TVAddons Decimated Without Trial, Here’s a View of the Damage

Bell Canada, TVA, Videotron, and Rogers are collectively suing Kodi addon repository TVAddons. Before obtaining a civil search warrant, ostensibly to preserve evidence, the companies admitted to the court that the destruction of TVAddons was their true aim. Ten weeks on and long before any trial on the merits of the case takes place, a relaunched TVAddons is feeling the pain.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

On June 2, a collection of Canadian telecoms giants including Bell Canada, Bell ExpressVu, Bell Media, Videotron, Groupe TVA, Rogers Communications and Rogers Media, filed a complaint in Federal Court against Montreal resident Adam Lackman, the man behind TVAddons.

They claimed that by developing, hosting, distributing or promoting Kodi add-ons, Lackman infringed their copyrights.

On June 9 the Federal Court handed down an interim injunction against Lackman which restrained him from various activities in respect of TVAddons. The process took place ex parte, meaning in secret, without Lackman being able to mount a defense.

The plaintiffs were also granted an Anton Piller order, a civil search warrant that granted access to Lackman’s premises and allowed him to be interrogated.

As previously reported, the plaintiffs abused the process and only later did a court recognize that the search was designed as both a fishing exercise and a means to take down TVAddons, in advance of any trial on the merits of the case.

In the meantime, with the process grinding through an early appeal, the plaintiffs’ aim of destroying TVAddons has been at least partially achieved. After prolonged downtime, Lackman recently brought the site back under a new URL, TVAddons.co. However, he informs TF that serious damage has been done to a project that previously enjoyed great momentum.

“Google is the most popular site on the internet. If Google was down for a day, you’d check back tomorrow. If it was down for a week, you’d check back a week later. If it was down for a month, maybe you’d try once in a while,” Lackman says.

“However, if Google was down for more than six months, would you return in a year from now? Probably not. And that’s Google, not a small community site like TVAddons.”

Some people are coming back to the site now, but in nowhere near the volumes it previously enjoyed. Here’s a traffic analysis for a typical day at TVAddons.ag before the takedown.

TVAddons.ag daily traffic, before the takedown

And here is how the traffic for TVAddons.co looked a few days ago, a little two weeks after its revival and ten weeks after the initial takedown.

Part of the problem is not being able to get in touch with former users. In addition to taking control of TVAddons’ domains, the legal process also deprived the site of its social media accounts.

For example, TVAddons’ original Twitter account is now dormant. It still has 141K followers but with its passwords in the hands of lawyers, Lackman has been forced to open a new account, TVAddonsco. However, he’s only been able to attract just over 8,000 followers.

Facebook tells a similar story. With no access to the old account (which had 174,229 likes), the new account facebook.com/tvaddonsco is stalling at around 1,600. The situations on YouTube and Instagram are just as bleak.

“They’ve completely muzzled us, there was never anything questionable on our social media, seizing it without actually winning a lawsuit against us is nothing less than censorship,” Lackman says.

“Since we never required user registration, we don’t have the ability to reach the majority of our users without having access to our old social media accounts and notification system, which doesn’t work without our domain name being active.”

Also seized were TVaddons’ Feedburner account, which was used to manage the site’s 100,000 RSS feed subscribers.

“It was in the same account as Google+ and YouTube so we lost that too. We could have easily used it to forward our RSS feed and keep all the subscribers otherwise,” Lackman adds.

This has left TVAddons having to do its best to spread the details of its new locations via social media and a contest that has thus far gained more than 87,000 entries and may be helping things along.

While it’s now common knowledge that many TVAddons-related domains and accounts were seized following the search, Lackman now reveals that other non-connected projects were affected too. Included were the social media pages of several unrelated businesses, the domain name of a hosting website that was around seven years old, and an entirely legal “cord-cutting” information resource.

“Since the cord-cutting phenomenon conflicts with their business interests, seizing that specific social media page effectively destroyed their direct competition,” Lackman says.

“The plaintiffs are trying to destroy their competition rather than innovating. TVAddons provided a lot of legitimate competition for them in terms of content for cordcutters, they’re trying to keep a grasp on the market at any cost.

