Connected Standby: Microsoft kündigt Updates für Surface Book und Pro 4 an

Eine neue Firmware soll die Akkulaufzeit im Connected Standby verbessern: Microsoft hat Updates für das Surface Book und Surface Pro 4 in Aussicht gestellt. Beim Zeitpunkt ist das Unternehmen aber vage. (Surface Book, Mobil)

Eine neue Firmware soll die Akkulaufzeit im Connected Standby verbessern: Microsoft hat Updates für das Surface Book und Surface Pro 4 in Aussicht gestellt. Beim Zeitpunkt ist das Unternehmen aber vage. (Surface Book, Mobil)

Prozessor: Intel veröffentlicht Celerons mit Skylake-Technik

Aktuelle Technik für günstige Prozessoren: Intel hat die Celeron-Palette auf die Skylake-Architektur umgestellt. Bei etwas höherer Geschwindigkeit werden die Celeron-Chips sparsamer. (Skylake, Prozessor)

Aktuelle Technik für günstige Prozessoren: Intel hat die Celeron-Palette auf die Skylake-Architektur umgestellt. Bei etwas höherer Geschwindigkeit werden die Celeron-Chips sparsamer. (Skylake, Prozessor)

Lennart Poettering: Systemd implementiert DNSSEC trotz Bedenken

DNSSEC hat sehr viele praktische Probleme. Dennoch wird Systemd die Technik zum Absichern von DNS implementieren – auch wenn Systemd-Hauptentwickler Lennart Poettering das Protokoll selbst als “Scheiße” bezeichnet. (Fosdem2016, Server-Applikationen)

DNSSEC hat sehr viele praktische Probleme. Dennoch wird Systemd die Technik zum Absichern von DNS implementieren - auch wenn Systemd-Hauptentwickler Lennart Poettering das Protokoll selbst als "Scheiße" bezeichnet. (Fosdem2016, Server-Applikationen)

Grafikkarte: Polaris-Generation soll VR für Gamer erschwinglicher machen

AMD hat angekündigt, Polaris-Grafikkarten anzubieten, durch die Virtual Reality wie Oculus Rift günstiger werden soll. Zudem verriet der Hersteller, dass die Fury X2 mit zwei Fiji-GPUs 12 Teraflops liefert. (Polaris, Grafikhardware)

AMD hat angekündigt, Polaris-Grafikkarten anzubieten, durch die Virtual Reality wie Oculus Rift günstiger werden soll. Zudem verriet der Hersteller, dass die Fury X2 mit zwei Fiji-GPUs 12 Teraflops liefert. (Polaris, Grafikhardware)

Completely Ignoring the DMCA an Option for Torrent Sites?

Removing content when asked to by copyright holders enables file-sharing sites to comply with the DMCA and its European equivalents. However, with many large platforms now of interest to the police, is there any point in them complying with copyright law? Or does compliance ensure that sites live to fight another day?

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Any site offering a facility for users to upload content has to be aware that some of that material is likely to infringe on someone’s copyrights. For sites aiming to please the United States of America, that means having a registered DMCA agent, at the very least.

For sites further afield, Russia for example, the DMCA is of little concern, but that doesn’t absolve them from copyright responsibilities. This week and after years of friction, the Russian state finally ordered the blocking of RuTracker, the country’s most popular torrent site.

The decision prompted an interesting response from the site. Instead of honoring takedown notices from copyright holders, RuTracker downgraded all of the special accounts it had given to anti-piracy outfits, effectively revoking their ability to take any content down. The message was essentially this: We cooperated and you still blocked us – *&$% you!

Of course, this attitude to copyright law is nothing new. The Pirate Bay has refused to take anything down on copyright grounds from day one and yet it remains up today. However, The Pirate Bay is a giant site with huge resources at its disposal, meaning that keeping the site going in spite of the law is a completely achievable task.

While it’s common knowledge that TPB’s attitude has placed it on law enforcement radars, the same goes for dozens of other less aggressive sites too. All major torrent and streaming sites have been warned by the UK’s Police Intellectual Property Crime Unit that they consider their operations to be criminal, and the High Court has been happy to order local ISPs to block them all.

So given that the police would arrest the operators of most sites given the right resources, what is actually the point of taking down any content at all? Why aren’t sites simply giving copyright holders the middle finger as RuTracker did this week?

Getting site admins to talk on this topic isn’t easy, but this week and on condition of anonymity, TF spoke with the operators of several sites who agreed to share their thoughts on DMCA-style compliance. It appears that while sites have a precarious position, keeping on the right side of civil law is an important part of staying online.

“We had an email from [PIPCU] but we also had letters from other anti-piracy agencies for years now. We’re too far in to close and if we did our record [with the copyright holders / authorities] won’t be cleaned anyway,” one site operator informs TF.

“Our main problem is to stay hosted so we obey [takedown notices] to keep our host out of trouble. We do that we stay online. That’s all he asks. It works for us but every few months we have to move. Hosts get tired of complaints.”

Another site operator told us that while takedown notices still come in, dealing with them is a futile exercise that does nothing to take pressure off the site.

“There’s no point in taking down anything anymore,” he says.

“They now go after your server provider, domain registrar, domain reseller, domain NIC, mail hosting, DNS hosting and SSL provider, toilet paper supplier and even cocaine supplier. They go after whoever you can think of, even if you are compliant.”

But while there may be no point in expecting that dealing with DMCA notices will make life easier, one admin confirms that taking steps like those taken by RuTracker this week will eventually lead to problems.

