Hilarious Remixers Hand Out Copyright Smackdown

An artist / collective famous for hilariously butchering famous tracks has just suckered several news outlets into publishing a textbook “copyright fail” story. D.J. Detweiler, whose work has to be heard to be believed, implied that Soundcloud claimed copyright infringement on a ‘remix’ of a famous silent track. In fact it was a carefully orchestrated stunt.

Source: TorrentFreak, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

det-logoConsidering the amount of publicity a wrongful DMCA notice can generate these days, it’s no surprise that when a gift of a story presents itself, people are happy to jump on board.

Unfortunately, however, some stories are more complex than they first appear and when that complexity is borne out of a deliberate desire to mislead, chaos is bound to ensue.

On November 25 a tantalizing piece appeared in Electronic Beats detailing how in an apparent desire to protect copyright, Soundcloud had finally gone too far. A follow-up piece from YourEDM put meat on the bones.

“Just when you thought Soundcloud couldn’t get any worse, they strike again harder than ever. Now reaching an all time low, Soundcloud has removed a track that is nothing but 4 minutes of pure silence due to ‘Copyright Infringement’ claims,” it declared.

The piece was uploaded to an account operated by D.J. Detweiler and consisted of a remix (if one could ever be possible) of the John Cage ‘track’ 4’33”, a famous performance consisting of nothing but silence.

det-dmca

“That’s right, a song that has literally no sound was flagged for removal. How? Because Soundcloud is lazy and takes shortcuts to flag and remove content,” the YourEDM piece continued.

“Instead of crawling the uploaded content for copyright material, which takes a decent amount of CPU power, Soundcloud has resorted into cutting that process out entirely and beginning to flag content based on JUST the track title.”

As recipes for outrage go, this was an absolute doozy and no wonder it was picked up by several publications in the days that followed. However, as is now becoming painfully obvious, the whole thing was a giant stunt. A statement from Soundcloud obtained by Engadget revealed the cringe-worthy truth.

“The upload referenced in the screenshot was not a track of silence and was taken down because it included Justin Bieber’s What Do You Mean without the rightsholder’s permission,” the company said.

“The respective user uploaded the track under the title “4’33”,” which is also the name of John Cage’s famous piece of silence but it was not, in fact, silence.”

So what were D.J. Detweiler’s aims? Well, trolling the press appears to be one. In a biting follow-up amid several retweets of regurgitated articles on the same topic, D.J. Detweiler posted the following image.


Another aim appears to be recreating the work of Cage to prove a point. Although Cage’s track 4’33” was supposed to be silent, ‘performers’ are expected to be present but not play. Unless done so in a vacuum, the resulting ‘performance’ therefore includes ambient noise. Equally, it appears that D.J. Detweiler’s ‘silence’ is now intentionally causing noise around the Internet too.

“We are making a remix of the original performance of John Cage. The only different thing is that we are making it on the internet in 2015, instead of doing it in a space like a theater, like John Cage did. The whole environment around what we’re doing is the performance because everybody’s reacting.”

But trolling and frivolity aside, it does appear that DJ Detweiler have a copyright message to deliver.

“When John Cage wrote that piece, one of the main reasons was because he was trying to ask, who owns the silence? Who has the copyright for the silence?” they ask. “The laws surrounding copyright at this point seem highly outdated and need some sort of reformation, and we just want to push that.”

While the group have certainly achieved their aims, it’s perhaps a bit of a shame that’s been achieved at the expense of publications who mainly appeared to have sympathy with often overreaching copyright law.

That being said, when one looks at DJ Detweiler’s Facebook and homepages (epilepsy warning!), the value of doing more research really starts to pay off.

DJ Detweiler are taking part in a panel discussion about “branding, hype and trends” this Thursday at the 3hd Festival in Berlin. He’s described as an individual there but at this point, who knows?

In the meantime enjoy his/their remix of Sandstorm, Smack My Bitch Up, and my personal favorite, DJ Hazard’s Mr Happy.

Source: TorrentFreak, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

As NASA discards reusable engines, Blue Origin and SpaceX push new frontiers

Jeff Bezos and Elon Musk are chasing the dream of low-cost, recycled rockets.

