Led Zep lawyers want $800k for defending “Stairway to Heaven” lawsuit

Lead attorney is billing at $330 an hour, says it’s “below” going rate.

(credit: DerekVelasquez)

Just weeks ago, Led Zeppelin defeated a Los Angeles federal copyright infringement lawsuit claiming the opening to the 1971 classic "Stairway to Heaven" was a rip-off of the 1968 instrumental song "Taurus." The suit was brought in 2014 by the estate of Randy Wolfe, who wrote the song for his band Spirit. Wolfe (aka Randy California) died in 1997.

Now nearly three weeks after the verdict, Zeppelin's lawyers are seeking almost $800,000 in costs and legal fees for their troubles. In American law, it's usually up to each side of a lawsuit to pay their own legal fees and court costs. But that's not always true when it comes to copyright law. And the Supreme Court on June 16 provided nuanced guidance to lower courts in determining whether the prevailing party in a copyright lawsuit should be awarded attorney fees. That ruling is likely to make it easier for winners in copyright cases to collect fees from the losing side.

In the "Stairway to Heaven" case, the lawyers said (PDF) in court documents that the suit should not have been brought in the first place. Zeppelin's lawyers claim the suit amounted to "nearly half-century-old claims that neither Randy Wolfe nor the owner of the allegedly-infringed copyright ever bothered to assert." Zep's attorney, Peter Anderson, added that the Wolfe trust "tried to tar 'Stairway to Heaven' and its authors, Jimmy Page and Robert Plant."

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Kingdom Death: Monster is the $400 board game borne from bloody nightmares

Massive bosses. Civilization-building. Everyone you love dying for no reason.

Comes with everything you see here. (credit: Adam Poots Games)

You'll never encounter a more brutal game than the pen-and-paper monstrosity that is Kingdom Death: Monster. Let's rattle off every one of its negatives:

Its print run is incredibly limited, meaning you can currently only buy the game from eBay resellers. Their insane price hikes make the game's retail ask of $400 seem quaint.

The box is crammed to the brim with enough content to terrify anybody. There's a 223-page book, a series of elaborate play boards, a gazillion minis, and hundreds of cards split into dozens of decks.

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Spector: Kleines Gerät soll Schriften und Farben erkennen

Mit Spector hat eine Designstudentin ein kleines Gerät erfunden, das auf Knopfdruck Schriften und Farben erkennen können soll. Die Schriften sollen direkt auf dem PC angezeigt und anschließend auch heruntergeladen werden. (PC, Arduino)

Mit Spector hat eine Designstudentin ein kleines Gerät erfunden, das auf Knopfdruck Schriften und Farben erkennen können soll. Die Schriften sollen direkt auf dem PC angezeigt und anschließend auch heruntergeladen werden. (PC, Arduino)

New research explains why Antarctic sea ice has grown

Natural Pacific variability also influences regional Antarctic winds.

Summer sea ice and a large iceberg near Antarctica's Totten Glacier. (credit: Kelsey Winsor)

While sea ice in the Arctic has shrunk remarkably over the past few decades, sea ice around Antarctica has been dancing to the beat of a different drum. You might expect that as the world warms, sea ice would dwindle no matter which end of the planet it’s on, but the two regions are quite different.

While the North Pole sits in an ocean surrounded by land, the South Pole is in a continent surrounded by water. Antarctic sea ice grows outward from the coast, aided by the isolating winds that encircle the continent and carry frigid, inland air that pushes the ice around. So even as warmer water reaches under the floating ice shelves of Antarctica’s glaciers, persistently eating away at them, the growth of winter sea ice is more closely tied to wind patterns.

Climate models project a big decline in Arctic sea ice, with the end of summer becoming essentially sea-ice-free within a few decades at the current rate of warming. But in Antarctica, the models project smaller long-term declines.

