Amazon: Jeff Bezos will Oscar gewinnen

Mit seinem Streaming-Dienst Amazon Prime Video will Jeff Bezos einen Oscar holen. Das Unternehmen will weiter in eigene Inhalte investieren und dafür weiterhin mit Star-Regisseuren zusammenarbeiten. (Amazon, Streaming)

Mit seinem Streaming-Dienst Amazon Prime Video will Jeff Bezos einen Oscar holen. Das Unternehmen will weiter in eigene Inhalte investieren und dafür weiterhin mit Star-Regisseuren zusammenarbeiten. (Amazon, Streaming)

How Hollywood Caught the UK’s Most Prolific Movie Pirates

Last week the UK’s most prolific movie pirates were handed sentences totaling 17 years. With claims in court that the men went to great lengths to hide their identities, just how easy was it to catch them? Papers detailing the investigation obtained by TorrentFreak reveal that tracking the men down was a relatively simple affair.

Source: TorrentFreak, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

spyFollowing a three year investigation by Hollywood-backed anti-piracy group the Federation Against Copyright Theft, last week five of the UK’s most prolific movie pirates were sentenced in the West Midlands.

Graeme Reid, 40, from Chesterfield, Scott Hemming, 25, and Reece Baker, 22, both from Birmingham, Sahil Rafiq, 24, of Wolverhampton and Ben Cooper, 33, of Willenhall, received sentences totaling 17 years.

The men were behind several interrelated movie release groups including RemixHD, 26K, UNiQUE, DTRG and HOPE/RESISTANCE.

“Over a number of years the groups illegally released online more than 2,500 films including Argo, the Avengers and Skyfall,” FACT said in a statement.

“The outreach of their criminality was vast. On just one website where the group shared their films there had been millions of downloads.”

Speaking at Wolverhampton Crown Court, FACT prosecutor David Groome said that the men had gone to great lengths to avoid being detected. But was that really the case and just how easy was it to track them down?

TF has obtained papers detailing the FACT investigation and they reveal that unmasking the men was surprisingly easy. In descending sentence length:

Sahil Rafiq – Jailed for 4 years and 6 months

In July 2012 a FACT investigator began monitoring Rafiq’s release group, 26K. He found that many of the torrents had been uploaded by a user known as ‘memory100′.

It was discovered that ‘memory100′ had a profile on torrent site Torlock and it was determined that the same user also went under other names including ‘sohail20′, ‘hail_alpha’ and ‘froggie100′, with the former laying down the golden crumb.

In 2012, Sohail20 had posted on a forum belonging to online retailer PC Specialist. In that post he complained about issues he was having with a laptop.

“Could you help me out?” he asked. “Kind Regards, Sahil Rafiq.”

Further searches on the name Sohail20 revealed an account on PhotoBucket and a Memory100 logo file named memory100.jpg (now removed).

Suspecting they were closing in, FACT’s investigator turned to Facebook and found Rafiq’s profile. From there they found his place of work, a science school in Wolvehampton in central UK. FACT then turned to credit reference agency Equifax which revealed Rafiq’s home address. These details were handed to the police.

Reece Baker – Jailed for 4 years and 2 months

In 2012 the same FACT investigator began monitoring Baker’s release group ‘HOPE’. In the ‘NFO’ (information) files attached to a HOPE release, it was revealed that the encoder was called ‘Baker92′ while detailing a Hushmail email address where he could be contacted.

In another NFO file Baker would make a fatal mistake with the comment “My First Encode Comment & Tell Me What You Think – Plus I Love My Baby Momzie Ria”

After finding a post on torrent site Myris.me which indicated that Baker92 had been a member of another release group DTRG, FACT again turned to Equifax. Presuming the ’92’ in his nickname related to his birth year, FACT searched for any person named Baker born in 1992 with an association to anyone called Ria. This led FACT – and the police – to Reece Baker’s front door.

Graeme Reid – jailed for 3 years and 6 months

During the same month in which FACT investigated 26K, the anti-piracy group discovered from the group’s NFO files that they were affiliated with Reid’s group, RemixHD.

An NFO file for the movie 21 Jump Street revealed that the encoder was a person known as ‘Reidy’ who could be contacted at Hushmail email address. Hushmail is known for its security but that has limits – Reid used the same email address on his Facebook page where he described himself as an “encoder” who lived in Chesterfield.

