Beating studios to the punch, J.J. Abrams reveals Axanar suit will be dropped

Star Trek director says suing “was not an appropriate way to deal with the fans.”

My favorite video


On Friday evening at a Star Trek fan event, director J.J. Abrams indicated that CBS and Paramount would drop a copyright infringement lawsuit against Axanar Productions, a fan-led, crowd-funded production company created to make production-quality Star Trek fan fiction. CBS and Paramount confirmed Abrams' comment to Buzzfeed reporter Adam Vary after the event.

Vary also reported that Alec Peters, Axanar's executive producer who was in the audience on Friday night, was unaware that the two studios were intending to drop the suit against his company until he heard Abrams' story that evening.

CBS and Paramount filed the lawsuit against Axanar Productions and its executive producer, Alec Peters, in December. Although the two companies have encouraged fan fiction in the past, the Axanar project intended to make a professional-looking Star Trek feature film, even hiring people who had worked on canon Star Trek installments before, and CBS and Paramount took umbrage with that plan. In March, lawyers for CBS and Paramount detailed many of the specific instances in which Axanar Productions had allegedly infringed on the studios' copyrighted works during a 20-minute prequel called Prelude to Axanar. Although Axanar Productions filed a motion to dismiss the lawsuit, a judge ruled in early May that the fan-supported company would have to face the allegations from CBS and Paramount in court.

Read 3 remaining paragraphs | Comments

Ancient meteor strikes sent ice-rich tsunamis across the surface of Mars

Debris seem to suggest two tsunamis originated in ancient ocean.

(credit: Alexis Rodriguez)

Lots of evidence suggests that Mars once had copious amounts of water. There's even some evidence that the planet may have had a large ocean covering the northern pole of the planet. But the existence of the ocean remains controversial. An ostensible shoreline isn't visible across the entire basin that would have been occupied, and arguments have been made that ice would have covered any significant body of water.

Now, however, a large team of scientists has put forward an idea that may help reconcile a number of the apparent contradictions: giant Martian tsunamis. They suggest that one particular region of the red planet they've looked at contains evidence for two of them, the second of which may have driven an icy slurry across Mars' coastal plains.

If you assume an ocean was once in place on Mars, then a tsunami is probably a predictable event. The authors estimate that, in the region they're looking at (part of the Arabia Terra), a meteor big enough to carve out a 30km wide crater would have hit about once every 15 million years. For the area in question, that translates to 23 of these impacts during the time the ocean was thought to be in place.

Read 7 remaining paragraphs | Comments

Fair Use Needs Protecting & All Abusers Need to Be Punished

Fair use is an extremely important facet of copyright law and it needs to be defended when it’s wrongly targeted under the DMCA. So, let’s get down to business. Those who attempt to stifle it should get punished. And, to balance things up, those who blatantly claim fair use when it’s clearly not warranted should get punished too.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

copyright-bloodFor readers unfamiliar with her work, Ellen Seidler is a multi-talented filmmaker, journalist, lecturer and photographer based in the United States. She is also one of the web’s most outspoken critics of online piracy.

Seidler’s crusade began following the release of her movie “And Then Came Lola” in 2010 which, along with every other movie ever, was pirated online. It’s clear from her posts on Vox Indie that this was a turning point and her motivation to highlight piracy’s harms at every opportunity.

This week Seidler published a piece titled ‘BOGUS fair use claims hurt creators already victimized by piracy‘ in which she continued her full frontal assault on Google/YouTube and its users, something that has become a feature of her writing in recent times.

“There was a lot of talk about fair use and takedown abuse at last week’s U.S. Copyright Office Section 512 roundtables in San Francisco. Many of those who spoke, bemoaned how poor, innocent uploaders were victimized, time after time, by malicious DMCA takedowns,” Seidler wrote.

“It’s a tried and true talking point, convenient, but disingenuous all the same. Some of us, myself included, tried to make the point that creators, whose work is routinely (and massively stolen), are often (doubly) victimized by malicious fair use claims.”