“Their failure at innovating can be immediately demonstrated by the fact that the NFL recently canceled all broadcast contracts with Canadian TV operators, in favor of DAZN, a new legal sports streaming service that charges half the price they did, with way more content than their sports packages ever offered.”

But despite the setbacks, Lackman appears determined to continue not only with the resurrected TVAddons, but also the legal fight against the Canadian broadcasting giants intent on his destruction.

At the time of writing the site’s fundraiser has generated more than $27,000 in 15 days but TF understands that this might only be 5 to 10 percent of the final sum required when all bills are counted. It’s hoped that new methods of donating and assistance from friendly website operators might give the campaign an additional boost but in the meantime, Lackman is expressing gratitude for the efforts so far.

It’s hard to say whether TVAddons will once again reach the heights achieved at its peak but after taking years to build up a following, the odds are certainly stacked against it.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Reverb: Smartphone-App aktiviert Alexa auf Zuruf

Für die Smartphone-App Reverb gibt es ein Update. Reverb bringt Alexa auf jedes Smartphone und kann nun auch auf Zuruf gestartet werden. Dabei stehen mehr Aktivierungswörter bereit, als Alexa sonst zu bieten hat. (Amazon Alexa, Smartphone)

Für die Smartphone-App Reverb gibt es ein Update. Reverb bringt Alexa auf jedes Smartphone und kann nun auch auf Zuruf gestartet werden. Dabei stehen mehr Aktivierungswörter bereit, als Alexa sonst zu bieten hat. (Amazon Alexa, Smartphone)

Mass Effect: Andromeda officially shuts down its single-player updates

Unless you play ME:A for multiplayer, your quest is effectively done.

Enlarge / Pretend that planet is Mass Effect: Andromeda's single-player DLC, then look at it wistfully, turn around, and walk away. (credit: Bioware)

Anybody who hoped the troubled Bioware game Mass Effect: Andromeda would get some more single-player content should probably sit down. The game developer chose to deliver bad news to fans on Saturday evening via its official blog, confirming that it would not create any more "single-player or in-game story content" for the game.

If you're anxious to see the game's loose plot threads receive any resolution, you'll have to turn to other means. The game's existing 1.1 patch, which went live nearly three weeks ago, marked the end of any single-player changes, updates, or patches. Multiplayer modes will receive more "story-based APEX missions," Bioware says, and other stories, including those of the fate of the quarian ark, will be shuffled into "our upcoming comics and novels."

This confirms a DLC cancellation rumor dug up by Kotaku back in June. According to Kotaku's sources, EA had already bailed on plans for either add-on DLC or a full-fledged Andromeda 2 sequel after the game's lukewarm critical and commercial performance.

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Four book series that are shaping the future of science fiction on television

Here are the searingly original visions that will soon set your monitors on fire.

Enlarge (credit: Who Fears Death)

If recent Hollywood deals are any indication, science fiction on TV is about to get even more interesting and complex. The trend started with the surprising announcement in late 2016 that Lin Manuel-Miranda's next project—after completing his run on Hamilton and writing the music for Moana—would be to adapt Patrick Rothfuss' cult fantasy series The Kingkiller Chronicle for TV and film. Just in the past two months, three more gamechanging options were announced: HBO will adapt Nnedi Okorafor's Who Fears Death, award-winning filmmaker Ava DuVernay is working on a TV adaptation of Octavia Butler's Xenogenesis trilogy, and TNT has snapped up N.K. Jemisin's Broken Earth trilogy. All of these books represented major shifts for the science fiction genre and, until recently, would probably have been considered unfilmable.

To understand the magnitude of this change, consider the Xenogenesis trilogy. Octavia Butler published these cerebral alien invasion novels in the 1980s, shortly before she became the first science fiction author ever to win a prestigious MacArthur "genius grant." The books follow three generations of people after an advanced alien civilization of three-gendered, tentacle-covered creatures has created hybrid children with the dying, post-nuclear remnants of humanity. It's a multi-layered story about colonialism and survival, and it includes surreal scenes in which we enter the minds of aliens to experience their unique sensorium. Though critically acclaimed and widely read, the novels never made it to the screen.