Four reusable RS-25 engines will power NASA's SLS rocket as it ascends into space, and then they'll be discarded. (credit: NASA)

On the Monday before Thanksgiving NASA made what it deemed a momentous announcement: the space agency had awarded $1.16 billion to Aerojet Rocketdyne for rocket engines that would power its “Journey to Mars.” By contrast, a few hours earlier, the private space company Blue Origin secretly launched a rocket into space and safely landed it. The contrast between the deal struck in corridors of Washington D.C. and what had happened in the desert of West Texas could not have been more stark.

The engines that will power NASA’s new rocket, the Space Launch System, were first developed in 1970. These RS-25 engines that gave the space shuttle its thrust were engineering marvels; with some refurbishment NASA could use them over and over again. But now NASA is funding a contract to restart production of those old engines because they would no longer be reused. Like the rest of the massive SLS rocket, its engines will be used once and then burn up in the atmosphere.

In contrast to the billions of dollars NASA spends on legacy hardware, Blue Origin has received about $25 million from the agency during its 15-year existence. That’s less than the cost of a single RS-25 engine. With the launch of its New Shepard vehicle, Blue Origin has gone not only for reusable engines but a reusable booster and a reusable spacecraft. Why? Because this approach is much, much cheaper than throwing flight-quality hardware away after every launch.

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Environmental Protection Agency sets new renewable fuel standards for 2016

Renewables will make up 10.1 percent of the fuel supply, mostly from corn.

(credit: Robenalt @ Flickr)

For the first time since 2013, the US Environmental Protection Agency has issued renewable fuel standards for the nation, upping the amount of ethanol in our gasoline supply. In 2016, renewable fuels—mostly corn ethanol—must make up 10.10 percent of the national fuel supply, or 18.1 billion gallons. The EPA also issued final renewable fuel standard for 2014 and 2015, showing that next year's target is a slight increase over the past two years. In 2014—the last year that the Energy Information Administration has calculated total US gasoline consumption (136.8 billion gallons), the total percentage of renewable fuels was 9.2 percent, or 16.3 billion gallons.

Almost all of this ethanol will make its way into our cars in the form of E10 gasoline, which is a blend of 10 percent ethanol and 90 percent gasoline. E10 is widespread throughout the US, and mandated in a number of states (mainly throughout the midwest). The ethanol acts as an oxygenator and anti-knocking agent for the fuel, replacing the groundwater pollutant MTBE (which itself replaced tetraethyl lead). E10 is slightly less energy dense than "regular" gasoline and so cars' fuel economy will be three to four percent lower when using the fuel. This is offset by slight decreases in CO emissions (as well as the intended reduction in greenhouse gases).

In 2016 the overall percentage of renewable fuels will be just over 10 percent, leading to criticism from the oil industry warning about damage to our cars' engines and fuel systems. At higher concentrations, ethanol-gasoline blends can be corrosive to some metals and materials used for hoses, gaskets, and seals; generally blends above E10 (E15 and E85) should only be used by "flex-fuel" vehicles that have been designed to tolerate the increased ethanol levels. Neither have much popularity in the US though, being confined mainly to corn-producing states in the midwest.

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Unix-Desktop: Enlightenment 20 erscheint mit Wayland-Unterstützung

Der minimale Desktop Enlightenment ist in Version 20 veröffentlicht worden. Sie soll eine vollständige Wayland-Unterstützung bieten, noch gibt es bei der Oberfläche jedoch Probleme mit Details des designierten X11-Ersatzes. (Enlightenment, Linux)

Der minimale Desktop Enlightenment ist in Version 20 veröffentlicht worden. Sie soll eine vollständige Wayland-Unterstützung bieten, noch gibt es bei der Oberfläche jedoch Probleme mit Details des designierten X11-Ersatzes. (Enlightenment, Linux)

Just Cause 3 im Test: Bombast-Action im Inselparadies

Urlaub der anderen Art: In Just Cause 3 geht es darum, in kurzer Zeit so viel Zerstörung wie möglich anzurichten. Hauptfigur Rico Rodriguez kann auf ein riesiges Arsenal an Waffen und Ausrüstung zugreifen – muss sich aber neben feindlichen Soldaten auch mit Klischees herumärgern. (Just Cause, Spieletest)