FACT then turned to the Electoral Register and subsequently discovered Reid’s home address which was passed to the police.

Ben Cooper – jailed for 3 years and 6 months

During July 2012, when FACT were investigating HOPE, they discovered an associated user called ‘Cooperman666′ who also used a Hushmail email account. Again, an NFO file for a movie helped to make links, indicating that the encoding had been done by ‘Cooperman’.

Subsequent searches revealed that Cooperman666 was also an encoder for release group ANALOG and in their NFO files a Live.com email address was listed for contact. However, that same email address was also used for a Facebook account held in the name of Ben Cooper. That page revealed he lived in Wolverhampton and was born in 1981.

FACT turned to Equifax and the credit agency provided Cooper’s personal details.

Scott Hemming – 2 year suspended sentence

In July 2012, when FACT were investigating 26K, the anti-piracy group identified people who were formerly members of another release group known as DTRG. NFO files examined by FACT listed the encoder as ‘Kareemzos’ who could be contacted on the email address “iencodefordtrg@live.co.uk”

After linking Kareemzos to other groups including MARGIN, UNiQUE and INSANE, FACT then struck lucky. Posts made on Virgin Media’s support forum listed the same email address as above and it appears that the ISP later revealed that the associated account belonged to Hemming’s mother.

Again, Equifax provided the missing link by confirming that Hemming lived at the same house.

Conclusion

The above confirms that no amount of encryption is a replacement for basic Internet ‘hygiene’. Using the same aliases and email addresses across multiple sites while including birth dates and nicknames that point to real identities is clearly a recipe for disaster.

While FACT clearly did their homework and worked extremely hard to get convictions, the actions taken by these men to hide their identities aren’t shining examples of the art.

Coming next

After FACT and police tracked the men down to their homes, what happened next, what did they hope to find and how could this evidence be connected to their crimes? That article is coming up soon….

Source: TorrentFreak, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Spiele 2015: Postnukleare Abenteuer und verhexte Grafikdowngrades

Trotz einer ultrakurzen Marketingkampagne hat Fallout 4 sich zum wohl größten Erfolg 2015 gemausert – und damit ein Problem bei der Entwickler von The Witcher 3 vermieden. Was sich sonst noch bei Games und Hardware getan hat, verrät der Jahresrückblick von Golem.de. (Fallout 4, Microsoft)

Trotz einer ultrakurzen Marketingkampagne hat Fallout 4 sich zum wohl größten Erfolg 2015 gemausert - und damit ein Problem bei der Entwickler von The Witcher 3 vermieden. Was sich sonst noch bei Games und Hardware getan hat, verrät der Jahresrückblick von Golem.de. (Fallout 4, Microsoft)

Star Wars: The Force Awakens, Other New Films, Hits Piracy Scene

A successful hacking attempt may mean that many, if not all of this holiday season’s hit films are now, or will soon be available to download on piracy sites.A torrent for the box office darling of the moment, the new Star Wars sequel by J.J. Abrams, h…



A successful hacking attempt may mean that many, if not all of this holiday season's hit films are now, or will soon be available to download on piracy sites.

A torrent for the box office darling of the moment, the new Star Wars sequel by J.J. Abrams, has also been leaked online in a separate incident.

Piracy release group Hive-CM8 says they have access to more than 40 DVD screeners of recent films that they plan to upload online following the group's upload of Quentin Tarantino's 'The Hateful Eight'.

Screeners are sent to industry insiders, reviewers and members of the Academy of Motion Picture Arts and Sciences during reward season. These DVDs, also sometimes digital copies, are watermarked to allow the source of potential leaks to be traced.

An FBI investigation has been launched, and they have traced the source of the leak to Andrew Kosove, co-CEO of Alcon Entertainment. Kosove has agreed to cooperate fully with the FBI, and claims that the DVD screeners of 'The Hateful Eight' never reached him in person, suggesting that the leak possibly occurred earlier in the chain of distribution.

Hive-CM8 has also released DVD screener copies of 'The Revenant', 'Creed' and 'Legend'.

Meanwhile, pirated versions of the current box office lead and potential candidate to become the most successful movie ever, 'Star Wars: The Force Awakens', is now available to download on most piracy sites. The pirated versions are all "cam" copies, meaning they were recorded in a film theater using a digital recording devices, such as a phone or a camcorder. 

