, The Magnus Archives, Limetown, and Archive 81 are just a few of my personal favorites, now bringing science fiction, fantasy, and horror to our ears through the power of podcasts.

In some respects, Steal the Stars may not seem very unusual. The podcast works in the same sci-fi and fantasy genres that dominate the modernized medium: one part X-Files and one part office romance, set against a secretive government compound. Which isn’t surprising, given that Steal the Stars was created by Tor Labs—an offshoot of sci fi/fantasy-focused publisher Tor Books—in conjunction with production company Gideon Media.

But beneath the surface of its two-sentence iTunes summary, Steal the Stars has something unique going for it. The show brings back a style of radio drama that’s still uncommon, even among the wave of popular new series.

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HTTP Error 418: Fehlercode “Ich bin eine Teekanne” darf bleiben

Was als Aprilscherz begann, darf nach Meinung vieler Unterstützer nicht aus dem Internet verschwinden: Der HTTP Statuscode 418 “I am a Teapot” bleibt – und könnte sogar zum IETF-Standard werden. (IETF, Node.js)

Was als Aprilscherz begann, darf nach Meinung vieler Unterstützer nicht aus dem Internet verschwinden: Der HTTP Statuscode 418 "I am a Teapot" bleibt - und könnte sogar zum IETF-Standard werden. (IETF, Node.js)

Sonic Spy: Forscher finden über 4000 spionierende Android-Apps

Ein einziger Anbieter soll seit Jahresanfang rund 4000 Apps mit bösartigem Inhalt in Umlauf gebracht haben – einige davon auch über Google Play. Die Apps können das Mikrofon aktivieren und Telefonate mitschneiden. (Malware, Virus)

Ein einziger Anbieter soll seit Jahresanfang rund 4000 Apps mit bösartigem Inhalt in Umlauf gebracht haben - einige davon auch über Google Play. Die Apps können das Mikrofon aktivieren und Telefonate mitschneiden. (Malware, Virus)

Controlling Millions of Potential Internet Pirates Won’t Be Easy

This week a man in the US uploaded the remaining three episodes of Power to the Internet in advance of their commercial release. It was clear he didn’t care about being identified. Or, presented with tools to pirate with ease, it’s possible he didn’t even consider it. With that in mind, are we all now just a click away from being a piracy supplier?

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

For several decades the basic shape of the piracy market hasn’t changed much. At the top of the chain there has always been a relatively small number of suppliers. At the bottom, the sprawling masses keen to consume whatever content these suppliers make available, while sharing it with everyone else.

This model held in the days of tapes and CDs and transferred nicely to the P2P file-sharing era. For nearly two decades people have been waiting for those with the latest content to dump it onto file-sharing networks. After grabbing it for themselves, people share that content with others.

For many years, the majority of the latest music, movies, and TV shows appeared online having been obtained by, and then leaked from, ‘The Scene’. However, with the rise of BitTorrent and an increase in computer skills demonstrated by the public, so-called ‘P2P release groups’ began flexing their muscles, in some cases slicing the top of the piracy pyramid.

With lower barriers to entry, P2P releasers can be almost anyone who happens to stumble across some new content. That being said, people still need the skill to package up that content and make it visible online, on torrent sites for example, without getting caught.

For most people that’s prohibitively complex, so it’s no surprise that Average Joe, perhaps comforted by the air of legitimacy, has taken to uploading music and movies to sites like YouTube instead. These days that’s nothing out of the ordinary and perhaps a little boring by piracy standards, but people still have the capacity to surprise.

This week a man from the United States, without a care in the world, obtained a login for a STARZ press portal, accessed the final three episodes of ‘Power’, and then streamed them on Facebook using nothing but a phone and an Internet connection.

From the beginning, the whole thing was ridiculous, comical even. The man in question, whose name and personal details TF obtained in a matter of minutes, revealed how he got the logins and even recorded his own face during one of the uploaded videos.

He really, really couldn’t have cared any less but he definitely should have. After news broke of the leaks, STARZ went public confirming the breach and promising to do something about it.

“The final three episodes of Power’s fourth season were leaked online due to a breach of the press screening room,” Starz said in a statement. “Starz has begun forensic investigations and will take legal action against the responsible parties.”

At this point, we should consider the magnitude of what this guy did. While we all laugh at his useless camera skills, the fact remains that he unlawfully distributed copyright works online, in advance of their commercial release. In the United States, that is a criminal offense, one that can result in a prison sentence of several years.

It would be really sad if the guy in question was made an example of since his videos suggest he hadn’t considered the consequences. After all, this wasn’t some hi-tech piracy group, just a regular guy with a login and a phone, and intent always counts for something. Nevertheless, the situation this week nicely highlights how new technology affects piracy.

In the past, the process of putting an unreleased movie or TV show online could only be tackled by people with expertise in several areas. These days a similar effect is possible with almost no skill and no effort. Joe Public, pre-release TV/movie/sports pirate, using nothing but a phone, a Facebook account, and an urge?

That’s the reality today and we won’t have to wait too long for a large scale demonstration of what can happen when millions of people with access to these ubiquitous tools have an urge to share.

In a little over two weeks’ time, boxing legend Floyd Mayweather Jr fights UFC lightweight champion, Conor McGregor. It’s set to be the richest combat sports event in history, not to mention one of the most expensive for PPV buyers. That means it’s going to be pirated to hell and back, in every way possible. It’s going to be massive.

Of course, there will be high-quality paid IPTV productions available, more grainy ‘Kodi’ streams, hundreds of web portals, and even some streaming torrents, for those that way inclined. But there will also be Average Joes in their hundreds, who will point their phones at Showtime’s PPV with the intent of live streaming the biggest show on earth to their friends, family, and the Internet. For free.

Quite how this will be combatted remains to be seen but it’s fair to say that this is a problem that’s only going to get bigger. In ten years time – in five years time – many millions of people will have the ability to become pirate releasers on a whim, despite knowing nothing about the occupation.

Like ‘Power’ guy, the majority won’t be very good at it. Equally, some will turn it into an art form. But whatever happens, tackling millions of potential pirates definitely won’t be easy for copyright holders. Twenty years in, it seems the battle for control has only just begun.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.