Urlaub der anderen Art: In Just Cause 3 geht es darum, in kurzer Zeit so viel Zerstörung wie möglich anzurichten. Hauptfigur Rico Rodriguez kann auf ein riesiges Arsenal an Waffen und Ausrüstung zugreifen - muss sich aber neben feindlichen Soldaten auch mit Klischees herumärgern. (Just Cause, Spieletest)

Qnap TAS-x68: NAS-System mit QTS und Android als Betriebssystem

Qnap versucht nun auch ein anderes Betriebssystem, nachdem der Speichersystemhersteller bereits den Einsatz von AMD-Prozessoren in NAS-Systemen gewagt hat: Android neben QTS bieten die neuen NAS TAS-168 und -268. (Qnap, Speichermedien)

Qnap versucht nun auch ein anderes Betriebssystem, nachdem der Speichersystemhersteller bereits den Einsatz von AMD-Prozessoren in NAS-Systemen gewagt hat: Android neben QTS bieten die neuen NAS TAS-168 und -268. (Qnap, Speichermedien)

Sicherer Passwortspeicher: Berliner Polizeibeamte fallen auf Phishing herein

Lassen sich Polizeibeamte durch Phishing-Versuche täuschen? Offensichtlich schon – bei einem Test haben Beamte ihre Zugangsdaten in einem “sicheren Passwortportal” hinterlegt. Außerdem gab es einen ungewöhnlichen DDoS-Angriff auf die Berliner Polizei. (Security, E-Mail)

Lassen sich Polizeibeamte durch Phishing-Versuche täuschen? Offensichtlich schon - bei einem Test haben Beamte ihre Zugangsdaten in einem "sicheren Passwortportal" hinterlegt. Außerdem gab es einen ungewöhnlichen DDoS-Angriff auf die Berliner Polizei. (Security, E-Mail)

Messenger: Whatsapp blockiert Links zu Telegram

Kleinkriege mit Konkurrenten hätte Messenger-Marktführer Whatsapp eigentlich nicht nötig. Trotzdem sperrt der Nachrichtendienst derzeit Hyperlinks, die zu Telegram.me führen – wo es auch schon eine Vermutung gibt, wie die Sache weitergeht. (Whatsapp, Soziales Netz)

Kleinkriege mit Konkurrenten hätte Messenger-Marktführer Whatsapp eigentlich nicht nötig. Trotzdem sperrt der Nachrichtendienst derzeit Hyperlinks, die zu Telegram.me führen - wo es auch schon eine Vermutung gibt, wie die Sache weitergeht. (Whatsapp, Soziales Netz)

Apple Music und Digital Concerthall: Große und kleine Musik-Streaming-Anbieter im Vergleich

Focus@will und Concert Vault: Noch nie gehört? Diese Streaminganbieter können neben großen Diensten wie Spotify und Apple Music eine wahre Fundgrube für Musikliebhaber sein. Wir vergleichen die großen Plattformen mit den kleinen Diensten. (Apple Music, Ogg)

Focus@will und Concert Vault: Noch nie gehört? Diese Streaminganbieter können neben großen Diensten wie Spotify und Apple Music eine wahre Fundgrube für Musikliebhaber sein. Wir vergleichen die großen Plattformen mit den kleinen Diensten. (Apple Music, Ogg)

Patriot Act: Nach elf Jahren darf Unternehmer über FBI auspacken

Der US-Unternehme Nicholas Merrill bekam vor mehr als 11 Jahren einen National Security Letter – er sollte die Daten seiner Kunden an das FBI verraten – und durfte nicht darüber sprechen. Jetzt hat Merrill einen Erfolg vor Gericht erzielt und darf über die Anfrage öffentlich sprechen. (NSA, Internet)

Der US-Unternehme Nicholas Merrill bekam vor mehr als 11 Jahren einen National Security Letter - er sollte die Daten seiner Kunden an das FBI verraten - und durfte nicht darüber sprechen. Jetzt hat Merrill einen Erfolg vor Gericht erzielt und darf über die Anfrage öffentlich sprechen. (NSA, Internet)