Although not mentioned directly, it’s likely that Seidler was referencing efforts by groups such as Fight For The Future and Channel Awesome to ensure that fair use is protected following any revision of the DMCA. They were at the discussions last week doing just that and to suggest those kinds of efforts are disingenuous is pretty unfair. But lets rewind.

As explained in her article, Seidler’s problem stems from the fact that some of YouTube’s users are uploading copyright-infringing content (in this case a full movie whose creator Seidler represents) and making it available via the platform. In this instance YouTube’s own ContentID system flagged the work correctly and the video was blocked. However, that wasn’t the end of the story.

“This YouTube user didn’t seem to think the rights holder had the right to block the full, infringing copy and promptly disputed the block,” Seidler wrote.

“Approval from copyright holder is not required,” the user reportedly wrote in a counter-notice. “It is fair use under copyright law. I don’t need to explain.”

Needless to say, this wrongful claim of fair use had Seidler seeing red.

“Despite all the testimony at last week’s roundtable about fair use and how copyright holders seek out to punish those who claim it using malicious takedowns, it’s worth pointing out, yet again, that for every legit ‘fair use’ claim, there are also false, and rather malicious, abuses of that defense. It’s a fact conveniently overlooked by the anti-copyright apologists,” she wrote.

The above paragraph is somewhat frustrating. People wanting to exercise their legal right to fair use absolutely have a right to protest when they fear that right is under threat. Furthermore, people making fair use claims on a full movie have no connection with those using snippets of content for commentary, parody, criticism or news reporting purposes. That being said, Seidler definitely has a point.

Someone uploading a full movie to YouTube and then claiming ‘fair use’ absent of any of the defining features should not be allowed to do so without repercussions. If fair use is worth protecting then it stands to reason that supporters should not allow it to be abused. There’s little doubt that people claiming fair use in these circumstances hurt the cause.

So here’s a proposal. If we are to protect the sanctity of fair use then abusers need to be held to account, that means that people uploading full movies to YouTube and then filing for bogus fair use protection should have a strike put against their account and eventually terminated from the site.

In return, those who file bogus copyright claims against those who have a legitimate fair use defense should be held to exactly the same standards. File an erroneous claim against a legitimate video, get a strike against your Content ID account. Do it several more times, lose the right to file copyright complaints on YouTube.

Of course, this proposal is never likely to be accepted by the entertainment industries since they all screw up regularly and that would put them in a position of not being able to protect their works. While that would be unfortunate, the exercise illustrates a point.

Protecting content such as that published on Channel Awesome, for example, is just as important as protecting content pushed out by the studios. Therefore, if we are to deal with abuses of the DMCA and fair use then the same rules simply must apply to everyone – no exceptions.

Strikes on one side must be matched by strikes on the other. Deal?

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Star Trek Beyond trailer gives us a good look at our new bad guy

We’ve got shiny ships, aliens with oddly geometric lines on their faces, and an intense crash landing.

Daddy issues < badass motorcycles in the new Star Trek Beyond trailer.

 The second Star Trek Beyond trailer dropped this weekend, and it gives us a much better sense of what our heroes will be dealing with in this flick. For those who haven't been paying attention, the premise of the new movie is pretty simple: New bad guy Krall (Idris Elba, unrecognizable under spinyface makeup) wrecks the Enterprise with a seriously badass weapon; everybody is marooned on a planet; and there are motorcycles. Given that the movie was directed by Justin Lin of Fast and the Furious fame, you can bet that the action scenes are deluxe and the motorcycles look great.

Star Trek Beyond was co-written by comedian Simon Pegg, who plays Scotty, and the snippets of dialogue we get in this trailer are pretty hit-or-miss. All the daddy issues confessions we get at the beginning of the trailer are just awkward and feel like warmed-over crap from the first movie. But there are a couple of funny one-liners, and I like the repartee between Spock and Bones. But is this the Trek movie you've really been waiting for? Many fans felt like Star Trek Into Darkness was, shall we say, less than great. So there's nowhere to go but up.