The initial leak was a very poor quality copy in Spanish, but more releases are now available complete with English intro text crawl and soundtrack, in good quality (for a cam release).

The available of pirated copies of the eagerly anticipated film seems to have had little effect on the box office fortunes of director J.J. Abrams's take on the Star Wars universe, with the film currently breaking almost all box office records in all markets around the world.

El Paquete Semanal: How Offline Piracy Flourishes in Cuba

For more than a decade many Cubans have been pirating the latest entertainment without a proper connection to the Internet. Instead, they have built their own person-to-person distribution network to share a weekly package of pirated material: El Paquete Semanal.

Source: TorrentFreak, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

piratebookFor hundreds of millions of people piracy is mostly an online phenomenon.

However, in countries where an open and accessible Internet is rare, the public turns to other forms of peer-to-peer communication.

Ernesto Oroza, artist, designer and author based in South Florida, explains in detail how Cubans have shared the latest entertainment through innovative distribution channels for more than a decade.

The article below appears in The Pirate Book, a collection of articles and guest contributions covering unique cultural and historical facts and perspectives on online and offline piracy.

The Pirate Book was edited by Nicolas Maigret & Maria Roszkowska and can be downloaded for free. Hard-copies are also available on request.


El Paquete Semanal

by Ernesto Oroza

seman
El Paquete ad (photo credit)

Origins And Present Time

It all started maybe 10 or 15 years ago. I remember that my nephew was the first one in the family doing it. He had a little USB hard drive, and one day he got a large quantity of films from a neighbor – things such as National Geographic nature documentaries, music, action films, and video clips.

Computers were rare in Cuba at the time. You could find maybe one computer on each block. Some people who had computers started collecting and selling kits of digital contents; it became a way to earn money. You could buy one terabyte of contents, connect the hard drive directly to a television, and watch it without any computer. You just needed to bring your own hard drive to the seller and transfer the files at his place.

You could even customize the package by asking for a part of it only (to save money) or for more specific contents (only kung fu movies, TV shows, games, music, etc.).

Today, El Paquete could include series, films, soap operas (people love Korean soap operas right now), documentaries, music, video clips, reality shows, graphic humor, comics and cartoons, software, apps, antivirus software, language courses, magazines in PDF format, advertising, and an offline version of Revolico, among other materials.

The contents for each issue of El Paquete are usually collected from online sources. Some foreigners and people connected to foreign companies, embassies, or consulates have satellite antennas in their houses, and some people have illegal satellite antennas too.

El Paquete hard drive, a pouch that protects the disc and a USB cable (photo Ernesto Oroza)

paqdisk

Maybe the creators of El Paquete are people working for the government in official institutions with large digital bandwidth that allows downloading long videos and music compilations. The fact is that somebody is recording the materials, transferring them onto hard drives, and preparing a new compilation every week (El Paquete Semanal, “The Weekly Package”).

There’s also extensive clandestine traffic of digital devices between Cuba and Miami. This includes USB flash drives and hard drives, but some cultural content for El Paquete is also transported this way.

The cost of a full El Paquete is about 1 CUC (24-25 Cuban pesos), so in terms of local income, it’s expensive given that the average monthly salary is between 15 and 20 CUC a month. But in Cuba quite often multiple generations live in the same house: grandparents, parents, and children. So the expense of a single copy of El Paquete is often shared among the extended family.

For those who distribute the package, the cost, if acquired directly from the matrix, varies according to the day on which it was bought between 10.00 CUC and 3.00 CUC, Sunday being the most expensive. These dealers cross the city by bike and have dozens of clients who spend 10 CUC weekly.

Now there is new street vendor license available named “Disk Seller and Buyer,” so many people are selling partial contents of El Paquete using DVDs and CDs, especially series, video clips, and international soap operas.

Anti-Paquete

El Paquete became a big problem in Cuba because the government is particularly afraid of this mode of content distribution. According to the authorities, not only is it out of control and promotes contamination by American culture, its artistic/intellectual level is also quite low, as it’s full of American blockbusters and Mexican soap operas.

The government claims that Cubans instead need educational material for young people, something that is good for the new generation, not films with sex or violence. Nevertheless, I remember that for many years every Saturday at 9 p.m. you could watch two or three pirated American movies on national television, blockbusters like Die Hard for example. People loved it, and it was common to say in a conversation that something was like “Saturday’s film,” meaning that it had sex and violence.