The three novels in Octavia Butler's Xenogenesis series are being adapted by director Ava DuVernay (<em>A Wrinkle in Time</em> and <em>Selma</em>).

The three novels in Octavia Butler's Xenogenesis series are being adapted by director Ava DuVernay (A Wrinkle in Time and Selma).

One issue was pragmatic. Imagining these novels coming to life without a James Cameron-level budget is hard. Today, however, special effects are cheaper than ever. A clever combination of practical effects and CGI could render Butler's aliens and their biotech spaceships.

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Streaming Service iflix Buys Shows Based on Piracy Data

With five million subscribers throughout Asia and Africa, iflix is one of the leading video streaming services in emerging markets. The company is battling with other services to offer the best content and as part of this quest, it uses piracy data to see what is popular among potential viewers.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

When major movie and TV companies discuss piracy they often mention the massive losses incurred as a result of unauthorized downloads and streams.

However, this unofficial market also offers a valuable pool of often publicly available data on the media consumption habits of a relatively young generation.

Many believe that piracy is in part a market signal showing copyright holders what consumers want. This makes piracy statistics key business intelligence, which some companies have started to realize.

Netflix, for example, previously said that their offering is partly based on what shows do well on BitTorrent networks and other pirate sites. In addition, the streaming service also uses piracy to figure out how much they can charge in a country. They are not alone.

Other major entertainment companies also keep a close eye on piracy, using this data to their advantage. This includes the Asia-based streaming portal iFlix, which recently secured $133 million in funding and boasts to have over five million users.

Iflix co-founder Patrick Grove says that his company actively uses piracy numbers to determine what content they acquire. The data reveal what is popular locally, and help to give viewers the TV-shows and movies they’re most interested in.

“We looked at piracy data in every market,” Grove informed CNBC’s Managing Asia, which doesn’t stop at looking at a few torrent download numbers.

Representatives from the Asian company actually went out on the streets to buy pirated DVDs from street vendors. In addition, iflix also received help from local Internet providers which shared a variety of streaming data.

TorrentFreak reached out to the streaming service to get more details about their data gathering techniques. One of the main partners to measure online piracy is the German company TECXIPIO, which is known to actively monitor BitTorrent traffic.

The company also maintains a close relationship with Internet providers that offer further insight, including streaming data, to determine which titles work best in each market.

While analyzing the different sets of data, the streaming service was surprised to see the diversity in different regions as well as the ever-changing consumer demand.

“Through looking at the Top 20 pirated DVDs in every market we are live in, we were surprised to find the amount of pirated K-drama content. In Ghana for example, the number one pirated title is K-drama series called ‘Legend of the Blue Sea’,” an iflix spokesperson told us.

Iflix believes that piracy data is superior to other market intelligence. Before rolling out its service in Saudi Arabia the company made a list of the 1,000 most popular shows and used that to its advantage.

While there is a lot of piracy in emerging markets, iflix doesn’t think that people are not willing to pay for entertainment. It just has to be available for a decent price, and that’s where they come in.

“We believe that people in emerging markets do not actively want to steal content, they do so because there is no better alternative,” the company informs us.

“As consumers become more connected, gaining access to information and cultural influences on a global scale, they want to be entertained at a world-class standard. We set out with the aim of offering an alternative that is better than piracy; by providing unlimited access to high-quality, world-class entertainment, all at the price of pirated DVD.”

There is no doubt that iflix is ambitious, and that it’s willing to employ some unusual tactics to grow its userbase. The company is quite optimistic about the future as well, judging from its co-founder’s prediction that it will welcome its billionth viewer in a few years.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

NASA’s Voyagers: 35 years of inspiration [Update: Now it’s 40]

The two Voyager probes changed how we view science and the Universe.

(credit: National Geographic)

This weekend, NASA's historic Voyager spacecrafts celebrate their 40th year in space. The missions have given humanity many awe-inspiring discoveries in those four decades, and Voyager 1 and 2 have inspired infinite further initiatives or related works, too (such as a great new documentary debuting this week). To celebrate the occasion, we're resurfacing this appreciation from 2012 that details another thing Voyager forever inspired: our science editor.