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Samsung: Wasserdichtes Galaxy S7 Active ist nicht wasserdicht

In den USA ist Samsungs aktuelles Top-Smartphone Galaxy S7 in der angeblich besonders widerstandsfähigen Active-Version erhältlich. Tests eines Verbrauchermagazins zeigen allerdings, dass das Active-Gerät nicht wasserdicht ist und gleich zwei Mal kaputtgeht. (Samsung, Galaxy S7)

In den USA ist Samsungs aktuelles Top-Smartphone Galaxy S7 in der angeblich besonders widerstandsfähigen Active-Version erhältlich. Tests eines Verbrauchermagazins zeigen allerdings, dass das Active-Gerät nicht wasserdicht ist und gleich zwei Mal kaputtgeht. (Samsung, Galaxy S7)

The Analogue Nt is the best NES that (a lot of) money can buy

If you have $500+ to spend on a 30-year-old console, this is the one to buy.

Your aging plastic cartridges have never looked so good.

Back in 2014, we marveled at the announcement of the Analogue Nt, a heavily modified version of the original Nintendo Entertainment System with a solid aluminum case and an even more solid starting price: $500. We’ve been playing with our loaner unit for a few months now, and we’ve come away impressed with this sleek, modern love letter to classic gaming. While the price will put it beyond all but the most dedicated retro gaming hobbyists, we’re glad a product made with such obvious care and devotion exists for those who value authenticity and style above all else.

Before you go comparing apples to oranges, let’s be clear about what the Analogue Nt is not. It’s not one of those gray-market “Famiclone” systems that uses knock-off chips and provides “close enough” compatibility with most NES and Famicom cartridges (see our review of the Generation NEX for an example). It’s also not a system that uses an Android-based software emulator to run legitimate cartridges (like the Retron 5) or ROMs loaded onto an SD card. And it’s not one of those do-it-yourself kits that upgrades an existing NES with more modern features.

At its core, the Analogue Nt is actually a Famicom, the original Japanese version of the NES. Designer Christopher Taber tells Ars he sourced the system’s internals from “a large quantity of HVC-001 Famicom systems that were in cosmetically undesirable/unsellable condition.” That means the CPU and PPU that power the Analogue Nt were produced by Nintendo to run Famicom software about three decades ago. This means in turn that, unlike some other modern hardware that runs NES cartridges, the Analogue Nt should be compatible with any and all of the hundreds of NES/Famicom cartridges in existence with perfect accuracy (every game we’ve been able to test has run flawlessly). The Analogue’s authentic core also means it can take the Japan-only Famicom Disk System as an attachment. We haven’t tested that, but it’s an important feature for a certain subset of collectors.

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Pokémon Go: Internationaler Start wegen Serverüberlastung gestoppt

Niantics und Nintendos neues Pokémon-Spiel ist offenbar zu erfolgreich: CEO John Hanke erklärt aufgrund zu starker Serverauslastung den internationalen Start der App vorerst für gestoppt. Bereits jetzt wollen zu viele Spieler das Spiel nutzen, die Server können nicht mithalten. (Pokémon, Nintendo)

Niantics und Nintendos neues Pokémon-Spiel ist offenbar zu erfolgreich: CEO John Hanke erklärt aufgrund zu starker Serverauslastung den internationalen Start der App vorerst für gestoppt. Bereits jetzt wollen zu viele Spieler das Spiel nutzen, die Server können nicht mithalten. (Pokémon, Nintendo)

Shock: Copyright ‘Bullies’ Can Be Negotiated With

Copyright holders are often accused of making YouTube users’ lives a misery, with their nonsense claims over supposedly infringing content. But while it’s easy to feel victimized by these powerful groups, sometimes the most ridiculous claims are easily ironed out.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

sadyoutubeSeemingly every week there are horror stories of copyright holders abusing the DMCA in order to harass the little guy and suppress legitimate speech. It’s a problem that infuriates the masses, particularly on YouTube.

Early Friday, TorrentFreak was informed of a situation faced by a woman running Emadion, an Italy-based site dedicated to horror, the supernatural, and the bizarre.

Emadion is supported by a small YouTube channel which recently received notification that an uploaded video was infringing copyright. The details are enough to make smoke come out of any YouTuber’s ears.

The video in question features the infamous and harrowing 911 recording of a call which detailed a horrific pet chimpanzee attack that took place in the United States in 2009.