But when the phenomena of El Paquete started, the real preoccupation of the government wasn’t the artistic quality Ad from a collector & seller of pirated movies and other materials in Cuba. This ad was distributed in El Paquete 8-8-2015. of its content, but politics; they didn’t want it to be used for spreading information against the government.

Ad from a collector & seller of pirated movies and other materials in Cuba, distributed in El Paquete 8-8-2015 (photo: Ernesto Oroza)

adcoll

This USB package was spontaneous, unpredictable, and impossible to control. Of course it quickly became illegal; if you were caught selling it, you could go to prison or the government could confiscate your computer. But some other methods to stop El Paquete were also tested.

One example was the creation of a direct rival: the authorities made their own Paquete named Maletín or Mochila, which means a “bag” or “backpack” in English. Inside, instead of US blockbusters, you could find classical movies and music and educational materials. Actually, people found it very boring and nobody liked it, so this anti-Paquete system was a total failure.

And of course it was just as pirated as the clandestine one: the government did not pay for its contents either; it was all “stolen.”

An advertisement for “El Maletín”, governmental anti-paquete (photo credit)

anti-paq

Another attempt involved the creation of anti-Paquete propaganda: I remember a very dramatic report on the TV news about computer virus attacks all over the world that showed USB and El Paquete iconography and claimed that hackers could use these viruses to steal your information or destroy your computer.

Another faction of the government, mostly intellectuals, are proposing to contaminate El Paquete with cultural contents, I guess Godard, Glauber Rocha, and Bergman, but for many this will be an extension of the indoctrination that Cubans have endured for more than 50 years through information, education, and cultural systems.

Anyway, before the government proposed it, some cultural producers such as reggaeton singers, filmmakers, designers and editors, among others, began using El Paquete for the distribution of their works and activities. There are even some original materials created specifically for this distribution channel.

There are many local bands which created video clips especially for El Paquete: national television does not promote them and YouTube is banned, so they use El Paquete for distribution and promotion (e.g., La Diosa “El Paquete with a strong message: “If you’re not inside the Paquete, you don’t
exist!”).

Web in a Box

Revolico is the Cuban version of Craigslist, a website where people can directly publish small ads to sell or exchange different kinds of goods and services: cars, jobs, clothes, animals, electronics, etc. The problem is that people need to have access to the Internet to use it, and in Cuba it’s mostly
impossible.

People in Cuba love and need Revolico because it’s the only way to exchange materials, information, and goods. So Revolico went inside El Paquete as a list of small ads. In a recent interview I conducted with the creators of Revolico, Hiram (a co-founder) explained that they are now working on a new offline version of this platform that will be ready soon to take advantage of the El Paquete distribution system.

SNet

Today, in Cuba more and more people have computers and other electronic devices such as tablets and smartphones, but home Internet and Wi-Fi access remains forbidden unless you have special permission from the Ministry of Communications (recently the government opened 35 points with public Wi-Fi around the country with a cost of 2 CUC per hour, and service is limited). As a consequence, there is a new phenomenon called SNet (Street Net), a sort of clandestine network.

Home-made Wi-Fi antenna, Cuba (photo credit)

homeatt

At the beginning young people started to use telephone cables to connect computers in the neighborhood in order to play games in a network. Later, they found a way to connect the computers using Wi-Fi. Today, this network consists of about 10,000 computers. The police also access the system to monitor the flux of information.

The government warns that if you share counter-revolutionary material or other forbidden content, it will break the whole SNet system. Despite this, SNet has become one of the main avenues for playing collective games and information distribution.

Besides SNet, there is also a governmental Internet, a very slow and monitored intranet. Every e-mail that is written in Cuba is tracked by the political police. There are many systems to monitor key words. Some government employees or institutions. An advertising for “El Maletín”, governmental anti-paquete have a faster and more direct Internet connection, with access to Yahoo, Hotmail, etc., but it’s still impossible to access other big international platforms such as YouTube and Google Maps.

Recently, I collaborated with some SNet administrators to test the possibilities of the net. We designed a small program and inserted it to produce a collective poem based in the exquisite corpse method. We got a poem of 3,000 words in just a week, meaning that many users of SNet were involved.



Note: Articles and interviews have appeared after the publication of the The Pirate Book, pointing to Elio Hector Lopez (aka The Transporter) as one of the main managers of El Paquete Semanal.