The movie is out in the States on July 22. See you there.

Read on Ars Technica | Comments

Paramount Will End Case Against Fan-Funded Star Trek Film

Paramount Pictures and CBS Studios plan to end their lawsuit against the crowdfunded Star Trek spin-off ‘Prelude to Axanar’, director J. J. Abrams has announced. While the parties have yet to submit the paperwork to court, they are finalizing their settlement discussions.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

axanarEarlier this year Paramount Pictures and CBS Studios filed a lawsuit against the makers of a Star Trek inspired fan film, accusing them of copyright infringement.

The dispute centers around the well-received short film Star Trek: Prelude to Axanar and the planned follow-up feature film Axanar.

Among other things, the Star Trek rightsholders claim ownership over various Star Trek related settings, characters, species, clothing, colors, shapes, words, short phrases and even the Klingon language.

While the legal battle has barely got going it now appears it will soon end. During a Star Trek fan event on Friday, director J.J. Abrams announced that the case will be over soon, thanks to Star Trek Beyond director Justin Lin.

“We started talking about this realizing that this is not an appropriate way to deal with the fans. The fans should be celebrating this thing,” Abrams said.

“Fans of Star Trek are part of this world. So Justin went to the studio and pushed them to stop this lawsuit and now, within the next few weeks, it will be announced this is going away, and the fans will be able to work on their project,” he adds.

The news is welcomed by Axanar director Alec Peters, who posted a short message on Facebook a few hours ago.

“A huge THANK YOU to JJ Abrams and Justin Lin for their announcement last night that Paramount is dropping the suit against Axanar,” he writes.

However, the case isn’t completely over yet. The parties are still working on finalizing a settlement agreement and no official paperwork has yet been filed in court.

A settlement means that the case won’t be dismissed outright, but that the parties are coming to an agreement they are all satisfied with. Whether they intend to release any details on the nature of their agreement remains unclear at this point.

When Paramount and CBS filed the lawsuit earlier this year they accused the makers of exploiting the Star Trek franchise, so it’s likely that they are looking for financial compensation.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Formel E: Monaco-Feeling beim E-Prix in Berlin-Mitte

Kurze Geraden und enge Haarnadelkurven: Die Elektrorennserie Formel E hat den zweiten Berliner E-Prix mitten in der Stadt gestartet. Die Zuschauer auf den vollen Tribünen und Balkons rund um den anspruchsvollen Stadtkurs sahen ein spannendes und abwechslungsreiches Rennen. (Formel E, Elektroauto)

Kurze Geraden und enge Haarnadelkurven: Die Elektrorennserie Formel E hat den zweiten Berliner E-Prix mitten in der Stadt gestartet. Die Zuschauer auf den vollen Tribünen und Balkons rund um den anspruchsvollen Stadtkurs sahen ein spannendes und abwechslungsreiches Rennen. (Formel E, Elektroauto)

Thimbleweed Park is like discovering a new game from LucasArts’ heyday

Preview: Maniac Mansion creators have a charming spiritual successor on their hands.

Use Tuna with Balloon Animal

Do you remember the first time you played your favorite game? For me, it was the NES version of Lucasfilm Games’ Maniac Mansion in the early ‘90s. The point-and-click adventure was brutally hard, and it would take me years of on-and-off play to figure the entire mansion out. But I’d never seen anything like it before, and I was immediately enthralled.

We can’t get back our first experience with beloved games, but for fans of old-school adventure games, there’s something close: Thimbleweed Park.

Successfully Kickstarted in 2014, Thimbleweed Park is a classic-style point-and-click adventure from Maniac Mansion creators and industry vets Ron Gilbert and Gary Winnick. These two didn’t just make some of the most memorable games of all time; they created the SCUMM engine used by LucasArts adventure games throughout the ‘90s, setting the stage for titles like Day of the Tentacle, Sam & Max Hit the Road, and Indiana Jones and the Fate of Atlantis. Gilbert and Winnick recently showed off their new creation publicly and spoke to us a bit about the reaction so far.

