Month: August 2017

Here at Ars we spend a lot of time talking about how developers deal with the trade-offs between resolution, frame rate, graphical detail, and simulation complexity they face at the top end of modern console and PC hardware. Quite often, the first-blush "wow factor" of more pixels and higher frame rates wins out in this constant balancing act. For Destiny 2, though, Executive Producer Mark Noseworthy says the team prioritized the complexity of the game itself over hitting a frame rate higher than 30fps.

In a Twitter thread back in June, Noseworthy said that the CPU limits on current consoles mean the game had to scale back to 30fps "to deliver D2's AI counts, environment sizes, and # of players." In the latest issue of Edge magazine (excerpted by WCCFTech), Noseworthy expands on the reasoning behind that choice:

It’s about the simulation of the Destiny world. Thirty AI at once, large open spaces, six players, sometimes with vehicles, and dropships coming in; that’s where we’re using the CPU.

Could we make a Destiny game that ran at 60fps? Yes, but the space would be smaller, it would be less cooperative, and there’d be fewer monsters to shoot. That’s not the game we want to make.

First and foremost, we’re trying to make an incredible action game. We don’t feel we’ve been held back by the choices we’ve made about world simulation versus frame rate; in fact, we think we’re offering a player experience you can’t have elsewhere because of the choices we’re making.

Put like that, the trade-off doesn't sound like a bad one. Yes, a game that's locked to 30fps looks markedly worse than one running at 60fps or more, all things being equal. The resulting lack of smoothness is especially noticeable in a reflex-based shooting game like Destiny 2 (though the server's internal tick rate has arguably more impact on how the game feels). That said, a smoother Destiny 2 with fewer simultaneous enemies and fewer player characters in smaller battle locales would probably be noticeably worse to play, too. As long as the game can run steadily at a playable 30 frames per second, without dips, that sounds like a perfectly acceptable trade.

Ariel Motor Company

If you watch Top Gear, you'll know the Ariel Motor Company. It's the British maker of the Atom, a mid-engined assortment of scaffolding that was dreamt up as a modern answer to the Lotus/Caterham Seven—the same car that gave Jeremy Clarkson an epiglottis full of bees. Ariel also makes the Nomad, an off-road version of the Atom that featured in Matt Le Blanc's Top Gear debut.

Both of those vehicles are utterly bonkers, stripped down to the very essence of a car but overloaded with excitement. Which makes us rather excited about the fact that the next four-wheeled thrill ride to emerge from its Somerset factory is going to be an electric vehicle.

Enlarge

NEW YORK CITY—We're live from New York, where Samsung has taken the wraps off its new flagship device, the Galaxy Note8.

Samsung changed everything about the Galaxy S line earlier this year, and those changes are all making the jump to the bigger Note model. You get an extra-tall display with on-screen navigation buttons and slim bezels. The fingerprint reader has been moved to the back, next to the camera components. There's also an iris scanner, a dedicated hardware button for Samsung's "Bixby" voice assistant, and compatibility with Samsung's "Dex" desktop dock.

Galaxy Note8 in Orchid Gray. (credit: Samsung)

So what is actually different from the Galaxy S8, which launched almost five months ago? Well, first, it's slightly bigger. While the Galaxy S8+ topped out at 6.2-inches, the Note 8 bumps up to 6.3-inches. On the back there's Samsung's first dual-camera design, pairing a wide-angle camera with a telephoto one with 2× optical zoom. Both have optical image stabilization, something Samsung claims is a first. Samsung has a number of trick features using the dual cameras, such as fine control over depth-of-field and simultaneous dual captures to take a whole scene wide angle shot at the same time as taking a close-up detailed shot.