Source: TorrentFreak, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Weihnachten auf der ISS: Astronaut verwählt sich beim Erd-Anruf

“Hallo, ist das der Planet Erde?” Astronaut Tim Peake wollte einen Scherz machen – doch da er von der Raumstation ISS aus Versehen eine völlig Fremde anrief, sorgte er eher für Verwirrung. (ISS, Nasa)

"Hallo, ist das der Planet Erde?" Astronaut Tim Peake wollte einen Scherz machen - doch da er von der Raumstation ISS aus Versehen eine völlig Fremde anrief, sorgte er eher für Verwirrung. (ISS, Nasa)

Dolby Cinema: Twin laser projectors + object-based 3D audio = awesome

Dolby joins IMAX in offering laser tech that is much brighter and more colourful.

(credit: Iljitsch van Beijnum)

Earlier in the year, our own Sebastian Anthony had the opportunity to experience the new "IMAX with laser" cinema in Leicester Square, and it didn't disappoint. Not to be outdone, Dolby Laboratories invited Ars UK to the new JT cinema with Dolby Cinema in Hilversum, the broadcasting capital of the Netherlands.

Middle-aged Ars readers may remember Dolby from the Dolby B noise reduction system used with cassette tapes. Younger Ars readers are probably more familiar with Dolby through Dolby Digital, the codec used to encode most digital audio on DVDs as well as TV broadcasts and Blu-ray discs. (Dolby Digital started out as a way to add digital surround sound to film, where the digital information is encoded on the unused space between the perforations of the 35mm film, where it can be read optically.)

The latest Dolby audio technology in cinemas is Dolby Atmos, which supports a few more audio tracks than older systems—128 of them, in fact. However, Dolby Atmos improves upon previous surround sound technologies not by simply adding more channels. Instead, it allows sounds to be dynamically placed in a 3D space. This is used to great effect when noisy objects fly over the audience; it sounds very realistic. To allow for these effects, the JT cinema in Hilversum has no fewer than 60 speakers on the walls and the ceiling of its Dolby Cinema-equipped auditorium. Dolby Atmos is currently installed in several thousand cinemas worldwide and films such as Spectre and the new Star Wars are available with a Dolby Atmos mix (in compatible cinemas).

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Harbingers of failure: meet the customers you don’t want to love your product

If products you like keep getting discontinued, get used to it.

Unbeknownst to themselves, some of these apparently happy consumers are actually harbingers of failure. (credit: Flickr user Peter Hilton)

A central premise in marketing seems so obvious that it doesn’t even bear scrutiny: if customers give you positive feedback on your product, that’s good. And if those people buy the product repeatedly, that's even better.

But what if certain customers just don’t have great taste? Or, more precisely, what if their tastes don’t match up with those of the rest of the population? Positive feedback and early sales from these customers might actually not be good news—they could be a sign that the product’s going to tank.

A recent paper in the Journal of Marketing Research has identified a group of customers whose support for a product is a “harbinger of failure,” a signal that the product will eventually flop. “Increased sales of a new product by some customers can actually be a strong signal of future failure,” researchers write. So who are these people?

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Ars Technica’s (virtual) Performance Car of the Year

Unable to arrange a track test in 2015, we’ve done the next best thing.


2015 has been the year of the performance car here at Ars. We've spent some time behind the wheel of some quite powerful and exotic machines, from high-powered luxury sedans like the Tesla Model S P90D and Audi RS7 to mid-engined supercars from McLaren and Lamborghini. With a couple of exceptions though, we've had to be content with driving all of these cars on the road. That's been both informative and fun, but if you want to really get to know a car there's only one place to push it to its limits: the race track. Unfortunately we weren't able to arrange a big track test this year, so we've done the next best thing—we conducted it virtually at the Circuit of the Americas (COTA), using Forza Motorsport 6.

Almost all of the cars we drove in meatspace are digitally recreated in Forza 6, although we are missing the Porsche 991S, Volvo XC90 T8, and BMW i8. For a couple of other models we've had to substitute slightly—Audi's more track-focused TTS stands in for the regular TT, and the Model S P85D represents Tesla, since there's no Forza P90D yet. And finally, we've used two coupes (Chevrolet's Corvette Z06 and the McLaren 650S) where the convertible versions were unavailable.

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