Read 10 remaining paragraphs | Comments

Review: Garmin’s Vivoactive HR is more hardcore than Fitbit’s Surge

$250 tracker sits right in the middle of Garmin’s convoluted lineup.

Video shot/edited by Jennifer Hahn. (video link)

Garmin makes over 25 different fitness wearables that range from $99 to as high as $699. You can say this for Garmin—confusing as that lineup can be, the company has made a device for everyone.

The goal of its newly released $250 Vivoactive HR is to compete directly with the king of fitness trackers: Fitbit. With the same price and a nearly identical design, the Vivoactive HR and Fitbit's Surge go head-to-head in nearly every respect. By combining smartphone notifications with numerous fitness and sport tracking features, Garmin's new device is also stiff competition for other trackers like the Microsoft Band. The Vivoactive is neither the most expensive nor the cheapest product in Garmin's line, but for hardcore fitness enthusiasts, it could be the one that provides the best value for your money.

Read 19 remaining paragraphs | Comments

Imzy is a community platform where people pay each other for being nice

Maybe money can solve the social problems that plague sites like Reddit?

(credit: Nan Palmero)

Imzy is trying to be everything you want out of Internet community, minus the awfulness. Founded by a group of ex-Reddit employees, including Dan McComas and Jessica Moreno, the company has raised $3 million in investments, partnered with Lena Dunham and Dan Harmon's online communities, and attracted tens of thousands of users in closed beta. They did it based on one promise: they would not be like Reddit. What exactly that means depends on what you hated about Reddit in the first place.

For people like Dunham—whose email list known as Lenny Letter already has its own verified group in the new community—Imzy means being free from a lot of the harassment and trolling that haunts other platforms. Imzy CEO McComas told Ars via phone that part of the company's strategy is inviting a wide range of groups including Lenny Letter and Black Girls Talking to be part of Imzy from the start. "We're trying to get diverse groups to work with us now, because [as the company grows] you're only as diverse as your private beta. People tend to bring in people like themselves," he said. "If we waited a couple of years to address this, it would be too late. We would already have a cultural norm and that's tough to change." Essentially, Imzy is hedging against developing a community that would embrace groups like Reddit's racist r/CoonTown or the pro-rape subreddit r/rapingwomen. McComas added that a big part of their strategy is to pay community moderators—they have two working full time on staff already. "At Reddit, there was one staffer per 20 million unique visitors. We think we need a higher ratio of staff to community members,"

But as McComas admits, creating good policies around community and diversity don't really rake in the dough. That's why the backbone of Imzy is going to be their tipping and payment system. Currently the beta allows users to tip moderators and other community members, but in the long term the idea would be for each community to figure out how it wants to use its payment system. Comedian Dan Harmon, creator of the cult hit Community, has an Imzy group called Harmontown where members can pay $5 per month to listen in while Harmon tapes his weekly podcast. Imzy gets a cut of those payments. In the longer term, with Imzy providing a variety of tools for buying and selling, groups might form around selling clothing, games, or art. Imagine joining a group devoted to homebrew telescopes, and meeting people there who would sell you their latest kits, to your exact specifications. For Imzy, that's the goal.

Read 2 remaining paragraphs | Comments

Survive a wormhole in two-player video game W.U.R.M

Pilot or Base Command? The choice is yours.

Flying the W.U.R.M. (video link)

Walk into the room and you might be forgiven for asking, "This is my space ship?!"

W.U.R.M: Escape from a Dying Star is a low-fi, two-player space survival game that debuted the first week of May 2016 at Culture Hub as part of Creative Tech week in New York City. The "ship" is fashioned from foam and 3D-printed materials in the middle of an empty space, while the screen ahead displays an ever-shifting, dynamically generated wormhole.

Read 4 remaining paragraphs | Comments