August 20, 1977 turned out to be a before-and-after moment for me—and probably a lot of other people as well. None of us knew it at the time, though, since the launch of Voyager 2 (followed a few weeks later by Voyager 1) wasn't obviously a big deal to most people. In fact, I wouldn't fully appreciate the change until sometime in 1980.

To understand why, a bit of history is in order. NASA had been sending probes to other planets, like the Mariner and Pioneer series, since the 1960s. However, even the best technology of the time was pretty limited in terms of what it could do remotely. And for most of that time, they were badly overshadowed by manned exploration, first the Apollo missions and Skylab, and later the planning for the space shuttle. In fact, even as the Voyagers flew past Jupiter, I seem to recall more attention being paid to the impending de-orbit of Skylab, which scattered charred pieces of itself over Australia later that year.

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After bouncing around the Web, Daily Stormer lands a new CDN provider

BitMitigate founder: “I thought it would really get my service out there.”

Enlarge (credit: CommScope)

This article originally appeared on ProPublica on August 18, 2017.

The neo-Nazi site The Daily Stormer was back online Friday with help from a small company whose founder said he wanted to defend free speech and raise the commercial profile of his new venture.

The Daily Stormer was dumped by several internet service providers this week after it posted a story mocking the appearance of Heather Heyer, the 32-year-old woman killed [last] Saturday in Charlottesville. By mid-week, it was accessible only through what is known as the dark web, a corner of the Internet that is not easily accessible to ordinary users.

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Nidhogg 2 review: Violent, disgusting, and hilariously fun

A better game for series fans old and new, this is everything a great sequel should be.

Enlarge (credit: Messhof)

Of all the fighting video games I imagined might ever get sequels, Nidhogg was pretty low on my wishlist. The 2014 sword-duel game was a masterwork of simplicity, and it benefited from looking and playing like something from an early '80s home console. Two-button controls. Minuscule color palettes. A simple directive to stab and run. I had seen too many zillions-of-buttons, zillions-of-commands fighting games, and Nidhogg, even more than its one-button contemporary Divekick, served as a delightful palette cleanser.

When its sequel was announced last year, fans—including myself—wondered what the heck was going on. Where was the refreshing simplicity? What was up with these new weapons? Why did the fighters transform into grotesque, mutated Homer Simpsons?

Once I went hands-on with Nidhogg 2 last December, I instantly changed my tune. That love has only grown since playing its preview builds in bits and pieces—and it's grown more since getting the final version. Nidhogg 2 is everything a great sequel should be: an opportunity to build on a solid foundation, a successful gamble on updated mechanics, and a better game for fans both old and new.

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In a great year for space music, Quindar’s Hip Mobility most puts us in orbit

Tell Pitchfork this is one concept album that delivered and deserved better than 6.8/10.

Shawn Brackbill/Courtesy of the artist

It has been a great 12 months for space music, but to our ears much of this burgeoning scene doesn't quite sound spacey. The Sufjan Stevens-led Planetarium is a modern Holst-ian work, more at home in the concert hall than the Milky Way (and we’d take Gustav’s “Mars” over Sufjan’s). Ennio Morricone’s newly reissued SPACE: 1999 is free-form jazz that sounds appropriate for a sci-fi horror set in the stars, but it doesn’t conjure up images of the galaxy if you close your eyes and listen. And clipping’s Hugo-nominated Splendor & Misery is already an overlooked artistic masterpiece, but its triumph is in storytelling and not necessarily in being some aural representation of interstellar happenings.

Close your eyes and picture “space,” and many of us likely have similar visions. Yet ask what space sounds like, and there’s no such unified response... at least there wasn’t.

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Bildbearbeitung: Google-Algorithmus entfernt Wasserzeichen auf Fotos

Kommerzielle Fotoagenturen schützen ihre Bilder häufig mit sichtbaren Wasserzeichen. Doch Google-Forscher haben den Schutz geknackt. Und geben Tipps für Verbesserungen. (Maschinelles Lernen, Urheberrecht)

Kommerzielle Fotoagenturen schützen ihre Bilder häufig mit sichtbaren Wasserzeichen. Doch Google-Forscher haben den Schutz geknackt. Und geben Tipps für Verbesserungen. (Maschinelles Lernen, Urheberrecht)