The Emadion channel operator had augmented the clip (warning: upsetting) with Italian subtitles for the benefit of local viewers. However, Emadion quickly received a copyright claim from BestMusic Digital, the representative of Romanian musician, Kazi Ploae si Specii, who claimed that the content was his.

Bemused, Emadion carried out some checks and found that the artist had uploaded a track titled ‘Valium‘. Sure enough, his track features a sample of the same 911 recording.

Believing that the copyright complaint was a mistake, Emadion filed a dispute with YouTube, but the response was not what they’d hoped for.

“After reviewing your notification, BestMusic Digital Distro has decided that the copyright infringement violation is still valid,” the notice read.

Furthermore, Emadion was advised that the 911 call video would now be monetized by the Romanian artist, alongside a warning of the implications of making a further unsuccessful appeal.

“You may appeal this decision, but if the author does not accept your appeal, you may receive a warning in your account,” YouTube advised.

Of course, any YouTube user would have a right to be worried by this notice. One dispute had already been rejected, why wouldn’t a second?

Concerned, a representative of Emadion contacted TF for advice. Could the 911 call really be copyrighted by this artist? In a word, doubtful. Connecticut, where the recording took place, treats 911 tapes as public records and makes them available online.

So, at this point the pitchforks were getting sharpened ready to deal with the aggressive copyright holder who was ‘bullying’ the little guy into submission. With a critical article already underway, TF contacted BestMusic Digital for comment. Their response was unexpectedly quick, frank, and friendly.

“We have revised the track from the artist that you mentioned, deleted the track and removed the material from YouTube. It seems that the artist used that sample in his track and uploaded it to our system for the use of Content ID,” a company spokesperson advised.

“As standard when uploading tracks to our system for Content ID, artists accept the [terms and conditions] stating that they have full rights over the uploaded content. On the other hand, there are underground artists that don’t always do things by the book and this is how things like these happen.”

Within minutes a very happy Emadion confirmed that the complaint had been withdrawn and the threat of a strike lifted. A great result. However, one thing hadn’t quite been cleared up – why was Emadion’s dispute rejected?

“It was just an error on my part. I clicked the wrong button. I resolved it when I saw your email,” TF was told.

While tales of happily solved copyright disputes aren’t the usual fodder of these pages, hopefully this one will prove helpful.

YouTube’s dispute process is somewhat clinical, and communication through it can prove frustrating for users. However, it’s worth remembering that there are real human beings at the ends of these problems and as a result there’s an opportunity for discussion and negotiation, person to person.

It might not always work, but it has to be worth a shot.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Die Woche im Video: Kleiner PC, großer Planet

Die Raumsonde Juno trifft auf Jupiter, Deutschland trifft viele Elfmeter (nicht) und ein Mini-PC wird mal nicht von seinen Treibern ermordet. Sieben Tage und viele Meldungen im Überblick. (Golem-Wochenrückblick, Urheberrecht)

Die Raumsonde Juno trifft auf Jupiter, Deutschland trifft viele Elfmeter (nicht) und ein Mini-PC wird mal nicht von seinen Treibern ermordet. Sieben Tage und viele Meldungen im Überblick. (Golem-Wochenrückblick, Urheberrecht)

China’s new radio observatory is 200 meters larger than Arecibo

With the FAST telescope construction complete, next comes first light in September.

This photo taken on June 27, 2016 shows the FAST at night. (credit: Xinhua photo/Liu Xu)

For half a century, the National Science Foundation's Arecibo telescope, sited in Puerto Rico, has been the world's largest radio observatory. It measures 305 meters across and among other major discoveries has confirmed the existence of neutron stars. The observatory also featured prominently in the movie Contact.

But now a Chinese observatory has superseded Arecibo. According to China's Xinhua news service, installation of the 500-meter FAST radio telescope is complete, with the last triangular reflector put into place. The observatory is expected to begin observing the heavens in September.

China has spent $180 million on the telescope since beginning construction in 2011 and will devote the next couple of years to testing and refining the massive instrument. After Chinese researchers receive the initial opportunities to use the telescope the government plans to open it to scientists worldwide, said Peng Bo, director of the NAO Radio Astronomy Technology Laboratory.

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