“RuTracker will eventually run into issues with their server providers because A) They will be pushed hard from ‘someone’, B) The upstreams of their server providers will be pushed hard,” he explains.

“They will be pushed hard because they stated ‘fuck you’ to all MPAA/RIAA/etc.”

Generally, it seems that complying with the DMCA and its European equivalents is all about staying online. While some hosts appear to be less sensitive to the issue, most do not want to be dealing with endless complaints about copyright content not being taken down. After all, human patience has limits, whether the complaints received are justified or not.

The big question then is just how compliant sites are choosing to be. It’s common knowledge that sites like KickassTorrents and Torrentz comply with DMCA notices as a matter of course, the gaps in their search results and reports that torrents have been removed are a testament to that. Others (and it’s hard to say how many) now find it as important to be seen to be compliant to please their hosts.

Overall, it seems unlikely that many sites will publicly extend a middle finger to the DMCA, even though they know that complying with it does little to stop attacks on their infrastructure. It does keep them friendly with their hosts though, and while hosts may not like the hassle, they remain tolerant as long the balance between profit and time spent stays in the black.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Hollywood’s Fear of Technology Behind Continued Use of ‘Easily Pirated’ Screeners

Hollywood’s reluctance to accept new technology may be the reason why top films keep on getting pirated.It’s become a tradition every awards season, that the year’s top movies, some still yet to hit cinemas, are leaked online via DVD scr…



Hollywood's reluctance to accept new technology may be the reason why top films keep on getting pirated.

It's become a tradition every awards season, that the year's top movies, some still yet to hit cinemas, are leaked online via DVD screeners sent to award voters. Many in the industry are already asking for a more secure way to get films to voters.

But according to a Variety report, Hollywood's fear of new technology and ironically, it's fear of piracy is why studios haven't adopted a more secure method to deliver the latest films to voters.

That more secure method would see the use of digital distribution, via a closed and secure ecosystem.

Despite the fact that sending a DVD via the mail, a DVD that can be taken, misplaced and shared, is far from a secure solution, studio execs have not warmed up to the idea of digital mainly because they fear there are piracy risks associated, despite being told that such a digital system would be 99% piracy proof.

Studios executives even worry about how many devices a digital screener can be viewed on for each voter - worried that too many devices could lead to piracy, despite the fact that a DVD screener can be viewed and shared much easier (and if said screener is uploaded online, the "too many devices" could turn into "unlimited number of devices").

Piracy aside, the other major issue is how to ensure voters are watching films in the way they were intended - not on smartphone screens or 7" tablets - something that could affect the vote. However, there is no guarantee that DVD screeners aren't being watched on small screeen laptops instead of on home theater screens, if they're being watched at all.

But it seems it's only a matter of time before the move to digital occurs, not because Hollywood has started to embrace new technology, but only because old technology can no longer be trusted upon, as this awards season has proven so costly.

VR games Audioshield, Hover Junkers lead latest wave of HTC Vive stunners

Stealth adventure, quarter-munching twin-gun blaster round out a thrilling list.

SEATTLE, Washington—How many times can a publication attend a virtual reality showcase and walk away stunned by something it's never seen before? Judging by the past few years of Ars' VR explorations, quite a few.

As such, we don't blame readers who might say, "Tap the VR brakes, Ars." Still, this week's SteamVR Developer Showcase event is forcing us to reach into the hyperbole bag once more. The event blew us away thanks to a number of never-before-seen stunners, along with previously announced HTC Vive titles that have only gotten better in the oven before their retail launch later this year. (April, we hope.)

"Room scale" VR is a tough sell, especially for people whose homes don't easily accommodate enough cleared-out space for walking around with a headset on, but while we've already been impressed with what the platform can support, we didn't think we could be impressed any further. We were wrong. Read below to see why we're currently trying to put our kids, pets, beds, and significant others up for adoption—so we can hurry up and make space for this incredible new platform. (Sorry, sweeties.)

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The Venture Bros. blew up its universe, moved to NYC—and stayed as fun as ever

Ahead of the season premier, Ars catches up with creators Jackson Publick and Doc Hammer.

Warning: This preview contains minor spoilers to recent events in the show's universe and elements of the upcoming season.

Sneak peek!

If there has been any constant running through the soon-to-be six seasons of The Venture Bros., it’s expanse. Things are never quite what they seem; they tend to be bigger, vaster, and way more complex.

This all started with the 2003 premiere, an episode any fan should rewatch if they would like to gasp at the advances since. (Creators Jackson Publick and Doc Hammer told Ars that the slick setting and animation awaiting viewers in this upcoming season has only been possible in the last two years. It’s not a technical evolution, though; “it’s our idiocy that makes it possible,” Hammer insisted.)

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How the Smithsonian is restoring the original USS Enterprise to full 1967 glory

If you’re in Washington, DC on Saturday, go see it in person! (We’re jealous.)

2016 is a big year for Star Trek fans—it's the 50th anniversary of the debut of the series! To mark the occasion, there will be a new film (Star Trek Beyond) and likely initial glimpses of the forthcoming new television series. But the Smithsonian National Air and Space Museum is doing its part, too.

The organization is currently carrying out important restoration work on the original Enterprise model, the one that was used in the filming of all 79 episodes of the original series. The model was donated to the Smithsonian in 1974, but it was taken out of public display in September 2015 since it was in dire need of conservation.

"We're working to both stabilize it and bring it to an appearance as people saw it in the show," Nicholas Partridge, a Smithsonian spokesman, told Ars.

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